Book Review: The Night Ocean by Paul La Farge
Posted on March 27, 2017 25 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Night Ocean by Paul La Farge
Mogsy’s Rating: 4 of 5 stars
Genre: Historical Fiction, Mystery
Series: Stand Alone
Publisher: Penguin Press (March 7, 2017)
Length: 400 pages
Author Information: Website | Twitter
The Night Ocean is not my usual genre, I confess, but its subject matter was simply too enticing to resist. While it’s true that I’ve always been drawn to books inspired by the writings of H.P. Lovecraft, perhaps just as interesting—if not more so—are the stories about the man himself. A pioneer of weird fiction, his lasting influence on the horror genre can be seen all around us, and yet, there is also a darker side to his legacy. In life, Lovecraft held some repugnant views, and in many fandom circles his racism and bigotry are still discussed almost as much as his work today. Still, love him or hate him, there appears to be a fascination with HPL’s work and personal life which cannot be denied.
Perhaps I should back up a bit, though. While indeed The Night Ocean explores the life of Lovecraft, it does it in a most unconventional and bizarre manner (which I’ll talk more about later), weaving fiction and history into a far-reaching chronicle that also ties in the lives of many other characters. Some of these names will even be familiar to Lovecraft and Horror/SFF aficionados, but first we begin this story with the tragedy of Dr. Marina Willett and her husband Charlie.
It all started with The Erotonomicon. Said to be the erotic diary of H.P. Lovecraft but later claimed to be a hoax, almost all copies are said to be destroyed back in the 50s, but somehow Charlie manages to track one down. As a life-long speculative fiction fan and a writer by trade, Charlie wants to make his next book an investigative piece about the diary, a decision that ends up plunging him into an all-consuming obsession with Lovecraft, much to Marina’s dismay. At the heart of Charlie’s project is a particular entry written in The Erotonomicon about a summer in 1934 involving Lovecraft and his friend Robert Barlow, a gay sixteen-year-old fan with whom the author stayed for a number of weeks while on a visit to Florida. Later known as the author and anthropologist R.H. Barlow, Robert also ended up collaborating with Lovecraft on several stories including “The Night Ocean”, which this book is named for.
Determined to find out the truth about Lovecraft and Barlow’s relationship, Charlie sets out on a continent-spanning journey to find out everything he can about what really happened between the two men that summer in Florida. However, Charlie’s obsession ultimately leads him to his downfall, and after suffering depression and anxiety, he checks himself into a hospital at the urging of his wife. Not long after that, he escapes into the wilderness and disappears without a trace. The note he left made it pretty clear to everyone that Charlie had planned and carried out his suicide, but Marina finds this difficult to accept. Holding on to the belief that her husband is still alive, she retraces his steps for the last two years, going to the places he visited and talking to the people he interviewed for his book, all in the hopes that it will shed some light on where she might find Charlie.
Quite frankly, describing the story any more than this would be a downright nightmare because I would be at an absolute loss as to how to keep going. The Night Ocean is one strange book, difficult to summarize and classify since it is made up of so many perspectives and interconnecting parts. The overall concept behind the novel is certainly ambitious and ingenious, but the way the story is presented will probably make it seem unfocused. Even though the entire book is told through Marina’s eyes, I would say the first half of the book is about Charlie—but also not—while the second half is about Marina—and yet also not. Yes, I’m aware of how confusing this sounds, but really at the heart of both threads is a man named L.C. Spinks, the publisher of The Erotonomicon. Is the diary really a hoax? Or if there’s some truth to it, then which parts of it are real and which parts are completely fabricated? The Night Ocean is an intricately woven web of fact and fiction, combining Paul La Farge’s rich imagination with the results of what must have been hours upon hours of painstaking research on his part.
And how does H.P. Lovecraft play into all this, you ask? Well, last summer I read and really enjoyed a novel called I Am Providence by Nick Mamatas, and even though it and The Night Ocean could not be any more different in tone and style, I still found it impossible not to draw parallels between these two books. Perhaps it is because they are both “Lovecraftian fiction” in the atypical sense; rather than playing directly off of HPL’s large body of works and the mythos he had created, they instead took an almost meta-fiction approach, both narratives coming up with a unique way to explore the author’s life and work through the lens of fandom. After all, one can hardly provide a full picture of Lovecraft’s legacy without recognizing the activities and creations of his highly dedicated fans, a cult following which has been growing since the 40s and 50s—fanzines, conventions, internet clubs and groups, etc. The Night Ocean is a book of many layers and components, and yes, there are parts of the story which deal with the nature of the fan community, presenting both its wonderful and ugly sides.
All told, I had a shockingly good time with this book. Because of its tangled nature, I doubt it going to be for everyone, but still, I highly recommend it if the description interests you. While I found the author’s writing style somewhat quirky and disjointed, I nevertheless managed to get into the rhythm of the story quickly, becoming mesmerized by extraordinary lives of these characters. There’s a lot of pain and heartbreak within these pages, but also a surprising amount of tenderness and beauty that I had not expected to find in a book featuring Lovecraft as a key figure. And even though there’s a lot of ambiguity in the story—a fact that often vexes me—in this case, I believe it might actually add to the book’s mystique.
At once frustrating and rewarding, The Night Ocean is alternate history on a completely new and innovative level. Easily one of the more clever, intense, and haunting books I’ve read so far this year, and its ending will likely stay with me for a long, long time.
![]()
![]()
YA Weekend: Nemesis by Brendan Reichs
Posted on March 26, 2017 15 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3 of 5 stars
Genre: Science Fiction, Young Adult
Series: Book 1
Publisher: G.P. Putnam’s Sons Books for Young Readers (March 21, 2017)
Length: 464 pages
Author Information: Website | Twitter
On the surface, this book had everything going for it: an original premise, a tantalizing mystery, a very promising plot. By all accounts, I should be extremely pleased with it, so why then can I not seem to shake this vague sense of discontent? Perhaps it is precisely because this book had so much potential, and knowing that it could have been even better is the source of my disappointment. Had the author carried out his ideas more effectively—and not tried to do too much all at once—the story might not have started fraying at the seams as it did.
Nemesis introduces us to two main POVs, the first of which belongs to Melinda “Min” Wilder, a teenage girl who has been experiencing a frightening occurrence every two years ever since she was eight years old. Every other year and always on her birthday, a strange man in a suit with glasses finds her alone and kills her. Whether it’s throwing her off a cliff or bashing her skull in with rock, he never fails to show up and do the job. And as if that isn’t horrifying enough, what happens next is even more disturbing—after dying, Min always finds herself waking up again, alive and whole, in the same spot in the middle of the woods of her small rural Idaho town. The first time it happened, she walked home to find that only a few hours have passed since her death. During that time, all evidence of her killing had been erased. The second time it happened, on Min’s tenth birthday, the town psychiatrist diagnosed her with a dissociative disorder. Min was prescribed medication that she has been taking every day for the last six years, but without fail, the mysterious suited man still always shows up on her even-numbered birthdays and kills her.
Our second POV character is Noah, and though he doesn’t get to chime in until later, we first get to meet him through Min’s eyes. As the son of the richest man in town, Noah appears to have it all: money, good looks, and popularity. However, the truth is a lot more complicated. Despite being surrounded by friends, Noah is often emotionally aloof, quiet, and generally unassertive—pretty much the complete opposite of Min and her best friend Tack. Publically, Noah puts on a stoic face, but privately he is haunted by nightmares of violence and death. For almost all his life, his father has been telling him what a weakling he is for not being able to overcome the hallucinations and bad thoughts in his head. After so long, Noah has even started to believe that he is useless and weak. When his jerk friends start bullying Min and Tack, all he can do is stand silently by and watch, too timid to speak out against Ethan, the leader of the popular kids.
By the way, in the middle of all this, the rest of the world at large is facing bigger issues. At the beginning of the book, we’re made aware that earth is in danger of being in the direct path of a huge asteroid hurtling through space. The Anvil is deemed a planet-killer, and as the story opens the whole world is holding its breath for a press conference in which NASA will announce whether or not the asteroid will make impact. Scientists are putting the odds at 50/50.
With all this going on, how could I not think Nemesis would be great? And indeed, at least in the first half, the book lived up to the potential promised by its synopsis. The suspense was bolstered by the intrigue and all the questions of which there were plenty, such as, just what the hell is going on with Min? Assuming she is right in her convictions and that none of this is all in her head, how is what’s happening to her even possible? Is there a significance in the fact that she and Noah share the same birthday? And what does all this have to do with the giant asteroid threatening to end all life on earth?
The good news is, we get the answers to all these questions by the end of the book. The bad news though, is that explanations seldom live up to the hype generated by the mystery in these sorts of situations, and this can’t be more true in the case of Nemesis. I also didn’t really enjoy how the story took a turn in a completely different direction around the halfway point, when we abandoned the mystery and things sudden devolved into a Lord of the Flies meets The Hunger Games fiasco. It felt like an attempt to make this book conform even further to YA conventions, which of course never makes things more interesting.
That said though, overall Nemesis was an enjoyable, entertaining book. I liked that about it. But somewhere along the way, I also felt the story lost sight of its goal to be different and unique and exceptional, reverting back to the usual tropes to order get in on the teen dystopian boom. To be fair, I rarely take issue with the tropes themselves, which can be fun. But a lot of books seem to fall into this trap, and quite frankly I’m really starting to get tired of it. I also felt somewhat let down by the ending, which offered an explanation for everything but had more holes than a slice of Swiss cheese. After all the buildup and anticipation, I honestly expected more, and the scenario we got struck me as absurd and not well thought out.
All told, Nemesis could have been great, but halfway through I felt it started to become a different book. The premise was also fantastic, but for all the intriguing questions it raised, the answers offered at the end made me think Reichs might have bit off more than he could handle. Still, I’m not closing any doors to the possibility that I’ll read the sequel. Like I said, this book was overall fun and entertaining, and I think there’s also a good chance the next one can turn things around and bring us back to the suspense and mystery we first saw in the intro, so I’ll be keeping an eye out for it.
![]()
![]()
Friday Face-Off: Street Lamp
Posted on March 24, 2017 25 Comments
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“He stood under the street lamp, sleet settling in his hair, hands fisted at his side”
~ a cover featuring a STREET LAMP
Mogsy’s Pick:
Drood by Dan Simmons
This week’s topic is one that invokes powerful imagery, so it is no surprise that my choice today is a very atmospheric, very creepy book. When people hear the name Dan Simmons, Drood probably isn’t going to be the first book of his to come to mind, and neither is it one of his best in my opinion. That said, it is still a fine example of what an talented and versatile author he is. Based on actual biographical events, the story is a mix of historical fiction and gothic horror, exploring the the still-unresolved mysteries behind the final days of Charles Dickens. It is told through the eyes of Wilkie Collins, a distinguished English novelist in his own right and a contemporary of Dickens, whom Simmons channels perfectly by imitating the expository style of the writing from this era.
Without further ado, let’s take a look at some of the covers:
From left to right, top to bottom: Little, Brown and Company (2009) – Quercus (2009) – Subterranean Press (2009)
Dutch (2009) – Polish (2012) – Spanish (2010) – Russian (2010) – Italian (2010) – Portuguese (2012)
Winner:
Well, I can tell you right away which one’s not my favorite: the Polish edition. Whatever the hell that thing is, it’s going to give me nightmares.
As for the one I like the best, it’s hard to choose. The covers featuring street lamps are all very well done (especially the Italian edition) but ultimately I’m going to have to go with the 2009 Subterranean Press. Many of their limited edition publications are well known for having gorgeously illustrated special covers, but I think I like this one even more than most. The depiction of Charles Dickens’ hat as a fiery train wreck is a reference to the Staplehurst Rail Crash, which Dickens survived by sheer luck because his carriage did not completely fall into the river bed after his train derailed while going over a viaduct. The accident is said to have affected him greatly and some claimed he never recovered from the trauma. It’s also a key event covered in Drood, which is why I think this cover is even more evocative and meaningful.
What do you think? Which one is your favorite?
Book Review: Star’s End by Cassandra Rose Clarke
Posted on March 23, 2017 17 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Star’s End by Cassandra Rose Clarke
Mogsy’s Rating: 3.5 of 5 stars
Genre: Science Fiction
Series: Stand Alone
Publisher: Saga Press (March 21, 2017)
Length: 432 pages
Author Information: Website | Twitter
From the moment I first picked up this book, I knew I was walking into something special. After my experience with her novels The Mad Scientist’s Daughter and Our Lady of the Ice, Cassandra Rose Clarke’s name has pretty much become synonymous for me with some very cool ideas in sci-fi, and she has not disappointed me yet. Star’s End, I am happy to say, is another strong entry into the genre. And while it’s true that I did not quite fall head over heels for it like with her previous novels, I nevertheless devoured the story like there was no tomorrow.
Described as a space opera which takes place in the far-flung future, Star’s End follows a young woman named Esme Coromina, heir to her father Philip’s vast corporate empire consisting of four terraformed moons that orbit one giant gaseous planet. Together, the moons are known as the Four Sisters—and perhaps not so coincidentally, Philip also has four daughters. Of his children though, only Esme, the eldest, is in a position to succeed him and take over the company when he dies; the three younger sisters have long turned their backs on him and abandoned the family business, due to a falling out long ago caused by something terrible Philip did. Esme was the only one who stayed, partly out of ambition and partly because she plans on changing things for the better once she inherits the Coromina Group.
What follows is narrative that alternates back and forth between past and present, exploring the events that led up to Philip’s heinous act that drove Esme’s sisters away. But the biggest shock to our protagonist comes at the start of this book—her 300-year-old father, whom she has always thought of all-powerful and invincible, is dying. Afflicted with a fatal disease that not even his rejuvenation treatments can cure, Philip tells Esme that he probably has at most six months to live, but before he dies, he would like to see all his daughters one last time. Esme, skeptical of her father’s reasons for this request, agrees to help him regardless, though deep down, she knows the real difficulty behind his dying wish is whether or not she can even convince her sisters to come home. When they left, the three of them made it very clear that they wanted no more to do with Philip Coromina or their eldest sister—for in their eyes, by staying by their father and his company, Esme had betrayed all of them too.
As a result, Esme finds herself in a rather awkward and painful situation. It’s this that makes me feel so deeply for her character, and makes me want to applaud the author for once again setting up such a compelling and emotional premise. Tracking down her sisters one by one, Esme must confront her guilt and come to terms with her past failings in this heartbreaking tale. In a lot of ways, this makes Star’s End a lot less like your traditional space opera novel, and more like your familial drama about love and redemption. In fact, it makes me think that the publisher description is actually a little misleading, suggesting that there’s a lot more suspense in this story when there really is none. Sure, there are indeed the promised “sinister aspects” of the Coromina Group involving its work with alien DNA, not to mention the overall mystery of the “big bad thing” that Philip did—but when answers do come, it is not a shock, nor are Esme’s next moves really in question. Because of the way Star’s End is structured, i.e. alternating between the past and the present timeline, nothing that happens is really a surprise, though ultimately it might not matter so much since the novel’s strengths are clearly in the character building and in the poignancy of Esme’s quest.
Perhaps this is also why Star’s End reminded me so much of The Mad Scientist’s Daughter. While on the surface the two stories have very little in common with each other, both are excellent in providing a deep analysis and portrayal of their main characters. Almost everything else fades into the background as Esme takes center stage in Star’s End, much like how the plot in The Mad Scientist’s Daughter took a backseat while Cat’s personality and her relationship with Finn came to the forefront. This, in my opinion, is where Cassandra Rose Clarke’s writing really shines. When it comes to the delineation of her protagonists, she is an artist; she’ll take apart a character’s entire life, deconstructing their past and present to show how their experiences influence their decision making and shape them as a person. This kind of in-depth character study is exactly we get to see in Star’s End with Esme.
Still, there were a few hiccups. The first time we jumped from the present timeline back to the past, I was really jarred by the change from third-person to first-person narrative mode, and unfortunately, I never truly got used to the switching. As a result, I always found myself feeling more sympathy for and in tune with “past” Esme, especially since older “present” Esme sometimes felt wishy-washy and inconsistent. One moment, she would be preening in response to her father’s praise and proud that she pleased him, but the next she would be flushing with shame if someone else complimented her on the exact same thing by comparing her to Philip. I was also frustrated that Esme didn’t stand up for herself more, considering how her heart was always in the right place. Given how much of the past was outside her control, I didn’t understand why Esme had to be so hard on herself either, and thought that a lot of her sisters’ treatment of her was grossly unfair.
Minor as they were, some of these flaws were admittedly distracting enough that I felt the need to rate this one slightly lower than the author’s other novels I’ve read in the past. BUT! In spite of that, I still want to make it clear—I had a really good time with Star’s End. This book was a powerful and enjoyable read, and even though it wasn’t exactly what I expected, I am in no way disappointed with the way things turned out. If anything, it just reaffirms Cassandra Rose Clarke as a must-read author; I honestly can’t wait to see what she’ll surprise me with next.
![]()
![]()
Waiting on Wednesday 03/22/17
Posted on March 22, 2017 22 Comments
“Waiting On Wednesday” is a weekly meme hosted by Breaking the Spine that lets us feature upcoming releases that we can’t wait to get our hands on!
Mogsy’s Pick
Oathbringer by Brandon Sanderson (November 14, 2017 by Tor)
It’s glorious.
“In Oathbringer, the third volume of the New York Times bestselling Stormlight Archive, humanity faces a new Desolation with the return of the Voidbringers, a foe with numbers as great as their thirst for vengeance.
Dalinar Kholin’s Alethi armies won a fleeting victory at a terrible cost: The enemy Parshendi summoned the violent Everstorm, which now sweeps the world with destruction, and in its passing awakens the once peaceful and subservient parshmen to the horror of their millennia-long enslavement by humans. While on a desperate flight to warn his family of the threat, Kaladin Stormblessed must come to grips with the fact that the newly kindled anger of the parshmen may be wholly justified.
Nestled in the mountains high above the storms, in the tower city of Urithiru, Shallan Davar investigates the wonders of the ancient stronghold of the Knights Radiant and unearths dark secrets lurking in its depths. And Dalinar realizes that his holy mission to unite his homeland of Alethkar was too narrow in scope. Unless all the nations of Roshar can put aside Dalinar’s blood-soaked past and stand together–and unless Dalinar himself can confront that past–even the restoration of the Knights Radiant will not prevent the end of civilization.”
Book Review: Phantom Pains by Mishell Baker
Posted on March 20, 2017 16 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Phantom Pains by Mishell Baker
Mogsy’s Rating: 5 of 5 stars
Genre: Urban Fantasy
Series: Book 2 of The Arcadia Project
Publisher: Saga Press (March 21, 2017)
Length: 416 pages
Author Information: Website | Twitter
Last year Mishell Baker burst onto the scene and shook up the urban fantasy world with her debut Borderline, dazzling me with her fresh take on the genre. She also introduced us to Millie Roper, one of the most genuine and notable protagonists that I’ve ever had the pleasure to meet. It is therefore with great excitement that I can say the sequel Phantom Pains is even better, stronger, and more inventive than its predecessor. The Arcadia Project, welcome to my favorite series shelf!
If you haven’t read the first book yet, 1) you’re missing out, and 2) you may want to catch up first before tackling this one. Phantom Pains begins approximately four months after we last saw Millie, who has left the Arcadia Project after the devastating loss of her partner Teo. The Hollywood soundstage upon which the incident happened has since been designated a magical crime scene, restricted to all but those who are savvy to Arcadia, the “other” realm where Fey and other supernatural creatures reside.
However, just as Millie and her former boss Caryl are carrying out their final inspection of the soundstage before clearing it to open again, something strange happens. A vision of a tormented Teo suddenly appears to Millie, beseeching her to “let him in”. Traumatized, Millie is only marginally comforted when Caryl tells her that it could not have been the spirit of Teo, since ghosts don’t exist. But if that’s true, then what did she see?
While reluctant to rejoin the Arcadia Project as a full agent, Millie does agree to help them get down to the bottom of this, if nothing else to get the soundstage up and running again so she can get a particularly nettlesome studio client off her back. For the first time in months, Millie returns to her old home of Residence Four, where she is scheduled to meet with two bigwigs from the Project’s National Headquarters. Soon after her meeting though, one of them is found brutally murdered with dark magic—the kind that only Caryl, a warlock, is capable of. Still, despite the overwhelming evidence, Millie is certain that Caryl didn’t do it. Painfully aware that she is her friend’s last and only hope, Millie must now gather whatever allies and resources she has left to try and clear Caryl’s name before it is too late.
Let’s start with how simply awesome Millie is as a protagonist. Phantom Pains continues to develop and grow her as a complex and fully-realized character, while also progressing her journey as a survivor. I could tell you that Millie has borderline personality disorder, or that a about a year ago she had a failed suicide attempt that caused her to lose her legs a promising film career. But the truth is though, those mere descriptions simply don’t do her justice. Millie is so much more, and once you pick up these books and experience her voice for yourself, you’ll know what I mean. It really speaks volumes about the author’s skills as a writer that she is able to convey the character’s tragic past and disabilities in an unflinchingly honest yet respectful manner, making her feel realistic and convincing without resorting to stereotypes. Outstandingly, Baker challenges our established views on disability in fiction simply by writing a fun and enjoyable story, and her protagonist is portrayed as she is: vulnerable but strong, flawed but indomitable, different but no less important.
Bottom line, I just love Millie, despite her not always being likeable. It’s true that she’s a straight-talker, and her BPD sometimes affects her emotionally, making her say or do impulsive things. Interestingly though, I find that she has mellowed out somewhat in Phantom Pains, her voice reflecting the ongoing treatment she reports to have been receiving in the four months since the events of Borderline. And on that note, I was also happy to find out that Millie and Caryl remained friends, even in the aftermath of all that happened. The two of them have a great dynamic, not to mention Caryl was one of my favorites from the first book and it thrilled me to see her play a bigger role in this sequel. If you aren’t familiar with Caryl’s circumstances I’m not going to spoil anything for you, though I will say that Phantom Pains revealed much more of her history and what I learned broke my heart into a million pieces.
And that brings us to the story, which was absolutely fantastic. While the plot may have been slower to take off and there were more holes in it than I would have liked, I am completely willing to forgive everything in light of how this book ended. It’s not going to be the epic conclusion you would expect in terms of style and tone, but for me the ending was still surprising and emotionally impactful, the kind that makes you look back and realize the entire story had been setting up for this moment. There is a very real kind of beauty in the way everything came together in the end, and of course Mishell Baker nailed it perfectly.
In sum, Borderline was great, and to my delight, Phantom Pains was even better. Bar none, The Arcadia Project is the most refreshing series to come out of the urban fantasy genre in years. Anyone who is a UF fan needs to do themselves a favor and check out these books right now!
![]()
![]()
More on The BiblioSanctum:
Review of Borderline (Book 1)
Book Review: A Conjuring of Light by V.E. Schwab
Posted on March 19, 2017 18 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
A Conjuring of Light by V.E. Schwab
Mogsy’s Rating (Overall): 3.5 of 5 stars
Genre: Fantasy
Series: Book 3 of Shades of Magic
Publisher: Tor (February 21, 2017)
Length: 624 pages
Author Information: Website | Twitter
My impression after I finished A Conjuring of Light was that it was definitely better than the first book, but I think the second one was still my favorite. As this was a series that took its time growing on me though, I had a lot riding on this concluding volume—yet when all is said and done, I’m actually quite happy with the way this novel turned out. The ending was very satisfying and epic, despite having to take an inordinately long and windy road to get there.
This story begins right after the end of A Gathering of Shadows, so if you have not started the trilogy yet, beware of possible spoilers in this review for the first two books. If you’ve been following along up to this point though, you’ll know that Kell has become an Antari in exile, distrusted by his adopted parents the king and queen of Red London, even after everything he has done and given for his beloved brother, Prince Rhy. Lila Bard, hailing from Grey London, has come a long way since her days as a common thief after discovering her abilities as a magician, but now she must learn to master her powers before they consume her. Meanwhile, Captain Alucard Emery of the ship Night Spire is another skilled magician, and he has since returned to London to be at the palace with Rhy, with whom he used to have a relationship.
In the aftermath of all the turmoil though, a dark force has risen, threatening the fates of all. Something always rushes in to fill a vacuum, and not surprisingly, the broken balance has created an opportunity for a new king to emerge and seize power. At last, the battle of the Londons has come to a head, and now our characters must set aside their differences and work together in order to defeat a common foe. Even an Antari needs help once in a while, and if they can’t all unite to combine their strengths, everything will be lost.
A Conjuring of Light was great because of the answers. Finally, we get resolutions to a lot of mysteries left hanging from the previous books. We learn the consequences of the destruction of Black London, as well as what has become of the dark magic moldering in its wake. We also find out about the links to White London, and what happened there to cause such a threat to Red London. In addition, the characters are greatly developed in this installment, exploring their histories and relationships. Kell and Lila finally get to a point where they must examine what they are to each other—allies, friends, or perhaps something more? Lila herself became less belligerent and unbearable too, I was pleasantly surprised to find, so that was a nice bonus. The complex bond between Alucard and Rhy also gets some attention in this novel as the two of them reconnect and get the chance to clear the air. I was even happy to get to know more about Holland, whom I always felt was a bit underdeveloped—until now.
The not-so-great part about this book? I found the first half to be somewhat trying. If you’ve been following this series, then I’m sure you’ve noticed: each installment has been growing in page count since A Darker Shade of Magic, and I won’t deny that when my copy of A Conjuring of Light first arrived I found myself making side eyes at its thickness. I had serious doubts that all 600+ pages of this book would hold my attention equally, and unfortunately I was right; the first half of the book just didn’t interest me as much, filled with meandering plot threads and filler-type scenes that felt like they were simply there to stall for time.
It’s a shame that my overall experience was dragged down by the beginning or otherwise my rating would probably be higher, so thank goodness that the pacing stepped up in the second half to clinch the finale. In short, I loved the ending. In fact, I felt the entire second half was very strong, as that’s where most of the best parts can be found. I’m talking action and intrigue, pacts and betrayals, magical conflicts and battles at sea. All this ultimately builds to an unforgettable climax, one that will not disappoint. I also have no doubts that the conclusion will also leave fans of this trilogy happy, since it ties things up so well.
So was A Conjuring of Light worth it? Absolutely. It was a slight struggle to get to the end, but when I finally got there I had no regrets. Despite its ups and downs, Shades of Magic was an enjoyable trilogy overall and I would recommend it for its sheer imagination and sense of wonder and magic. Taken as a whole, it is an impressive achievement by V.E. Schwab and I continue to look forward to what she will do next!
![]()
![]()
More on The BiblioSanctum:
Mogsy’s Review of A Darker Shade of Magic (Book 1)
Wendy’s Review of A Darker Shade of Magic (Book 1)
Mogsy’s Review of A Gathering of Shadows (Book 2)
























































