Top Ten Tuesday was created by The Broke and the Bookish, a weekly meme that now resides at That Artsy Reader Girl. The meme first came about because of a love of lists. Who doesn’t love lists? The original creators also wanted their lists to be shared with fellow book lovers and to ask that we in turn share ours with them and connect with other book bloggers. To learn more about participating, stop by their page dedicated to it and dive in!
This week’s topic: Top Ten Upcoming Releases I’m On the Fence About (Late 2019)
It was serendipitous that today’s official Top Ten Tuesday topic is about books that are outside my comfort zone, because as it happens, I was also due to make my list of books that I’m on the fence about for late 2019, hence I’m adapting this theme a little to suit my purposes this week. I made similar lists for early 2019 and mid-2019, featuring some titles that didn’t quite make it onto my “Must-Read” pile but that I was curious about nonetheless. A lot of these books sound really good, but for one reason or another, I’m just not sure if they’ll be for me, but if experience has taught me anything, sometimes daring to try something new or different can pay dividends. So without further ado, these are ten books I’ve been hemming and hawing over for a while now, but if you think there are any that I should change from a “maybe” to a “must”, please let me know!
Two queens, two concubines, six princes. Innumerable hidden agendas. Yala, lady-in-waiting to the princess of a vanquished kingdom, must navigate their captors’ treacherous imperial court.
The Emperor’s palace — full of ambitious royals, sly gossip, and unforeseen perils — is perhaps the most dangerous place in Zhaon. A hostage for her conquered people’s good behavior, the lady Komor Yala has only her wits and her hidden maiden’s blade to protect herself — and her childhood friend Princess Mahara, sacrificed in marriage to the enemy to secure a tenuous peace.
But the Emperor is aging, and the Khir princess and her lady-in-waiting soon find themselves pawns in the six princes’ deadly schemes for the throne — and a single spark could ignite fresh rebellion in Khir.
And then, the Emperor falls ill, and a far bloodier game begins…
Highlander meets Seven in Nick Mamatas’s Sabbath.
The infamous eleventh-century warrior Hexen Sabbath is plucked from death and certain damnation by a being claiming to be an angel of the Lord, and finds himself dropped into contemporary Manhattan with no clothes, no weapons, no resources, and one mission–to track down and kill the living personifications of the Seven Deadly Sins before they bring about Armageddon.
With time running out and his only ally a destitute art gallery owner, Sabbath must fight his way through New York’s elite and challenge the world’s most powerful man, or an eternity of suffering will be his, and our, only reward.
In this dark science fiction thriller, a young woman must confront her past so the human race will have a future.
Rosalyn Devar is on the run from her famous family, the bioengineering job she’s come to hate, and her messed-up life. She’s run all the way to outer space, where she’s taken a position as a “space janitor,” cleaning up ill-fated research expeditions. But no matter how far she goes, Rosalyn can’t escape herself. After too many mistakes on the job, she’s given one last chance: take care of salvaging the Brigantine, a research vessel that has gone dark, with all crew aboard thought dead.
But the Brigantine’s crew are very much alive–if not entirely human. Now Rosalyn is trapped on board, alone with a crew infected by a mysterious parasitic alien. The captain, Edison Aries, seems to still maintain some control over himself and the crew, but he won’t be able to keep fighting much longer. Rosalyn and Edison must find a way to stop the parasite’s onslaught…or it may take over the entire human race.
First in a duology that reimagines fairy tale tropes within a space opera—The Princess Bride meets Princess Leia.
Rory Thorne is a princess with thirteen fairy blessings, the most important of which is to see through flattery and platitudes. As the eldest daughter, she always imagined she’d inherit her father’s throne and govern the interplanetary Thorne Consortium.
Then her father is assassinated, her mother gives birth to a son, and Rory is betrothed to the prince of a distant world.
When Rory arrives in her new home, she uncovers a treacherous plot to unseat her newly betrothed and usurp his throne. An unscrupulous minister has conspired to name himself Regent to the minor (and somewhat foolish) prince. With only her wits and a small team of allies, Rory must outmaneuver the Regent and rescue the prince.
How Rory Thorne Destroyed the Multiverse is a feminist reimagining of familiar fairytale tropes and a story of resistance and self-determination—how small acts of rebellion can lead a princess to not just save herself, but change the course of history.
Winter is coming, so why not get away from it all?
Being the Dark Lord and Prince of Evil is not as much fun as it sounds, particularly if you are a basically decent person. King Mordak is just such a person. Technically he’s more goblin than person, but the point is that he is really keen to be a lot less despicable than his predecessors.
Not that the other goblins appreciate Mordak’s attempts to redefine the role. Why should they when his new healthcare program seems designed to actually extend life expectancy, and his efforts to end a perfectly reasonable war with the dwarves appear to have become an obsession?
With confidence in his leadership crumbling, what Mordak desperately needs is a distraction. Perhaps some of these humans moving to the Realm in search of great homes at an affordable price will be able to help?
A young witch emerges from a curse to find her world upended in this gripping fantasy of betrayal, vengeance, and self-discovery set in turn-of-the-century France.
For centuries, the vineyards at Château Renard have depended on the talent of their vine witches, whose spells help create the world-renowned wine of the Chanceaux Valley. Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.
Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.
The Evolution is Coming.
In 1967, an extraterrestrial microbe came crashing down to Earth and nearly ended the human race. Accidental exposure to the particle—designated The Andromeda Strain—killed every resident of the town of Piedmont, Arizona, save for an elderly man and an infant boy. Over the next five days, a team of top scientists assigned to Project Wildfire worked valiantly to save the world from an epidemic of unimaginable proportions. In the moments before a catastrophic nuclear detonation, they succeeded.
In the ensuing decades, research on the microparticle continued. And the world thought it was safe…
Deep inside Fairchild Air Force Base, Project Eternal Vigilance has continued to watch and wait for the Andromeda Strain to reappear. On the verge of being shut down, the project has registered no activity—until now. A Brazilian terrain-mapping drone has detected a bizarre anomaly of otherworldly matter in the middle of the jungle, and, worse yet, the tell-tale chemical signature of the deadly microparticle.
With this shocking discovery, the next-generation Project Wildfire is activated, and a diverse team of experts hailing from all over the world is dispatched to investigate the potentially apocalyptic threat.
But the microbe is growing—evolving. And if the Wildfire team can’t reach the quarantine zone, enter the anomaly, and figure out how to stop it, this new Andromeda Evolution will annihilate all life as we know it.
A little more than a century from now, our world has been utterly transformed. After years of slowly overtaking the continent, rising floodwaters have obliterated America’s great coastal cities and then its heartland, leaving nothing but an archipelago of mountaintop colonies surrounded by a deep expanse of open water.
Stubbornly independent Myra and her precocious seven-year-old daughter, Pearl, fish from their small boat, the Bird, visiting dry land only to trade for supplies and information in the few remaining outposts of civilization. For seven years, Myra has grieved the loss of her oldest daughter, Row, who was stolen by her father after a monstrous deluge overtook their home in Nebraska. Then, in a violent confrontation with a stranger, Myra suddenly discovers that Row was last seen in a far-off encampment near the Artic Circle. Throwing aside her usual caution, Myra and Pearl embark on a perilous voyage into the icy northern seas, hoping against hope that Row will still be there.
On their journey, Myra and Pearl join forces with a larger ship and Myra finds herself bonding with her fellow seekers who hope to build a safe haven together in this dangerous new world. But secrets, lust, and betrayals threaten their dream, and after their fortunes take a shocking—and bloody—turn, Myra can no longer ignore the question of whether saving Row is worth endangering Pearl and her fellow travelers.
A compulsively readable novel of dark despair and soaring hope, After the Flood is a magnificent, action packed, and sometimes frightening odyssey laced with wonder—an affecting and wholly original saga both redemptive and astonishing.
A hilarious, offbeat debut space opera that skewers everything from pop culture to video games and features an irresistible foul-mouthed captain and her motley crew, strange life forms, exciting twists, and a galaxy full of fun and adventure.
Captain Eva Innocente and the crew of La Sirena Negra cruise the galaxy delivering small cargo for even smaller profits. When her sister Mari is kidnapped by The Fridge, a shadowy syndicate that holds people hostage in cryostasis, Eva must undergo a series of unpleasant, dangerous missions to pay the ransom.
But Eva may lose her mind before she can raise the money. The ship’s hold is full of psychic cats, an amorous fish-faced emperor wants her dead after she rejects his advances, and her sweet engineer is giving her a pesky case of feelings. The worse things get, the more she lies, raising suspicions and testing her loyalty to her found family.
To free her sister, Eva will risk everything: her crew, her ship, and the life she’s built on the ashes of her past misdeeds. But when the dominoes start to fall and she finds the real threat is greater than she imagined, she must decide whether to play it cool or burn it all down.
Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a mysterious book hidden in the stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues–a bee, a key, and a sword–that lead him to a masquerade party in New York, to a secret club, and through a doorway to an ancient library, hidden far below the surface of the earth.
What Zachary finds in this curious place is more than just a buried home for books and their guardians–it is a place of lost cities and seas, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also those who are intent on its destruction.
Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a handsome, barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly-soaked shores of this magical world, discovering his purpose–in both the mysterious book and in his own life.
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating (Overall): 4.5 of 5 stars
Genre: Fantasy, Humor, Dystopian
Series: Stand Alone
Publisher: Hachette Audio (August 6, 2019)
Length: 10 hrs and 11 mins
I confess, I almost passed this book over at first because I was afraid its particular style of quirk and humor would be a little too over-the-top for me. Thank goodness a couple of reviews from bloggers I follow ended up changing my mind and made me decide to give Hollow Kingdom a try after all. This was hilarious and oh so much fun. Even some of its extreme whackiness couldn’t get me down.
For one thing, I thought after years of reading all kinds of zombie fiction I could get my hands on, I’d seen everything, but clearly I was wrong. Yes, Hollow Kingdom is a zombie book, but I guarantee it’ll be unlike anything you’ve read before. Have you ever wondered, when the world goes to hell in a handbasket in all these zombie stories, what happens to the animals after civilization crumbles and all of humankind has become the mindless walking dead? Well, this is what this novel is about. Not only are animals the primary focus of the story, they are also its stars. Our protagonist Shit Turd, abbreviated S.T., is an appropriately crass and potty-mouthed crow who leads us through this apocalyptic narrative. His best friends are Dennis, a dim-witted but sweet old bloodhound, and their owner Big Jim, who raised S.T. as a hatchling and taught the little bird all he knew. Humans, for example, are called MoFos because that’s what Big Jim calls other people all the time.
Things couldn’t have been better for the three of them, living a happy and simple life in Seattle. But then one day, Big Jim’s eyeball falls out. That was when S.T. knew something was wrong, even before his owner tried to take a big bite out of him. All around them, the city is descending into madness, with all the MoFos of the world turning into hollow, ravenous shells of what they once were. Escaping into this terrifying new reality, S.T. and Dennis find out from the local wildlife what is going on before deciding that their new mission in life is to liberate all the household pets and other helpless animals now trapped behind locked doors, gates, enclosures.
What made this novel such a blast was the voice of S.T., who has a very human spirit but is a crow through and through. Relatively speaking, the story was a bit light, though you can never feel it because S.T.’s personality is big enough to fill the whole book, as it were. Everything that came out of his mouth was a riot, from his observations of the world to his personal philosophies on life and lessons he’s learned from watching TV with Big Jim. This plucky little bird also loves his creative and colorful insults and sometimes his snark can be a bit much, though he never failed to make me laugh out loud. However, beneath that rude-talking exterior is a real softie, and the way he sticks by Dennis like a protective older brother is a testament that. Never mind that we’re talking about a crow and a dog here; the two of them are easily topping my list of favorite book buddy relationships I’ve read this year.
The point of Hollow Kingdom was to also put the focus on the animals, and in this respect, the story did not disappoint. Between chapters, we sometimes get these short little interludes which show what else is happening around the world, all from the POV of animals. Author Kira Jane Buxton must be quite the animal lover herself because she somehow managed to capture the mannerism and behaviors of all these creatures so well, whether it be a domestic cat or a polar bear. In this world, animals also interact with one each other through something called the “Aura”, an almost mystical-like force that collects all their communication cues and transmits them out like the internet—a very cool idea.
I hesitate to say much more because I don’t want to risk spoiling anything, and also because this is one of those books you have to experience for yourself to really know whether it’s for you. That it is highly original and unconventional is obvious, I think, and like I said, this is not your typical zombie story. I don’t think it’ll be for everybody, simply because humor is so subjective, and S.T.’s voice also might be too explicit and brassy for some. Still, if you don’t mind it, there’s definitely sweetness and warmth aplenty to be found if you dig a little deeper, like themes of love and loyalty, lessons of life and death. There are moments that will make you laugh and make you cry. And it will also make you appreciate the animals around you all the more. Bottom line, this was a seriously entertaining read and I’m glad I gave it a chance.
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3.5 of 5 stars
Genre: Science Fiction
Series: Stand Alone
Publisher: Harper Voyager (September 3, 2019)
Length: 144 pages
First, let me preface this by saying I am a huge Becky Chambers fan and I loved all three books in her Wayfarer series. However, To Be Taught, If Fortunate is unrelated to that universe and the style of writing didn’t have really have the same charm or engaging feeling as her other books. Of course, it’s possible that it’s because we’re dealing with a novella this time, but overall, I also feel that this book lacks the character-driven magic that I’ve come to associate with Chambers’ writing.
The premise behind this story isn’t a new one: Earth is deteriorating, and humankind needs new places to live. But instead of terraforming planets to suit us, advanced technology has enabled us to transform ourselves to suit alien environments. The book opens on a space exploration vessel Merian, introducing protagonist Ariadne and her fellow astronauts as they awaken from the torpor chambers which have kept them in a semi state of suspended animation by slowing down their aging and metabolism. The small crew of four is on a mission to study a handful of new planets that are lightyears away from Earth, meaning that even though the original plan was to return home after their work is done, everyone they left behind would be dead and gone.
Together with Ariadne on the Merian are also Elena, Jack, and Chikondi. As the ship’s flight engineer, Ariadne’s duties include detailing their mission as well as logging and trasmitting their findings. This book, in a way, is her message sent back to Earth, explaining what they’ve experienced and discovered on the four different planets they visit.
I suppose it’s the way this book is written, where much of it takes the form of a communications report, which made me struggle with connecting to the characters—way more than it should have. That Ariadne is a scientist and an engineer is also blatantly obvious, as our narrator loves to expound on theory and technical details. On every planet we visit, we get in-depth descriptions of the flora and fauna they encounter, the ways they differ from earth lifeforms. Because of this, the biology enthusiastic in me was fangirling with glee, but admittedly the hard science also took a lot away from the character development and dynamics, the elements which made Chambers’ Wayfarers such a joy to read.
The book is also divided into four short linked tales, which goes on to further fracture an already limited narrative, this being a 144-page novella and all. While I was fascinated by the sights and sounds the crew documents on the different planets, as well as the multiple adaptations their bodies had to go though, I wish the characters themselves had gotten the same level of attention. Clearly I’ve been spoiled by the author’s previous books, which were packed with poignant and emotional themes and very human stories.
For fans of stories about space exploration and colonization though, this book will be a treat. Obviously, each planet the Merian crew visits offers its own problems, some more challenging than others. Everything from geography, climate, and the local wildlife needs to be considered. Ariadne is a very sharp and introspective narrator, and through her eyes we see how she works through possible solutions to obstacles, using knowledge she knows from everything from chemistry to astrophysics, and we even get plenty of her philosophical musings besides.
As I said, To Be Taught, If Fortunate wasn’t a bad book. However, had this novella been a full-length novel with a bit more in the storytelling and characters department, I might have enjoyed this one a lot more. It feels quite different—and it is quite different—from what I expected from Becky Chambers, and I was a little disappointed we didn’t get to see as much of her excellent characterization this time around. That said, I do love that she is flexing her writing muscles and trying something a bit more complex and cerebral. I’ll still look forward to everything else she writes in the future.
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 5 of 5 stars
Genre: Young Adult, Historical Fiction, Fantasy
Series: Stand Alone
Publisher: Tu Books (September 10, 2019)
Length: 352 pages
After consistently being disappointed by so many books described as “Mulan retellings”, you can probably understand why I went into The Magnolia Sword: A Ballad of Mulan with no small amount of trepidation (though of course I could hardly resist it). And quite honestly? I was blown away by this “Own Voices” novel. Sherry Thomas has written a refreshing new take on this famous Chinese folktale about the legendary female warrior, applying her own unique approach to the portrayal while staying faithful to the original story and ensuring historical and linguistic accuracy.
In this version of the tale, Hua Mulan has always been a skilled fighter. Each generation, the Huas and their rivals the Yuans vie for the honor to safeguard the two fabled swords named Sky Blade and Heart Sea, the outcome determined by a duel between one representative from each family. From a young age, Mulan has been trained for the role by her father, who made her disguise herself as a boy and take on the name of her twin brother who died in infancy. If she wins her duel against her Yuan challenger, Sky Blade and Heart Sea will be reunited under their house, and she will also score a major victory in the feud between their two families, avenging her father who was maimed in his own duel a generation before.
However, right before the duel, the Huas receive a letter from her opponent requesting the match to be postponed. War is brewing, and it seems the Yuans must focus their attentions elsewhere. At first, Mulan’s father regards the missive as a snub, until a messenger from the Emperor arrives at their own village along with a royal decree demanding each family put forth a male recruit for the war effort. To protect her little brother, who is too young, and her father, who is disabled and too old, Mulan decides to enlist using her male persona. On her first day in the army, she manages to impress the son of the duke with her martial arts skills, earning herself a place among his elite guard. To her surprise though, the position is not the safe assignment that she had expected. The young princeling is determined to fight on the front lines, and when Mulan discovers the secret he has been hiding, she realizes they may be in more danger than she thought.
Inspired by the traditions of wuxia, a genre which translates to “martial-chivalric” fiction, Sherry Thomas spins an epic tale of courage and adventure. I adored her depiction of Mulan, who embodies all the traits we think about when it comes to the character—fiercely independent, altruistic, and honorable. At the same time, the narrative never lets us forget that behind all that armor, our protagonist is a teenager, and wholly human. She is everything we want out of a kickass heroine, and yet still has a vulnerable side to her that makes her sympathetic and easy to relate to.
The story also takes place in 5th century China, during a period known as the Northern and Southern dynasties which was marked by much political unrest. Frequent references are made to these conflicts between the north and south, creating an atmosphere of tension that pervades through the entire novel. Major kudos to the author for doing what must have been a staggering amount research to get certain details as accurate as possible, and her afterword at the end of the book, including historical and linguistic notes, was a fascinating look into that process.
I really enjoyed the story as well, and the way it retained its folktale roots. Action played a large part, featuring both close-quartered martial arts and large-scale fighting in heated battles. But my favorite scenes were always the quieter moments where we got to explore the character relationships. There is a super sweet romance between our protagonist and her love interest, a man who is as honorable and brave as she is. They were certainly well matched, and I was rooting for them every step of the way. I was also glad this story shone a light on Mulan and the love and respect she has for her father, which a surprising number of retellings tend to neglect, considering his role in her decision to enlist in the army in his place. The Magnolia Sword adds another complex layer to their bond, making the final chapter with Mulan’s homecoming and seeing her father again even more touching and poignant.
Bottom line, I just loved this. The Magnolia Sword: A Ballad of Mulan is one of the best Young Adult novels—and easily my favorite retelling—that I’ve read so far this year. A very satisfying novel overall, which filled me with all kinds of warm and happy feelings when it was over. Highly recommended!
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“I wandered lonely as a cloud”
~ a cover that is predominantly YELLOW
I’ve been feeling in a zombie kind of mood lately, which is why I thought I’d go with a lesser known yellow-cover book this week with Fiend, a novel about what the zombie apocalypse would look like if meth heads were the only survivors. What would happen, if for whatever reason, being a junkie somehow made you immune to the becoming one of the walking dead? It’s a pretty awesome social thought experiment, I have to say, even if the book itself ended up being a bit of a train wreck.
Let’s take a look at the covers:
From left to right:
Crown (2013) – Windmill Books (2014)
French Edition A (2014) – French Edition B (2015)
Call me traditional, but I’m a big fan of the French (2014) edition which is just “zombified” enough and just yellow enough to catch my attention without being too gaudy or contrived!
But what do you think? Which one is your favorite?
Mogsy’s Rating: 4 of 5 stars
Genre: Science Fiction, Media Tie-In
Series: Gears of War Universe
Publisher: Titan Books (July 30, 2019)
Length: 464 pages
Bring on Gears 5, because I’m ready! And of course, being the tie-in addict I am, I just had to read the prequel novel too. Taking place in the immediate aftermath of Gears of War 4, Gears of War: Ascendance follows Corporal Kait Diaz as she grieves the loss of her mother in the Swarm War. Swearing revenge, she joins Marcus, JD, Del, Samantha, Cole, and Baird to the city of New Ephyra, where they have been summoned by First Minister Jinn. In exchange for a pardon for all the “crimes” they committed during the war, the Gears are asked to swear loyalty to the minister, as well as to bring proof of the new swarm threat.
But Kait, still bitter at all that has been done to her people, refuses. Instead, she decides to strike out on her own, returning to her ruined village after discovering that two children might have survived the devastation. Recognizing her pain and anger, Marcus Fenix decides to back her up, departing New Ephyra together as rogue agents on a rescue mission. Meanwhile, JD and Del, who have agreed to the minister’s offer and taken on new command positions, are on patrol to locate the swarm when they are cut off from the city and trapped by enemy forces.
Attacking the story from these two sides, Jason M. Hough delivers an exciting adventure leading into the new game that fans will no doubt adore. I have played all the Gears of War games, and even read a few of the novels by Karen Traviss. However, I was not at all concerned about the author change, knowing full well the capabilities of Mr. Hough who has written a couple of my favorite action sci-fi novels, including The Darwin Elevator and Zero World. He’s also no stranger to video game tie-ins, having written a novel for Mass Effect: Andromeda. Suffice to say, it pleases me to no end that he has once more brought his talents for writing heart-stopping action and battle sequences to Ascendance, which were made even more incredible because we’re dealing with some of the best foes ever designed in gaming—the Swarm.
That said, you would have to be intimately familiar with the Gears franchise to fully appreciate this novel. While it serves as a prequel to Gears 5, it also builds upon four games’ worth of story and characters and spoils the ending to Gears of War 4. The opening assumes that you have finished the game and learned of Reyna’s fate and the role Kait played in it. The rest of the plot—Kait’s renunciation of First Minister Jinn, her return to her village, the surprising allies she meets there, and so forth—is the fallout from those events. What this means is that unlike a lot of media tie-ins these days which are written as standalones, this one actually requires a fair amount of background knowledge.
But for those of us who love this world and its characters, it is a very special treat. This novel breathes new life into Kait and Marcus, JD and Del. Their personalities are given new layers and dimensions that we’ve never seen before, and it’s clear that Hough gets it; he understands the importance of tie-in novels to fans and why we seek them out. It’s not just about seeking more adventure, or more time in our favorite gaming worlds (though that certainly doesn’t hurt). It’s about digging deeper and getting to know more about our characters and learning what makes them tick. While storytelling in video games is all the rage these days, the narrative style of a novel allows authors to explore certain areas that we can’t behind a controller, and Hough doesn’t waste a single opportunity to flesh out the characters.
And of course, I have no complaints about the action, which is the author’s forte after all. He has a very cinematic writing style, where you can easily picture what you read playing out on a big screen. With the events playing out in the story on two fronts, it meant that there was never a dull moment, and the pacing was relentless and constantly driving forward.
Overall, if you are a Gears fan, there is no question of whether or not you should read Gears of War: Ascendance. The answer is yes, and you should do it before playing Gears 5 if you want the full experience. So ready your chainsaw guns, everyone—because not only does this novel bridge the time between the fourth and the fifth game, it’s also a hell of a fun read. I hope this will mean more Gears of War novels in the future.
“Waiting On Wednesday” is a weekly meme that first originated at Breaking the Spine but has since linked up with “Can’t Wait Wednesday” at Wishful Endings now that the original creator is unable to host it anymore. Either way, this fun feature is a chance to showcase the upcoming releases that we can’t wait to get our hands on!
This week, I’m waiting on the second novel of the Gunnie Rose series by Charlaine Harris. The first book took me by surprise and I couldn’t believe how much I enjoyed it, so I’m really looking forward to see where the story and characters will go from here.
“#1 New York Times bestselling author Charlaine Harris returns with the second of the Gunnie Rose series, in which Lizbeth is hired onto a new crew, transporting a crate into Dixie, the self-exiled southeast territory of the former United States. What the crate contains is something so powerful, that forces from across three territories want to possess it.
In this second thrilling installment of the Gunnie Rose series, Lizbeth Rose is hired onto a new crew for a seemingly easy protection job, transporting a crate into Dixie, just about the last part of the former United States of America she wants to visit. But what seemed like a straight-forward job turns into a massacre as the crate is stolen. Up against a wall in Dixie, where social norms have stepped back into the last century, Lizbeth has to go undercover with an old friend to retrieve the crate as what’s inside can spark a rebellion, if she can get it back in time.
#1 New York Times bestselling author Charlaine Harris (Sookie Stackhouse mysteries and Midnight, Texas trilogy) is at her best here, building the world of this alternate history of the United States, where magic is an acknowledged but despised power.”
Mogsy’s Rating: 3.5 of 5 stars
Genre: Mystery, Thriller
Series: Stand Alone
Publisher: Mulholland Books (September 3, 2019)
Length: 480 pages
A mystery-thriller that’s more mystery than thrills, Missing Person by Sarah Lotz blends solving cold cases with social media, centering on a group of amateur sleuths who try to match names to murder victims who were never identified. But for Christina Guzman, founder of the website Missin-linc.com, shining light on these missing persons cases is more than just a macabre hobby. Still haunted by the loss of her mother whose photo and information can be found listed in the website’s database alongside dozens of other unsolved cases, Chris has never given up her search. Running Missing-linc under her handle “Ratking1”, she joins other regular users around the United States like “Rainbowbrite” and “Mommydearest” in sharing information they find on the site’s online forum.
Meanwhile, across the ocean in Ireland, Shaun Ryan has learned a shocking truth about his family. There is a possibility that his uncle Teddy, whom their mother had always said died in a car accident, might be still alive and living in New York, where he had run away to thirty years prior in the hopes of finding a better life. Instead, all he found was death. After many failed attempts to locate Teddy, Shaun ends up at Missing-linc.com where Chris and her network have determined that an unidentified murder victim from the early nineties, known only as “The Boy in the Dress”, might be his missing uncle. Together, they decide to team up to find out what really happened to Teddy Ryan, and who might have killed him.
But the thing about the internet, where anyone can hide behind a pseudonym, is that you can never be sure someone is who they claim to be. As Missing-linc’s investigation into Teddy’s case begins to gain traction and more attention, little does the team know the killer himself has been in their midst, following their every move.
I’m a huge fan of Sarah Lotz, but as my last three novels by her were in the horror genre, Missing Person was a change of pace, to say the least. And for the most part, it’s a good change, though I did miss some of the chilling, edge-of-your-seat energy that permeated her books like The Three or The White Road. In contrast, Missing Person was more of a slow burn, lacking in a lot of the delicious atmosphere that Lotz is usually so good at writing. These changes were to be expected though, as the story is just so different, reading more like a steadily unfolding crime drama.
Interspersed throughout the narrative are also transcripts of forum posts, private messages, and other forms of internet chat—a nod, perhaps, to the author’s penchant for the epistolary style. I have to say, I really enjoyed these brief glimpses into the characters’ lives, offering insight into their online dynamics. After all, you can’t write about internet forums and communities without addressing the drama. It also gave characters like Chris AKA Ratking1 and Rainbowbrite, whose real name is Ellie, more layers to their personalities, because we were able to see how they projected themselves both online and offline.
But as I alluded to in my intro, I wouldn’t say Missing Person felt particularly thrilling. You had everything laid out early on, and there was also a fair bit of repetition. It’s the kind of book where several chapters can elapse without much progress in the story overall. However, neither would I say the plot did nothing but spin its wheels. Like I said, it’s simply a different style I’m used to from the author. I still enjoyed the idea and the main driving forces behind this novel, and Lotz’s writing is as good as ever (if not better), creating vivid and engaging characters in suspenseful situations. That said, don’t expect the kind of pacing and dreadful atmosphere that is a hallmark of her horror novels, as this one is relatively tame and languid in comparison. Twist-free and limited in conflict and stakes, the ending also felt somewhat anti-climactic and incomplete.
Anyway, as you can probably tell from my review, Missing Person wasn’t my favorite book by Sarah Lotz, but it wasn’t bad by any measure. Ultimately, I simply prefer the author’s horror. Nevertheless, fans should still definitely check it out. Who knows, you might even come away with a deeper appreciation for the author’s versatility and skill at tackling something a little different—I know I did. As always, I look forward to her next book.
Mogsy’s Rating: 3.5 of 5 stars
Genre: Science Fiction, Thriller
Series: Stand Alone
Publisher: Berkley Books (August 27, 2019)
Length: 352 pages
Was The Passengers by John Marrs an entertaining, thrilling read? Yes. Was it dumbfoundingly absurd and infuriating at times? Also yes. Credit where credit’s due though, I can’t remember the last time I had so much fun with a book while simultaneously screaming obscenities in frustration at it, so there’s that.
At its heart, The Passengers is near-future techno-thriller that has its basis in the discussion surrounding the risks and ethics of programmable artificial intelligence. At the beginning of the story, eight individuals get into their self-driving cars, each trusting their vehicle’s AI to get them to where they need to be. With the exception of two of them—a husband and wife couple—none of them know each other, and all come from different walks of life. But soon, they will find themselves trapped in the same waking nightmare fighting for their lives, for not long after they started their ride, each of them receive a chilling message from a mysterious voice inside their hacked vehicle which is no longer under their control: “Two hours and thirty minutes from now, it is highly likely that you will be dead.”
Meanwhile, as all this is unfolding, a healthcare worker named Libby arrives to her position on the Vehicle Inquest jury, a board that reviews evidence in cases of accidents involving self-driving cars to determine the at-fault party. But as it turns out, they also become the victims of the hacker’s nefarious plot, when it is revealed the horrible role they must play. Libby and her four fellow jurors have become the decision makers to determine who should live and who should die. From hidden cameras, footage from inside the boardroom and from the eight hijacked cars are broadcast live to the world, where members of the public are also invited to chime in and collectively decide the passengers’ fates using hashtags over social media.
All eyes are now on the eight hapless riders trapped inside their vehicles—a septuagenarian TV star philanthropist, a young woman seven months pregnant with her first child, an illegal immigrant awaiting deportation, a construction company contractor and his police officer wife who are the parents of two children, a non-English speaking middle-aged woman making her escape from her abusive husband, a retired and decorated war veteran, and an unemployed homeless man living out of his car. Each of them is given a chance to plead their case to the world, but as the hacker warns, it’s best to be truthful. He knows all their deepest darkest secrets, and the public might not be so sympathetic once he reveals them. But for Libby, the question of whom to save is simple. In a twist of fate, it turns out she has a past connection to one of the passengers, but will anyone else understand her choice?
To make it easier to suspend your disbelief (and trust me, there will be moments where you will need to), it’s probably best to consider The Passengers an exercise in suspense. To create a good thriller, you need the necessary ingredients, including a super evil smart villain who has thought of everything and has all his bases covered from every angle. You also need victims who are put in a situation where they are unpleasantly, irrevocably screwed. Hats off to John Marrs, who has certainly got both these boxes checked off, even if it does mean plot holes, illogical explanations and other farfetched plot mechanisms aplenty. Most of these I can’t go into without spoiling anything, which is unfortunate because some are quite hilarious in the lengths they go to. Suffice to say, Marrs can write a damn good thriller, but his writing relies on the reader to overlook the flimsiness in his character motivations and the story setup.
For one thing, the hacker—who fancies himself as having some sort of moral high ground by being a vigilante avenger punishing the Vehicle Inquest board—is predictably psychotic and gives no reasonable explanation why he thinks causing even more death and chaos is going to get anything done other than to provide him with two and a half hours of sick entertainment (also, no details into his choice of his eight victims or how he managed to orchestrate certain events that should have been impossible to predict or coordinate). It felt like lazy storytelling and characterization, and indeed, almost everyone in this book is an example of more stereotyping or clichés. It can definitely be seen with Libby, whom I wanted to throttle because she was a self-righteous ninny with more hormones than sense, allowing her feelings for a man she knew for all of one evening take over her critical thinking skills and rule her decisions. A shining example of our gender, that one.
But okay, I can’t deny I had fun. A lot of fun, actually. Yes, some of it is over-the-top and ridiculously ham-fisted, but you gotta admit the whole idea is a killer. Despite some of my issues with the story, it’s definitely an interesting premise to ponder, and still a real blast to see things play out. There were moments of pure suspense where I found I could hardly stop reading, so caught up was I in the excitement and intensity. No shortage of shocking surprises here, which came relentlessly at a breakneck pace. As you’ve probably already guessed, none of the passengers are as they seem, so you’ll be getting four or five good twists out of that alone.
Bottom line, The Passengers is a flawed but fun thriller. It might seem like I had a lot of complaints about this one, but the truth is, it’s easier than you think to look past the absurdity, the contrived characters and the plot holes and everything else that didn’t really make sense. After all, the entertainment value is high, which made the read worth it.
Mogsy’s Rating: 4 of 5 stars
Genre: Young Adult, Fantasy
Series: Book 1 of Crown of Feathers
Publisher: Simon Pulse (February 12, 2019)
Length: 496 pages
Crown of Feathers by Nicki Pau-Preto is a book I had been excited to read ever since I first learned about it, and it’s easy to see why. I was immediately drawn to the idea of a world full of rich history and legends about warriors who rode fiery phoenixes into battle, and the premise of a girl who disguises herself as a boy, which happens to one of my favorite tropes.
The story transports us to the Golden Empire, a land whose people are no strangers to war. To the victor goes the spoils, while those defeated are left to lick the wounds. For our protagonist Veronyka and her sister Val, however, it also means being on the run from the anti-magic forces who are now out to hunt them down. Both of them are animages, individuals with the power to form magical bonds with animals. In practice, this connection is also the relationship that allows the famed Phoenix Riders to control their mounts, before their order was dissolved following their loss in the war.
Consequently, anyone with the talent are now considered enemies to the current rulers of the empire, but some have chosen not to flee. Sev is an animage who is currently a soldier in the army, hiding in plain sight while watching, listening, and gathering information. Meanwhile, Veronyka still has dreams of becoming a Phoenix Rider. Together with her sister, they scour the land for any surviving phoenix eggs, hoping to hatch new bond companions. But after much heartbreak and a riff between the siblings, Veronyka is left to strike out on her own, arriving at a secret camp where a group of rebels are hoping to establish the Phoenix Rider traditions. Joining them and their mission is everything Veronyka has ever wanted, except of one major setback—the rebels are only looking to recruit males. Not content to let a little problem like that get in her way though, Veronyka decides to disguise herself as a boy and gains access to the camp as Nyk the stable boy. During training, she also meets and befriends a fellow apprentice named Tristan, the commander’s son.
First, while I found Crown of Feathers incredibly enjoyable to read, I have to preface this review with a caveat—if you’re looking for a light and airy YA fantasy novel to pass the time, this isn’t it. In fact, it’s quite the slow-builder, and while the story itself is straightforward enough, the details of the world and its history make it feel quite dense. The main conflict also takes some time to emerge, with a first half that plods along and requires patience. That said, I liked how this section developed many of the relationships between the characters, not to mention this was also where we saw the first signs of the fascinating schism between Veronyka and her sister Val. This is definitely not your typical sibling rivalry, and Pau-Preto did an impressive job portraying the complex nature of the love and bitterness in their relationship.
I think the time spent with each character also helped me feel more of a connection to them. I confess I wasn’t a fan of Veronyka at first; she seemed a bit flighty and too consumed with her own problems. I wasn’t all that into Sev’s story either, and even after finishing the book, I thought he spent a good chunk of the story being parked while more interesting things happened elsewhere. Still, I think his chapters served their purpose in showing the political state of the empire as well as the tensions behind the scenes, and his backstory also provided more insight into the history of the Phoenix Riders. I hope his role will feature more prominently in the series as it progresses, so that we find out more about his character. As for Veronyka, I think I eventually warmed to her once she joined the rebel camp, and especially when she befriends Tristan. He’s the love interest, of course, though I have to give major credit to the author for not making this book all about their romance. While it’s clear that’s where things are going, these days I’m more interested in a meaningful relationship between a couple rather than how quickly the story can get them together, so I really appreciated the fact that we get to take things slow.
The book became even better once it found its stride. The final revelations also stitched together the many pieces of the plot, threads from both past and present, and made everything clear in the end. Yes, Crown of Feathers is a novel that requires a bit of time and emotional commitment, especially if you were expecting something that throws you into the action right away. But for all that, the story was very enjoyable. Overall, a very solid beginning to a promising new series.