Book Review: Etched in Bone by Anne Bishop
Posted on March 18, 2017 17 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3.5 of 5 stars
Genre: Urban Fantasy
Series: Book 5 of The Others
Publisher: Roc (March 7, 2017)
Length: 416 pages
Author Information: Website
So, another one of my favorite urban fantasy series has come to a close. Finding out that Anne Bishop will soon be following up with a spinoff series did soften the blow somewhat, but I won’t lie; when I picked up this final chapter of The Others starring Meg Corbyn and Co., my heart was filled with excitement but also a lot of bittersweet feelings. I’m definitely going to miss spending time in Lakeside Courtyard and reading about its colorful residents.
Since Etched in Bone is the fifth and final installment of the series though, please beware this review may contain spoilers for the previous books. Marked in Flesh saw the Humans First and Last movement violently crushed by the Elders, and the repercussions of that event have been widely and deeply felt across the land. Pro-human groups have lost much of their power, and many of their remaining cities are now cut off from resources and protection. The thriving community of Lakeside Courtyard, having emerged from the Elders’ wrath largely unscathed, now finds itself in the position to offer help to those in need. Its wolf-shifter leader Simon Wolfgard is seen as one the more sympathetic Others, and word soon spreads that they are offering jobs and shelter to human refugees who are willing to work hard and won’t cause trouble.
Everything seems to be running smoothly, until the arrival of Cyrus James “Jimmy” Montgomery. Against his better instincts, Simon decides to let Jimmy stay in part because he is the brother of Lieutenant Montgomery, a well-respected man in Lakeside Courtyard, but also because Jimmy is the brother and son of two other current residents. That decision to show compassion ultimately turns out to be a huge mistake, for Jimmy is a con artist, seeing this opportunity not as the blessing it is but as an easy meal ticket and a way to scam money. Not realizing that the Terra Indigene reserve the worst kinds of punishment for his sort, Jimmy continues to emotionally blackmail his sister and abuse his privileges at Lakeside Courtyard, until it’s only a matter of time before he takes things too far.
I’m going to be honest here. I thought Etched in Bone ended up being another fantastic installment, but as an ending, it was somewhat disappointing. I think Bishop might have overplayed her hand when it came to the resolution of the HPL storyline in the previous book, because let’s face it, anything coming up on the heels of that epic conclusion in Marked in Flesh would be hard-pressed to rival that that act. And indeed, the conflict in Etched in Bone felt rather tame in comparison. For example, if this had been just another book in the series, I think Jimmy Montgomery would have made a pretty decent villain. For a series conclusion though? A small bit conman felt too low-key and insignificant to be the story’s main focal point, especially since we’d just seen the likes of Nicholas Scratch, leader of the Thaisian HFL who had the power of an entire movement behind him.
Then, there’s Simon and Meg. I’ve never made it a secret how I feel about these two. Their romance, if you could even call it that, has always weirded me out. I don’t care much for Meg either, and my enjoyment for this series has always been carried by my love for some of the other characters. Other than being able to tell the future by cutting herself (which the Others actually want her to stop doing), Meg brings absolutely no valuable skills to Lakeside Courtyard, and yet the Others all bend over backwards to treat this helpless little woman-child like a queen. To me, Simon’s attraction to Meg has always felt more like a loyal guard dog’s devotion to his master, like she’s something fragile to be protected and kept safe because she’s too weak to look after herself, and in turn she treats the wolf-shifter like he’s her big fuzzy pet. Bishop had this one last chance to finally set their relationship on the right course, and I was a little surprised that she didn’t take it. Simon still bends to “his Meg’s” every whim, while she continues to be portrayed a meek character who requires constant sheltering and protection.
Bottom line, Etched in Bone would have worked perfectly fine as a middle book of a series, but as a series conclusion, I felt it left something to be desired. But while my review probably goes against the grain of the overwhelmingly positive response this book has been getting, I just want to say I still adore The Others, and if nothing else, this was a satisfying and happy ending for everyone involved. I’m beyond excited that Bishop will continue to write stories set in Thaisia because I’ve enjoyed every moment I’ve spent in this world, and even though this novel didn’t exactly end with the bang I’d wanted, it was nonetheless a very good book and a must-read for fans.
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More on The BiblioSanctum:
Mogsy’s review of Written in Red (Book 1)
Tiara’s review of Written in Red (Book 1)
Review of Murder of Crows (Book 2)
Review of Vision in Silver (Book 3)
Review of Marked in Flesh (Book 4)
Friday Face-Off: Birds
Posted on March 17, 2017 25 Comments
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“Some birds are not meant to be caged, that’s all. Their feathers are too bright, their songs are too sweet and wild”
~ a cover featuring BIRDS
Mogsy’s Pick:
Miriam Black series by Chuck Wendig
That’s right, this week I’ve decided to do something different by featuring the covers to every book in the excellent Miriam Black series! After all, how could I decide on just one when they all fit the theme?
Originally published by Angry Robot, the first three books had covers designed by artist Joey Hi-Fi. When the series was picked up by Saga Press and reissued though, they were also re-branded with a new look. Let’s check them out now:
Blackbirds
Mockingbird
The Cormorant
Thunderbird
Winner:
While the new Saga Press covers are gorgeous and I like them very much, I’m still going to have to go with the old covers for this one. Joey Hi-Fi’s unique style gives them personality, not to mention his designs also feature Miriam who looks totally badass with the birds making up her image and flying all around her.
What do you think? Which ones are your favorite?
#SPFBO Review: Larcout by K.A. Krantz
Posted on March 15, 2017 10 Comments
Phase 2 of The Self-Published Fantasy Blog-Off 2016 is officially underway! For the six-month period from November 1, 2016 to the end of May 2017, we will be reviewing the ten finalists chosen by the blogger judges from the first phase of the competition. For full details and the list of books, see our SPFBO 2016 page.
Larcout by K.A. Krantz
Genre: Fantasy
Series: Fire Born, Blood Blessed Book #1
Publisher: K.A. Krantz (2015)
Author Info: KAKrantz.com
Wendy’s Rating: 3.5 of 5 stars
Vadrigyn Le Sri is of the Morsam — the halfbreed children of the goddess of fire. Fire and venom run through her veins, screaming for death, but Vadrigyn is not some monster without reason. She is certain that the only way to escape her prison world where kill or be killed is the only motto is to prove to the male gods that she is more than the fire in her blood. They give her the chance to prove herself by plucking her out of Agenwold and tossing her into the Jewelled Nation of Larcout. Here, battles are fought with magic and the mind, which Vadrigyn must learn to master if she is to unravel the mystery of her mother’s decades old crime and the current politics of which she is the key to everyone’s undoing.
I immediately fell for Vadrigyn upon meeting her. She is a gruff warrior woman raised to take nothing for granted. Thrown into the fancy world of high court, she stands out like a sore thumb, or in her case, the poisonous Dorgof parasites that extend from her palms. Everything about her is fierce and animalistic, from her wild hair to her fanged teeth and appetite for munching on precious stones, but Krantz balances this with Vadrigyn’s intelligence and the ferocity of her desire for change. She is out of place in both the world she is torn from and the world she is dropped into, but she makes no apologies for any of the myriad of things that make her different, including her parentage, even when her mother’s crimes and Vadrigyn’s apparent weaknesses are constantly thrown in her face.
Her instruction and mentorship in her new world is undertaken by her cousins, who feel they must band together to protect each other from the Le Sri shame brought down by Vadrigyin’s mother, and Le Zyrn, a high ranking man in the grand political scheme. Many others seek to use her for or against the throne, and it is Vadrigyn’s job to learn how to decipher this puzzle, and prove herself to the gods.
This is where the book started to teeter on the edge of boredom for me as Vadrigyn meets a plethora of potential friends and foes, many of whom are somewhat difficult to tell apart, and few of whom endeared themselves to me. While Vadrigyn remained an interesting character throughout, she did not necessarily change or grow in a way that the reader is allowed to see. Despite the story being told from her point of view, there is very little emotional depth in her character, though it could be argued that emotional depth is simply not her way. Vadrigyn is refreshingly open and calls everything as she sees it and we are privy to that through her thoughts, even when she does manage to hold her tongue in front of the blood-beings she must protect and protect herself from. In the middle of the book, Vadrigyn unwittingly begins to play the role of Nancy Drew, pointing out what ought to have been obvious to everyone else, but for the convenient fact that mind altering abilities are at play. The entire middle section could use some tightening up in order to address the lull that occurs while everyone takes the time to catch up to Vadrigyn’s revelations.
Both the magic and political system prove to be creative strong point in Krantz’s story, once the pieces start to fit together, and the overall prose is well written, save for a penchant for splitting off sentences from a paragraph for the sake of emphasis. Topped with an unusual heroine, this is a solid entry in the fantasy genre.


Waiting on Wednesday 03/15/17
Posted on March 15, 2017 21 Comments
“Waiting On Wednesday” is a weekly meme hosted by Breaking the Spine that lets us feature upcoming releases that we can’t wait to get our hands on!
Mogsy’s Pick
Thrawn by Timothy Zahn (April 11, 2017 by Del Rey)
I’m going to start with what I suspect will be a very unpopular opinion here, but to tell the truth, I’ve never really cared for the Thrawn trilogy books. I think they’re overrated, honestly. Thrawn, however, is still one of the best characters to come out of Star Wars universe, like EVER, so you can bet I will still be reading this one come hell or high water. As you know the original series has now been classified “Legends” along with much of the old Expanded Universe, but Thrawn was canonically reintroduced in the current season Star Wars Rebels and this book is supposed to cover the story of his rise to power. According to Timothy Zahn, we’ll get to see how his character became so respected in the Empire and why he is such a brilliant tactician, and perhaps some of it too will fit nicely with the original trilogy so I expect there will also be plenty of Easter eggs for fans.
Book Review: The Return by Joseph Helmreich
Posted on March 14, 2017 17 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Return by Joseph Helmreich
Mogsy’s Rating: 4 of 5 stars
Genre: Science Fiction
Series: Stand Alone
Publisher: Thomas Dunne Books (March 14, 2017)
Length: 256 pages
Author Information: Website | Twitter
Based on its topics, The Return is what I would describe as hard science fiction—lots of heavy emphasis on technical details, especially surrounding the fields of astronomy and quantum physics. The result is a lot of complex and advanced scientific theory going over my head and plenty more technobabble I’m sure I didn’t quite grasp. So why did I enjoy this book much? Well, for one thing it was thoroughly addicting. Combining an altogether engaging sci-fi premise with the fast-paced intensity of a breathless thriller, Joseph Helmreich’s clever debut is a wild and unexpected journey worth taking.
The day humanity found out that it was not alone in the universe began just like any other, with the exception of a few pockets in the scientific community all abuzz with the anticipation for that night’s lunar eclipse coinciding with the winter solstice. It is an occasion rare enough that a news television station has arranged a live broadcast on site in the Bernasconi Hills of Southern California with expert physicist-turned-celebrity scientist Dr. Andrew Leland to cover the event. This is why, when a mysterious spacecraft suddenly swoops down upon the TV crew after the eclipse, Dr. Leland’s subsequent abduction by aliens was captured entirely on film and televised live on air for all to see. The footage was so clear that not even the fiercest skeptics could deny the evidence of what happened that day. The next six years saw drastic changes in almost all facets of life, ranging from mass panic to renewed dedication to studying the space sciences, people either reembracing or abandoning their faith, lots of discussion and speculation about what might have happened to Leland and where he might be now.
At least the last question was answered one day when the world received another shock—in the middle of the South American desert, a bedraggled wanderer was picked up by authorities and identified as none other than Dr. Andrew Leland. But instead of enlightening everyone with the details of what he saw and experienced in the last six years, Leland claims that he remembers nothing. In fact, he denies having been abducted at all. Soon after, he becomes a recluse, retreating completely from the public eye. For some people though, that simply would not do. Shawn Ferris is a young physics grad student who has been obsessed with the life of Andrew Leland ever since he watched the famous video of the abduction as a young boy. He wants answers and is determined to get them by tracking his hero down. In doing so, however, what Shawn did not expect to find are others hunting Leland too, except their intentions are not so nice.
To my utter astonishment, the publisher description actually contains a lot more detail and potential spoilers for its own story—though I suppose with the sheer number twists and turns in this book, they probably figured revealing a couple of them wouldn’t hurt. If you truly want to be surprised though, I would suggest avoiding the blurb if you haven’t read it already, and also not to seek out anything more about the plot. Trust me, it’ll make finding out what happens so much better…
While in essence The Return is a science fiction novel, its style, format and pacing is more in keeping with a suspense-thriller by employing devices like a third-person omniscient point of view, lots of POV jumps and incidental characters, cliffhangers at the end of chapters, etc. If these are the kinds of stories you like, then this book will work very well for you. It is also in large part a mystery, keeping readers guessing in anticipation at what the big picture is. At first, the story is told in two disparate threads, one following Shawn Ferris in America and the second taking place in Spain, with no hints as to how they are related. But as events gradually unfold in each storyline, the connections start to form. From the very start, I was impressed with Helmreich’s sleek and polished writing style and the clever way he structured the plot. And despite the amount of scientific jargon, reading this never felt like a chore thanks to the writing being very readable and the punchy pace keeping me from putting the book down.
Perhaps the only part I felt dubious about was the ending, which wrapped up much too quickly and felt just a little too convenient, considering the elaborate development that went into the ramp-up to this point. But even though the ending wasn’t as satisfying as it could have been, I wouldn’t say I was disappointed—not when many of the events in the final parts of this book are just as shocking and unexpected as those in the first half, and I confess I was even left feeling gut-punched by several of those surprising twists.
This is a genre I often struggle with, but The Return succeed in drawing me in with its smart and intriguing premise. While it is not completely without its flaws, for a debut effort it is nonetheless impressive, featuring a story that often kept me perched on the edge of my seat. Joseph Helmreich’s writing is also solid and very “cinematic” in its quality—sharply vivid and immediate, delivering maximum thrills and entertainment. I thoroughly enjoyed this novel and would recommend it for readers who enjoy a kick of an adrenaline rush with their sci-fi.
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Audiobook Review: Star Wars: Aftermath: Empire’s End by Chuck Wendig
Posted on March 13, 2017 12 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Star Wars: Aftermath: Empire’s End by Chuck Wendig
Mogsy’s Rating (Overall): 4 of 5 stars
Genre: Science Fiction, Media Tie-In
Series: Book 3 of Star Wars: Aftermath
Publisher: Random House Audio (February 21, 2017)
Length: 15 hrs and 57 mins
Author Information: Website | Twitter
Narrator: Marc Thompson
The Aftermath trilogy may have gotten off to a shaky start, but the good news is that things have been steadily turning around ever since Life Debt improved on many of the problems that plagued the first novel. I’m happy to report that Empire’s End continues this trend by further developing the story and characters, giving them the depth that they lacked early on.
Looking back my review of Aftermath, my feelings about this series now can’t be any more different. To be honest, I thought the first book was very forgettable. The plot was fun but fluffy, lacking any real weight. None of the new characters were all that compelling or memorable, except maybe the droid. It wasn’t a bad read, but overall it was still a very mediocre addition to the new Star Wars canon, doubly disappointing because of how hugely it was hyped.
Now, fast forward to Empire’s End. We’ve definitely come a long way since the first book. The inclusion of original trilogy characters and connections to other events and stories in the Star Wars universe have helped this trilogy immensely, increasing its relevance and making the second and third books a lot more enjoyable to read. We also know that the title refers to the Empire’s last stand at the Battle of Jakku, so the anticipation for this monumentally important event also helped.
Empire’s End continues the adventures of Norra Wexley and her band of mercenaries as they continue to hunt down the remnants of the Imperial leadership—except now, it’s personal. The events that took place at Chandrila at the end of Life Debt have made Grand Admiral Rae Sloane the primary target of Norra’s revenge. Unbeknownst to our rebels though, Sloane has lost all her power, struck down by the diabolical Gallius Rax, the former protégé of Emperor Palpatine and self-proclaimed Counselor of the Empire.
The hunt to bring Sloane to justice ultimately leads Norra to Jakku, where her team discovers the presence of a large Imperial force attempting to regather their strength. This intelligence is relayed back to the New Republic, where the Galactic Senate now must decide whether or not to bring the fight to the Empire. Meanwhile, Leia Organa and Han Solo are soon expecting their first child and have taken a step back from the limelight. Understanding the need to see the enemy put down once and for all, however, they team up with Chancellor Mon Mothma to convince others in the senate that the vote to bring the fleet to Jakku must pass.
Politics, action, and thrills come together in this final installment of the Aftermath trilogy, and if you’ve been enjoying the ride so far, then you’ll likely be pleased with the results. Empire’s End is much better than the first book, possibly even better than Life Debt; in fact, I think it’s one of the stronger new canon novels to date. Maybe I’m just getting used to the writing, or maybe opting to go with the audiobook format could have improved the experience, but I found Wendig’s style and his use of the present tense much less distracting this time around. And even though I still find them somewhat distracting, I’ve also come to grudgingly tolerate those pesky interludes. Dare I say, a couple of them were actually quite interesting, like that brief glimpse we got into what Jar Jar Binks has been up to since the prequels.
This novel’s greatest achievement though, is character development. Norra, Temmin, Jas, Sinjir, and Jom went from a jumble of names I could barely remember to the heroes that I enthusiastically cheered for in this final showdown between the New Republic and the Empire. And of course we mustn’t forget about Mr. Bones, who has been a favorite since the beginning. Over the course of the trilogy, this crew of ragtag rebels has become a real family. Empire’s End places them all in situations where you can truly sense their loyalty to each other, or understand their growing emotional ties and friendships. In addition, this book did amazing things for Grand Admiral Rae Sloane. Though she was already a fantastic character even going back to her first appearance in A New Dawn, much of her growth has been seen in the Aftermath trilogy. She may be on the wrong side of history, but she has such a strong, interesting backstory and personality that you can’t help but love her too.
If the later books had remained mediocre like Aftermath, I would have said skip this trilogy. Fortunately though, this was not the case. Things have really picked up since the first book, and the number of significant events and ties to other stories and characters in the Star Wars universe have pretty much made this one a must-read. Overall, I’m pretty pleased with how the series has turned out. I have some caveats of course, which you can find in my reviews of the previous books, but on the whole I would encourage Star Wars fans both new and old to check out this trilogy if you think you might enjoy it.
Audiobook Comments: Marc Thompson is a god, that is all.
Okay, fine, I’ll elaborate. More and more, I’m finding myself shifting away from reading Star Wars fiction to listening to them, simply because they always have the best talent narrating these books. Thompson is a perpetual favorite because of his ability to do all these great voices. Some of the ones he does for specific characters are spot on. I loved his voices for Han Solo, Sinjir, and Mr. Bones. He even did a pretty good Lando. And one of my friends who read the hardcover version of book actually asked me if Thompson did the Jar Jar Binks voice for the aforementioned interlude, and I was like, are you kidding me, of course he did! And it was amazing! Star Wars audiobooks are always a treat, and Thompson is a narrator whose reading can really enhance a story even when there’s not a lot happening on a page.
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More on The BiblioSanctum:
Review of Star Wars: Aftermath (Book 1)
Review of Star Wars: Aftermath: Life Debt (Book 2)
Book Review: Revenger by Alastair Reynolds
Posted on March 12, 2017 33 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 2 of 5 stars
Genre: Science Fiction
Series: Book 1
Publisher: Orbit (US: February 28, 2016)
Length: 432 pages
Author Information: Website
Revenger was my first book by Alastair Reynolds, which makes admitting that it did not work for me all that much harder. Still, in all fairness, I had been warned by several others beforehand that this does not feel representative of much of his work (as apparently the target audience is YA). Instead of choosing something else as my introduction to the author though, I decided to throw caution to the wind and try it anyway, so that’s on me.
The story follows Adrana and Fura Ness, a pair of teenaged sisters who live with their ailing father on the planet of Mazerile. A series of bad investments have bankrupted the family and now the girls have little prospects for the future, which is why when Captain Rackamore turns up in his sunjammer hoping to recruit a new Bone reader for his crew, Adrana and Fura are quick to take him up on his offer. Because the two of them are Sympathetics, they are perfect for the job which involves mentally linking themselves up with a mysterious piece of technology called a skull on the ship, enabling the crew to communicate with other travelers using the long-established inter-galactic trade routes.
So without another thought spared to their dear old dad, the girls decide to run off and join Rackamore on The Monetta’s Mourn, beginning their treasure seeking adventures among the remains of lost civilizations. The galaxy is filled with crews like theirs scavenging the far corners of space for “baubles”, a term used to describe artificially enclosed planets that can contain all manner of precious valuables and wonders. But perhaps just as common are the ships that prey on these treasure hunting crews, waiting for others to do the hard work before swooping in and snatching away their bounty. Adrana and Fura end up learning this lesson the hard way when The Monetta’s Mourn comes under such an attack, the crew becoming the next victims of the fearsome space pirate known as Bosa Sennen.
So what worked and what didn’t? On a world-building level, I could appreciate what Reynolds was trying to achieve here. Revenger is a mix of hard sci-fi with something else that is less definable—a mythological, fabled element that belongs more in a fantasy novel, perhaps. The universe is filled with alien artifacts, ancient technologies, and other unexplainable mysteries such as individuals with special gifts. And while the story takes place in deep space and humankind has achieved the ability to travel among the stars, the atmosphere of the setting is nonetheless evocative of an era more befitting of the fifteenth to eighteenth centuries. Think the Age of Discovery, exploration and mercantilism, crews setting off into the great unknown on treasure voyagers hoping to bring home fortune and glory. It’s a classic maritime adventure novel complete with pirates, ship wrecks and hidden booty, except that it’s all superimposed over a science fiction backdrop.
But as fascinating as this all was, the disappointment came crashing down when, after getting through nearly half the novel, I realized very few of these elements were actually explored. All those new and unfamiliar terms that were being thrown around at the beginning, ostensibly teasing the reader and making us all think that explanations were forthcoming, ultimately led to no satisfying answers.
Then there was the main character of Fura. She’s everything I find distasteful in a teen protagonist—selfish, impulsive, arrogant, and naïve. She takes new experiences for granted, treats opportunities like she is entitled to them, and doesn’t think too hard about the consequences of her actions. I realize she’s supposed to be a teenager, but this type of attitude and thinking feels even more immature than is called for somehow.
Overall, I also found myself unenthused by the story. It’s possible that my dislike of Fura had something to do with it, though in general I thought the plot suffered from poor pacing. For a novel supposedly aimed at a young adult audience, it’s surprisingly slow. Things ticked up a bit when The Monetta’s Mourn came under attack by pirates, but then returned to a monotonous pattern once the dust settled.
I tried, but I just couldn’t get into this one. Revenger was definitely not what I expected from my first foray into Alastair Reynolds, but fans might be relieved to know I’m chalking this up to an anomaly which is not indicative of his usual work. I fully intend to try him again in the future, hopefully with a book that has a story and characters that are more to my tastes.
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Celebrate Buffy’s 20th Anniversary with Bookburners!
Posted on March 10, 2017 13 Comments
Like many geeks growing up in the late 90s and early 2000s, I was a huge fan of the Buffy the Vampire Slayer TV show, watching it religiously to follow the adventures of our Sunnydale gang. And do you know who else are big fans? The author team behind the Serial Box series Bookburners, a serialized fiction story where magic is real and some books have teeth! If you’ve read the serial, then you’ve probably spotted many similarities between it and Buffy, especially in the hunting-magic sense and the dynamics between the characters. After all, Max Gladstone, Margaret Dunlap, Mur Lafferty and Brian Francis Slattery all consider themselves super fans of Buffy and have been influenced greatly by the show.
On this day, March 10, 2017, fans around the world are celebrating the 20th anniversary of Buffy the Vampire Slayer season one. Hard to believe it’s been twenty years already, but time sure flies! To join in the fun, this weekend Serial Box is offering a half-off promo on Bookburners in honor of Buffy, so if you’ve been curious about the series now is your chance to see what the fuss is all about. In case you missed my review, this is a seriously kickass series based around secret team of agents that hunts down dangerous books containing deadly magic.
For more about the Bookburners and the ideas and influences that went into it, the authors have written a great piece on how they feel Buffy has transformed television and continues to inspire today, along with links and promo details included at the end of the post. I hope you’ll enjoy and check out Bookburners!
Margaret: Looking back twenty years after Buffy, it’s hard to remember that so much of what it did was revolutionary at the time. Like, the “big bad” who gave each season its own flavor and self-contained arc that then built the story of the series as a whole; no one else was doing that in the same way. Babylon-5 famously had its five-year plan, but it always presented itself as a deliberate exception, a grand experiment. Buffy was just television. Quippy, girl-centric television on the WB, no less. Pinning the television revolution to one show is always going to be a gross oversimplification, but Buffy served as a proof of concept that TV dramas didn’t have to live and die only by their week-to-week stories.
Now a structure that combines season-arcs and standalone episodes is so baked into our consciousness, when our team sat down to break the first season of Bookburners, we sort of took it for granted that was how we were going to tell our story. Which is an insanely fast shift, when you think about it.
Max: Buffy set a high water mark for a certain kind of quippy, self-conscious television: stories in which the characters know they’re in a story, know stories like the ones they’re in—and know those stories don’t end well. It’s a fine line to walk. Lean too far to the left, and the characters become so self aware the story loses all horror, mystery, wonder, or even basic emotional affect. Lean too far to the right, and the horror crushes the life out of the quips, and out of our characters. The jokes just seem grotesque. The Buffy team built a world where students possessed by hyena spirits could eat the school principal, and we’d all recognize that this was the kind of thing that happened in Sunnydale and on some level everything would turn out fine, more or less, while at the same time knowing that the principal really had been torn apart by his students. And the creators didn’t stop there—that careful tension left the viewer unprepared for the serious emotional right hooks the series later started to throw.
That balance is at the heart of our work on Bookburners, too—a fun story, about people having fun, with plenty of blood in. A balance that leaves you off guard for the blow.
Brian: Buffy the Vampire Slayer is the show that I’m always most afraid of ripping off when writing Bookburners. I was a huge fan of the show when it was on the air, to the point that I possibly did a little less well in graduate school because of it. At the time, seasons 3 and 5 in particular seemed to me to be about as good as television got at the time.
But even the high drama of those seasons didn’t quite prepare me for the way the series ended overall. Maybe the final season was a little uneven. Maybe some of the drama got a little overplayed. Maybe it got a little too dark. But the final conceit, in which Buffy found a way to change the rules that had tied her down, and break the patriarchy that had made her its servant, still stands in my mind as a nearly perfect way to end that story. Not only because it turned the logic of the show inside out in an intellectually satisfying way, but because it showed the consequences of that radical decision on a human scale. The images in that final sequence—the flush of beatification on Willow’s face when she casts her last spell, followed by the smiles of strength on the faces of not only the women assembled to fight demons, but a girl who stays the hand of her abuser, a girl at bat who knows she’s going to knock that next pitch all the way out of the park—have stayed with me since that final episode aired. The show’s writers could have killed Buffy off at the end of the series (and did once, a couple seasons before that) and it would have made sense. Instead, they set her free. Needless to say, we’ve been taking notes.
Mur: One out of many things Buffy did right was female relationships. We saw in Heathers and Mean Girls the narrative of the best friends who secretly compete and hate each other and, even if you were a girl and had a best friend, you wondered if girl friendships were the rare thing and the backstabbing relationships were the norm. Then Buffy came along, and she and Willow created a super strong bond, and later with Anya and Tara, the Scoobies were heavy on the tight girl friendships. Cordelia did manage to bring the bitchy rivalry aspect to the show, but she didn’t hang around for long.
In Bookburners we have Sal and Grace developing a slow but tight friendship that is tested, but stays strong. Asanti plays more of a parental role, but her female/female connections to Sal and (to a lesser extent) Grace are also tight. The men in our team play roles that connect to each other, and the women, but they do not overshadow the women’s connections and experiences. In a world where the Bechtel test is a depressing test that so many stories manage to fail, Buffy didn’t, and Bookburners takes its lead from that awesome show.
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To see how the writing team was influenced by Buffy, check out Bookburners here, and for today and this weekend only we’re offering half off Season 1 using code BuffyPromo1 and half off Season 2 using code BuffyPromo2. To redeem, go to www.SerialBox.com.




















































