YA Weekend: The Whispering Night by Susan Dennard
Posted on December 7, 2024 5 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Whispering Night by Susan Dennard
Mogsy’s Rating: 4 of 5 stars
Genre: Young Adult, Fantasy
Series: Book 3 of The Luminaries
Publisher: Tor Teen (November 19, 2024)
Length: 384 pages
At last, the final book of Susan Dennard’s Luminaries trilogy is here. The Whispering Night brings things to a thrilling and emotional conclusion, and I was excited to see how everything would play out. Having followed this series from the start, I was invested in the ending which made this well worth the read, though I couldn’t help but notice some of the issues I’d had with the first two books remained unresolved.
The story picks up with Winnie Wednesday finally setting into her new life as an elite member of the Luminaries. The werewolf threat that the hunters have faced has been brought under control…at least for now. Far from being the pariah she was before all this began, Winnie’s latest escapades have made her more popular than she could ever imagine. She has rekindled her old friendship with Erica, and even started something a little more intimate and complicated with Jay Friday. On top of that, their community’s biggest celebration of the year, the Nightmare Masquerade, is just around the corner.
However, the attention becomes more than Winnie can handle when she is unexpectedly crowned queen of the Masquerade—a role that many feel she did not do enough to earn. As the revelries continue throughout the event, Winnie is forced to fend off this resentment along with other threats related to the mysterious scandal surrounding her father’s disappearance years before. Enter the Dianas, the secretive and antagonist group that stands in opposition to the Luminaries. Witches who are said to use forbidden magic, the Dianas’ exact motivations are unknown, but Winnie’s father had been mixed up in their business. Together with Jay and Eric, she must find out how and why, and also uncover the truth about the figure known as the Whisperer and find out how all of it is connected to the long-standing war that has always existed in Hemlock Falls.
As a protagonist whom I’d had mixed feelings about, Winnie Wednesday has certainly grown on me since we were introduced to her in the first book. She’s emerged as a much more interesting character when she’s not on the defensive all the time, not to mention a lot more pleasant. A Winnie who is not constantly trying to prove her worth has more time for her real personality to come through, and it’s one with a great deal of introspection and a wicked sense of humor. Friendships also appear to agree with her, and the interactions she has with her peers in Hemlock Falls have really come to the forefront in this book now that Winnie’s solitary existence is behind her. Erica shines in this book as she steps up as a loyal ally, and the romance with Jay is getting its well-deserved moments as well.
But the world-building of the Luminaries trilogy remains one of its most confusing aspects, and unfortunately, we never really get clarification on how it’s connected to the outside world. Hemlock Falls still feels strangely isolated, existing in a bubble. It’s clear now that Dennard has kept this lack of connection in place on purpose, but the gaps do leave the series overall feeling incomplete, with a sense that pieces of the puzzle are left out.
When it comes to wrapping up the story, though, The Whispering Night is satisfying with its mix of action, resolution, and emotional payoff. It’s true that some parts felt chaotic, especially during the build up to the ending, or when the supernatural elements felt rushed or glossed over, but on the whole most of the major questions were answered. That said, the conclusion leaves the door open for the potential of more stories, and I wouldn’t be surprised if the world-building issues I mentioned above are addressed in future books set in this universe.
Overall, The Whispering Night is a solid conclusion to the Luminaries trilogy. It’s not without flaws but does deliver on the elements the series’ readers have come to enjoy. I would recommend it as a fun YA paranormal adventure, and if you’ve been following Winnie’s journey from the beginning, this finale is absolutely worth picking up.
![]()
![]()
More on The BiblioSanctum:
Review of The Luminaries (Book 1)
Review of The Killing Moon (Book 2)
Book Review: Memorials by Richard Chizmar
Posted on December 3, 2024 13 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3.5 of 5 stars
Genre: Suspense, Horror
Series: Stand Alone
Publisher: Gallery Books (October 22, 2024)
Length: 480 pages
Author Information: Website
Earlier this year, I had the pleasure of reading the first two books in Richard Chizmar’s Boogeyman series before attending an event where I got to hear the author speak. During his talk, I was thrilled when he announced that not only is the third installment in the series in the works, but also that he would be releasing a new standalone novel in the fall.
This book turned out to be Memorials. Transporting readers back to the 1980s, the story follows three college students on a road trip through rural Appalachia to film a documentary about roadside memorials—markers that usually take the form of white crosses or signs adorned with flowers, wreaths, or other items to form a shrine. They can be found all over the country alongside highways or residential roads, memorializing someone who passed away from a motor vehicle accident at or near the location where the death took place. Richly atmospheric and heavy with the gravity of its subject matter, the novel blends elements of mystery, suspense, and horror with the enduring traditions of folk superstition.
For Billy, Troy, and Melody, the week-long journey isn’t just about earning a good grade on their American Studies class project; it’s also a chance for the three friends to deepen their bond and embrace their independence. However, in Billy’s case, the documentary carries deep personal meaning as well. While all three of them have experienced the loss of someone close to them, Billy’s parents were killed in a car accident years earlier, and the plan was to make their roadside memorial a part of the film.
But what begins as a carefree expedition through the halcyon Pennsylvanian countryside soon spirals out of control as a sense of unease starts creeping in. As our characters delve deeper into the backroads, they begin to suspect someone might be silently watching them from the shadows at deserted campsites. They come across a town where the locals eye them with suspicion or outright hostility. Strange symbols are spotted carved or painted on some of the memorials they visit. It’s even possible that their van was sabotaged, as the increasing fear that they’re being followed turns their road trip into a nightmare.
Memorials is perfect for fans of slow-burn, atmospheric horror with a touch of Americana. There’s just something so unique about the eerie backdrop of rural Appalachia—where the mountains and forests seem to hide ancient secrets, the people and their stories steeped in their traditions and isolation—and Chizmar’s writing really brings those vibes to the forefront. I also loved the premise of the novel with its focus on roadside memorials, sights that are common along every drive. Yet, when you take the time to consider what they symbolize, it’s hard not to wonder at their tragic backstories behind them, with each memorial representing someone who was loved and cared for, someone whose life left an impact and was honored.
But when I say slow-burn, I mean REALLY slow-burn. Honestly, I feel the pacing is where the book falters. The first half drags, with no clear direction. After following Billy, Troy, and Melody through the first few towns, watching them film at several memorials with no real conflict emerging, I started to worry that this wasn’t the suspenseful horror promised in the publisher blurb. After all, even though I enjoyed the novel’s clever structure which intersperses description of Billy’s filmed interviews and shots of the memorials reminiscent of the found footage genre, it also reminded me of The Blair Witch Project for all the wrong reasons—namely, the dreary repetition and aimless wandering.
The heart of the story should also lie in its characters, but I personally did not find any of them all that compelling. Billy was a wishy-washy protagonist who was probably the blandest of the three, but his first-person narration was the main perspective. While the backstory of his parents’ deaths may have fueled the main plotline, the excessive self-pitying sometimes made it hard to connect with him. Meanwhile, Troy and Melody had more interesting personalities, but they were shallowly developed which made them feel like caricatures at times. Related to this, several of the side characters they meet on their travels also seem to lean heavily into small-town stereotypes that feel like surface-level writing.
It wasn’t until the second half that the emotional stakes were raised, mainly due to THINGS FINALLY HAPPENING. Up until this point, the story felt stagnant, but once the tension picked up, it kept me on edge until the end. Stylistically, Chizmar proves his strength as a writer when he’s in his element, drawing readers into the unfolding drama with heightened drama and suspense. The later parts of this book hold some of the best moments, leading me to think the overall story would have been much stronger had the first half been edited down or spruced up with a bit more conflict or action.
Overall, Memorials ended up being worth the ride, but just don’t be surprised if it takes a while for the wheels to get rolling. Still, I was happy I got to read this atmospheric tale of horror and suspense with its nostalgic undertones, set against a haunted landscape that is distinctly American. That said, I’m beyond excited or Richard Chizmar’s next Boogeyman novel, which I hope will deliver a faster-paced, more thrilling experience.
![]()
![]()
Book Review: The Swarm by Andy Marino
Posted on November 29, 2024 17 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 4 of 5 stars
Genre: Horror, Science Fiction
Series: Stand Alone
Publisher: Redhook (November 5, 2024)
Length: 512 pages
Author Information: Website
Several years ago, my area experienced the emergence of Brood X, the Great Eastern Brood of cicadas. The experience was a bit surreal and unsettling. Even though cicadas themselves are harmless, they are ugly with their roach-like bodies and blood-red eyes, and for a few weeks they were absolutely everywhere. Tree trunks were covered with nymphs, and afterwards, it felt like every blade of grass you saw bore signs of their empty husks. As adults, their bodies would seemingly fall from the sky, smacking people in their faces or pelting car windshields like gross little projectiles. Every time you stepped outside, you would hear a constant siren—which was actually the droning of hundreds of thousands of these creepy bugs.
It was disgusting. And it also made me think: what if someone wrote a novel inspired by cicada swarm emergence? Their very lifecycle—spending 90% of their 17-year existence underground, only to burst out onto the surface en masse for a brief and frenzied time—has a very alien quality about it. It seemed like the stuff of horror and science fiction.
Along comes Andy Marino’s The Swarm, which delivers on this exact premise. Combining bug-based body horror and apocalyptic thrills, the novel depicts a horrifying, alien-like invasion of cicadas across the state of New York. But this is far from a normal emergence, and these cicadas are anything but harmless. The story follows several groups of characters as they try to survive the utter chaos brought on by a sudden and unprecedented swarm of these giant, aggressive bugs.
First, you have Vicky and Grimes, detectives who are drawn into the mystery following an investigation into a series of bizarre murders that defy all logic. Next, you have a pair of enterprising “fixers”, Will and Alicia, an ex-married couple who are trying to track down a missing young woman. Rebecca is a forensic entomologist who is leading a summer class at the Body Farm when the cicada apocalypse hits. And finally, Anton is the CEO of a cutting-edge communications company who discovers that his life’s biggest innovation may have been at the root of it all.
All their stories are told in tandem together as the book alternates between these characters, building upon the growing threat of the swarm. Instead of surfacing briefly to mate and die, the monstrous cicadas in this novel have mutated into parasites that require human beings to complete their lifecycle. In a process disturbingly reminiscent of Alien, the bugs invade the body through any open orifice, maturing inside before violently bursting forth in their fully adult form, approximately the size of a cat. They have also become carnivorous, evolving lamprey-like mouths to attack and eat their prey—us.
Marino’s writing maintains a swift pace, with descriptions of the swarms becoming more urgent and dire as time goes on. However, this story doesn’t just focus on the cicadas, taking the time to explore the devastating toll in human lives and the sacrifices required for survival. In addition, like many horror stories rooted in biological themes, there’s an underlying message about the consequences of meddling with nature. Here, we start dipping into science fiction territory with regards to the origins of the mutated cicadas, but unfortunately this is also where the story started to lose me with its convoluted and somewhat underdeveloped concepts. I can’t help but think too that this had a lot to do with why the ending felt so confusing and abrupt.
That said, The Swarm was a good read, delivering a visceral and spine-chilling deep dive into an apocalyptic scenario from an unexpected cause. If you have an insect phobia, I highly recommend staying away from this book as Andy Marino doesn’t shy away from tapping into those primal fears to maximize terror and discomfort. If you can stand the creepy crawlies and are looking for a change in a different kind of creature feature novel though, then this may be the fresh take you’re looking for.
![]()
![]()
Book Review: The Dungeon Anarchist’s Cookbook by Matt Dinniman
Posted on November 27, 2024 9 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Dungeon Anarchist’s Cookbook by Matt Dinniman
Mogsy’s Rating: 5 of 5 stars
Genre: Fantasy, Science Fiction
Series: Book 3 of Dungeon Crawler Carl
Publisher: Ace (October 22, 2024)
Length: 544 pages
Author Information: Website
Dungeon Crawler Carl is the gift that keeps on giving. Just when I thought the series couldn’t get any better, it blows me away again with the third volume, The Dungeon Anarchist’s Cookbook. So many great moments in this installment, which is so far my favorite one yet, and I am excited to sing its praises.
A short recap: After the apocalyptic takeover of Earth by an alien conglomerate, Carl and his cat Donut have found themselves participating in a televised dungeon crawl with the surviving remnants of humanity. Making it through the first three levels in spectacular fashion has rocketed them up the social media charts, amassing them quadrillions of views and favorites, making them solid fan favorites. However, all this attention also has a downside. Making it to the top ten crawler list may mean more sponsorships and better loot, but it also paints a giant target on your back, making it more attractive to player-killers to collect your bounty.
As the book opens, Carl and Donut have made it to the fourth floor, called the Iron Tangle. True to its name, this level is once again different than the ones we’ve seen before, introducing a highly complex subway system made up of hundreds of trains and lines, all packed into a tight space. The cars are populated with new mobs and bosses, posing more dangerous and difficult challenges, and finding and accessing the stairways down to the next level will be harder than ever. Still, one positive side of a smaller map is that for the first time, crawler groups can interact and work together. New alliances are formed as Carl catches up with old friends, but unfortunately, his notoriety also makes him a magnet for schemes and suspicion. Despite knowing he can’t save everyone, that won’t stop Carl from doing everything he can to try.
Things just keep getting better as this third book ramps things up for Carl and Donut while striking an impressive balance between the author’s sense of humor and some surprisingly emotional moments. Furthermore, the one criticism I had with the previous book—namely its shift to a quest narrative, resulting in our protagonists working through a string of mini side adventures, mostly on their own—is happily not an issue here, with The Dungeon Anarchist’s Cookbook returning readers to a plotline that is once more heavily focused on crawler-to-crawler dynamics.
The fourth floor of the dungeon also makes for a wild setting. Dinniman deserves credit for his attempt to explain the labyrinthine layout of the Iron Tangle, which features an eclectic mix of trains and systems from different worlds and timelines. Ultimately though, his efforts might not have been enough. While I’m sure it all makes perfect sense in his own head, translating it to readers is another matter. Visual aids such as maps or diagrams would have been extremely helpful here, because I confess I had trouble piecing together a clear mental picture in my mind. Still, even if you can’t wrap your head around it, the payoff in the end I worth the price of admission. It’s the boss fights and the sense of urgency that keeps the pages turning after all, not to mention Carl’s explosive methods of problem solving.
The other highlight of this book is the character development, which continues to be exceptional. Carl is proving himself to be more than just a stereotypical action hero, growing into a true leader. Donut’s character arc also takes an intriguing turn as we see her maturing in her own unique way. But the biggest treat of all is perhaps Katia, who joins the fray and becomes a major player in a big way. This book had me pumping my fists by the end of it, and she’s a huge reason why.
Hilarious, heartfelt, and filled with action, The Dungeon Anarchist’s Cookbook is filled with everything I loved about the first two books of Dungeon Crawler Carl and more, building upon the unstoppable momentum. If you haven’t picked up this series yet, you’re missing out on one of the most entertaining LitRPGs around. Highly recommended to readers and gamers alike.
![]()
![]()
Book Review: Bloodguard by Cecy Robson
Posted on November 21, 2024 9 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3 of 5 stars
Genre: Romance, Fantasy
Series: Book 1 of Old Erth
Publisher: Red Tower Books (October 8, 2024)
Length: 448 pages
Author Information: Website
Here I am, diving once more into the fantasy romance genre, but I was particularly excited about this book because of its themes. It seems all things gladiatorial are having a moment right now (thanks Gladiator 2), and Bloodguard by Cecy Robson promised a refreshing departure from the usual romantasies filled with dragons or cozy bookshops. In that respect, it totally delivered. That said, it was also not without its flaws. While the story was captivating with its frequent and explosive bursts of action, it was equally frustrating to watch it struggle with balancing the romantic and fantasy elements.
In the wealthy kingdom of Arrow, on a world called Old Erth, gladiatorial combat serves as entertainment for the masses, but also a stark reflection of social divides. Leith is a young human who fights voluntarily in the pits to earn money to send to his impoverished family. On the other side of the class spectrum, Maeve is an elven princess and healer whose succession to the throne is currently in jeopardy while her father is in prison for allegedly killing her grandmother, the former queen. Believing that he is innocent, Maeve has been dedicating all her time and efforts into setting him free, but her uncle, acting as regent, still insists that she get married before she comes of age in order to secure her position.
Currently, the most likely suitor is Soro, an ambitious commander in the Arrow army. However, Maeve has other plans. After witnessing one of Leith’s matches, she ostensibly approaches him to heal his wounds, but in fact she has a proposition. If Leith wins enough battles, he could earn the title of Bloodguard, making him an honorary noble and eligible for her to marry. As her husband, he will not only have his freedom but will also become king with the power to help his family and provide the much-needed care for his ailing sister. In return, Maeve will secure autonomy as queen, with which she promises to end the cruel bloodsport of gladiatorial combat once and for all.
The book alternates between Leith and Maeve’s perspectives, effectively highlighting the difference between their worlds. Here’s what worked: Leith’s chapters exceled in depicting the brutality and adrenaline of the arena, highlighting the visceral stakes of his fights. Maeve, on the other hand, comes off as an atypical royal. Both a medicine woman and a descendant of warriors, her character portrays both gentleness and strength.
The opening of Bloodguard was also particularly gripping. Of course, kicking things off with a couple of intense battle scenes didn’t hurt. These called to mind the violent drama of Gladiator, which may seem a a bit derivative—but hey, it works. Readers are immediately hooked by the tension and emotions.
But here’s what needed work: mainly, the romance. Seems like every book is marketing slow-burn relationships these days, but all we keep getting is instalove! Story-wise, it’s on the thinner side as well. Simplistic, the plot gives the novel a more young adult vibe despite being part of Red Tower Books’ new adult imprint. Emotional scenes lack weight and intensity, which I think is what contributed to the feeling of instalove, but with this issue being so common now, it’s likely a feature not a bug. I’ll give Bloodguard this—it knows exactly what it wants to be, which is a straightforward romance with a touch of fantasy, and it’s upfront about not going out of the way to build things up.
Not surprisingly then, there is little room for world-building. We’re introduced to this fantasy realm populated by various fictional races and creatures, but everything feels like window dressing because of how underdeveloped the setting feels. Details are sparse or inconsistent, leaving readers to fill in the gaps themselves. A thought did occur to me that, if you’re going to throw in high fantasy staples like elves, dwarves, etc. without providing more detail, a historical fantasy setting probably would have worked just as well or better.
Final thoughts? Some will call Bloodguard a promising start. The story has heart but is having a little trouble finding its footing. It has its moments, from riveting arena scenes to a couple shocking plot twists, but these wins are dampened by surface level world-building and relationship development. Still, at the end of the day, for readers who prioritize a romance arc and are willing to overlook a more simplistic setting and storyline, I think the novel may still hold great appeal.
![]()
![]()
Book Review: The Ravening by Daniel Church
Posted on November 20, 2024 5 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3 of 5 stars
Genre: Horror
Series: Stand Alone
Publisher: Angry Robot (September 24, 2024)
Length: 400 pages
Author Information: Website | Twitter
I first heard of Daniel Church when I picked up The Hollows a couple years ago, a book which turned out to be a delightfully claustrophobic chiller that’s equal parts terrifying and entertaining. As such, I was very excited to check out The Ravening, his latest psychological horror. However, despite my high hopes, something about it just didn’t fully click. While the story had its moments, as well as some genuinely cool ideas, it still never quite reached its full potential.
That said, one thing The Ravening does right is its killer prologue. The novel opens at night on a desolate stretch of forest road where fifteen-year-old Jenna and her mother are stranded after their car breaks down. While checking the engine for the problem, Jenna’s mother is suddenly and violently snatched away by some monstrous thing in the darkness, leaving behind nothing but the echoes of the woman’s screams. Her daughter, helpless to intervene, witnesses the entire incident and is left traumatized and filled with guilt.
This event would go on to shape the rest of Jenna’s life, casting a long shadow over her adulthood. No one believes what she saw that night, leading to years of ridicule from her peers as well as nasty rumors surrounding her mother’s disappearance. Struggling to cope with the psychological trauma, Jenna found herself unable to move forward or to find her sense of self. Things went from bad to worse following her father’s death, as connecting to other people became more difficult. And finally, of course, there was her fear of the forest, where her mother was swallowed up by the darkness all those years ago.
Yet, just as things in her life were starting to settle with a new girlfriend and a tiny sense of stability, Jenna’s world is rocked again when she finds out she is pregnant by the controlling ex-boyfriend she recently broke up with. Besides being unexpected, this pregnancy is also far from ordinary. Certain parties tied to ancient legends and sinister forces have taken an interest in Jenna and they’re willing to use her for their own purposes, going as far as to hold her captive and cut her off from the outside world.
An intriguing mystery? Check. Supernatural forces at play? Check. Moody, claustrophobic atmosphere? Check. The Ravening delivers on many of the characteristics of a great horror novel, and certainly the first few chapters do a good job setting the stage for a story filled with tension and dread. There was the gripping prologue, and the historical background provided which ties in a legend related to the Knights Templar to boot. The first half of the book had me completely hooked.
So, where did things start to go off track? Personally, I feel it was shortly after Jenna finds herself trapped in the bizarre prison created by her captors. For me, this was when the plot hit its peak before unraveling, becoming more scattered, moving away from its focus on survival, and turning into a repetitive, confusing tangle. The more answers we got, the less impressed I became with the mystery, with the antagonists revealed to be rather shallow, uncomplicated villains with their stereotypical dime-store motives. The Templar legend angle could also have been better leveraged, as I thought the concept behind the otherworldly monster warranted far greater depth than simply serving as another standard creature feature.
In terms of characters, Jenna’s long history of emotional scarring and the impact it had on her relationships felt undeveloped and overly simplified. Church seems to fare better when it comes to writing ensemble casts as he did in The Hollows, but when it comes down to a single protagonist—particular a female lead, in this case—he gives the impression of being out of his depth. There’s a sense of this uncertainty in Jenna’s relationship with her girlfriend Holly, where the supposed strength of their bond doesn’t really come through. You can also catch it sometimes in the stilted logic of Jenna’s inner dialogue and the things she says.
Pros: Daniel Church excels at creating an eerie and oppressive atmosphere, particularly through his use of supernatural elements. The Templar myth angle was also an interesting addition, as was the concept of the monster. Cons: The story lost a lot of its momentum as the mystery dissipated and the plot grew more convoluted. There was also the occasional lack of character depth. Overall, The Ravening is an ambitious entry to the horror genre, though I feel it is weaker than his previous novel, The Hollows. Pacing and character development issues aside though, readers who enjoy paranormal horror exploring psychological trauma and survival may find it worthwhile.
![]()
![]()
Book Review: You Better Watch Out by James S. Murray and Darren Wearmouth
Posted on November 15, 2024 7 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
You Better Watch Out by James S. Murray and Darren Wearmouth
Mogsy’s Rating: 3 of 5 stars
Genre: Horror, Thriller
Series: Stand Alone
Publisher: St. Martin’s Press (October 15, 2024)
Length: 240 pages
Author Information: James S. Murray | Darren Wearmouth
If you’re looking for a Christmas-themed read with a horror twist, the wickedly fun duo of James S. Murray and Darren Wearmouth will have you covered this holiday season. Part locked-room mystery, part over-the-top gory slasher, You Better Watch Out is designed to leave you in a festive mood while also feeling nostalgic for the campy horror classics. That said, it’s not the most sophisticated, but at least it’s a super quick read.
The story follows a group of characters who all wake up feeling drugged up and confused in an otherwise deserted and unfamiliar town. Christmas is in a few days, and Eddie is a petty thief who recalls being in a parking lot trying to scam an old couple before he was injected with something that knocked him out. Jessica was out on the trail when she was similarly attacked. So too was Trinity, who was in bed when she figured she was chloroformed, and Greg, when someone knocked him unconscious as he was heading out to work. And on it goes. The people involved come from all walks of life, but their stories of how they ended up here are all eerily similar
But why are they here? And who is responsible for bringing them all together like this? Finding the answers becomes increasingly urgent as the group of strangers realize they are being hunted. Someone had gone to great lengths to orchestrate a twisted series of events designed to take out their victims one by one, capturing them before transporting them into a fake town designed to be one giant trap. As paranoia and desperation set in, the survivors must band together to work out why they’ve been targeted in the hopes of coming up with a plan to make it out alive.
Like I said, it’s not a deep read, but pretty sure no one is picking this up expecting it to win any literary rewards. The story feels like a straight-to-TV movie complete with a cast of B-list actors whose roles take a backseat to the anticipation of when or how their characters die. Who’ll suffer the most gruesome death? Which one will be the last one standing? Those are the questions keeping the audience interested, not where these people are from or what major influences in their childhoods shaped their life choices. You Better Watch Out practically revels in these vibes, glossing over character development in favor of action, thrills, and tension. As a result, character personalities and motivation don’t get as much room to breathe, but again, who really cares?
That plot also has a patchwork quality, borrowing themes and ideas I recognize from familiar films like Saw, Predators, and others. And yes, there are plenty of moments that strain credulity, but this is just another thing that gives this novel an over-the-top and campy charm. Let’s face it, you’re not meant to be carrying this book around in your head for days after you read it, or analyze it to death at a book club. The story wants to be ridiculous and unrealistic, its main goal being to provide entertainment and suspense–a goal that was met. Short chapters also kept the pace moving, and I finished this book in no time at all.
In short, You Better Watch Out is not going to be for everyone. However, if you’re willing to overlook a few weaknesses like superficial characters and storytelling in exchange for some top rate slasher-style suspense, you’ll enjoy this popcorny Christmas-themed horror novel. I was solidly entertained, and as always intrigued to check out more from Murr and Darren.
![]()
![]()
Book Review: Heir by Sabaa Tahir
Posted on November 13, 2024 8 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Heir by Sabaa Tahir
Mogsy’s Rating: 4 of 5 stars
Genre: Fantasy, Young Adult
Series: Book 1 of Heir
Publisher: G.P. Putnam’s Sons Books for Young Readers (October 1, 2024)
Length: 484 pages
Author Information: Website
Sabaa Tahir’s Heir is a return to the vivid but unforgiving world that she first introduced in An Ember in the Ashes, but I wouldn’t worry too much if you’re not caught up. It’s been years since I’ve read the first book myself, and I never even got a chance to complete the series, yet I had no problems jumping right back in. Taking place roughly two decades after the events of the original quartet, this opening to a new duology features a few familiar characters and settings but also introduces plenty of fresh faces and expanded lore.
This story unfolds predominantly through three main perspectives: Aiz, Sirsha, and Quil.
Aiz is a hardened young woman born in the slums of Kegari, determined to avenge her people who have long suffered under the cruel treatment of Tiral, a bloodthirsty fleet commander from the ruling class. Using her magical abilities as a windsmith, Aiz has survived countless threats to her life but is nonetheless left heartbroken and bitter when her childhood friend Cero, who has more control over his wind powers, leaves her to become a pilot. After being imprisoned by the authorities, Aiz discovers a new cause in helping other innocents who have been captured and tortured, believing that the divine Mother Div will guide her in her mission.
Sirsha is another character with magical powers and secrets aplenty. Cast out by her own people, she is a tracker who can find people and things by sensing magic—though this isn’t a skill she likes to advertise. When she is tasked to hunt down a murderer targeting children, Sirsha takes the contract thinking it would be a straightforward job. However, as she learns more about her employer, the victims, and the killer, she begins to realize that the real cost of taking on this mission may be far higher than she expected.
Finally, there’s Quil, whose background could not be more different than the others. Chosen to be the heir of the Martial Empire by his aunt, the Empress Helena, Quil reluctantly takes on the duties required of him, even if it means being roped into an arranged marriage. But before those plans could come to fruition, the heart of the throne comes under attack by a new threat, forcing Quil and his friends to flee in order to ensure the survival of the empire.
For a character-driven novel like Heir, it comes as no surprise that one of its greatest strengths is its protagonists. As I recall, Sabaa Tahir’s characterization in An Ember in the Ashes was superb as well, and it appears her skills have only improved. Of course, like any multi-POV story I had my favorites that I liked to follow, but I think it’s fair to say each one was well written and compelling. The voices o Aiz, Sirscha, and Quil were also sufficiently different enough that they each stood out for their own reasons, making transitions between their chapters easy, painless, and so much less confusing than it could have been.
And although it’s been quite a while, I enjoyed returning to this setting which features light influences from Middle Eastern as well as Asian cultures. Heir does a good job expanding it beyond what readers have already seen, immersing us deeper into the richness of the world’s magic systems, traditions, and religions. By telling this story through the eyes of individuals from across distinct social divides, we’re also able to experience so much more, from the physical descriptions of their unique surroundings to the fascinating interactions they have with the local people and their customs.
That said, this was a relatively long book, and in terms of storytelling, pacing suffered a little from a few sluggish parts in the middle and second half—as one would probably expect from an almost 500-page novel that’s trying to constantly throw out information at you while juggling three viewpoints. It took a while for everything to come together, and you also had a few interruptions to overall flow as POVs would change in the middle of the action. Still, once the story got going, its momentum was stronger than not. Knowing that Heir is the first half of a duology also prepared me well enough for the inevitable cliffhanger, which was softened despite its suddenness, and I’m left mostly with curiosity at what will come next.
For me, Heir was ultimately an intriguing return to a familiar world, but I think readers jumping into it for the first time will also find it completely accessible. The scope of the story is big but not too daunting, characters are unique but relatable, and world-building is straightforward but also layered and substantial. It’s a must-read for fans of An Ember in the Ashes, obviously, but also a highly readable novel that I would recommend to anyone who enjoys fantasy with strong YA and adult fiction crossover appeal.
![]()
![]()
Book Review: The Teller of Small Fortunes by Julie Leong
Posted on November 10, 2024 9 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Teller of Small Fortunes by Julie Leong
Mogsy’s Rating: 4.5 of 5 stars
Genre: Fantasy
Series: Stand Alone
Publisher: Ace (November 5, 2024)
Length: 336 pages
Author Information: Website
These last few months of 2024 have brought a bunch of crazy good reads, and I would like to add yet another to the list of highly recommended books for EOY reading. Essentially Wayfarers for cozy fantasy fans, The Teller of Small Fortunes by Julie Leong is a great addition to the genre, offering that same sense of warmth and whimsy. As a bonus, it’s also totally binge-worthy.
The story follows Tao, an immigrant in the land of Eshtera, where this novel takes place. Originally from Shinara, Tao relocated as a young child after her father was killed and her mother remarried a Eshteran noble. Following a family conflict, Tao left home a few years ago and has been on her own ever since. Now she makes a modest living as a wandering fortune teller who travels with only her beloved mule for company. Specializing in “small” fortunes—tiny, personal events that may seem relatively trivial to others looking in but may mean the world to those who seek to know them—she earns a modest living by setting up a stall in the villages she encounters across the countryside, offer her unique gift to the locals.
Then one day, while on the road, her own fortunes take an interesting turn when she stumbles across a pair of mercenaries who are also on a mission of their own. Mash is a ex-soldier on a quest to track down a gang of bandits who he suspects have kidnapped his daughter, and his loyal friend Silt is a reformed thief who has pledged to accompany him on the journey. Since they are headed in the same direction, the three join forces for safety in numbers, with Tao recognizing the good in the two men. Their chance encounter soon expands into a ragtag team when they are joined in the next village by Kina, a bubbly baker with big dreams. Together, they embark on a quest not only to reunite Mash with his little girl but to also help Tao rediscover the meaning of home and family.
And for found family story fans, this is one of the book’s greatest strengths. Tao, Mash, Silt, and Kina are instantly and distinctly memorable, and their bonds form and evolve naturally, filling the entire atmosphere around them with heartwarming optimism and the feeling that even in the darkest moments, everything will be okay. Because of this, I can forgive characterization for leaning a little too heavily on tropes (the burly warrior with a heart of gold, the charismatic rogue, etc.) or the plot for being predictable. This story is as much about Tao’s internal journey towards self-acceptance as it is about the shared adventure with her new companions—the shift from believing that she is meant to be alone to the decision to open herself to the help and friendship of others.
I also loved the world-building, which is on the lighter side compared to epic fantasy but still rich and detailed enough to feel immersive. Leong balances just the right amount of description to let readers envision the small but lively villages on the rural countryside, and also the greater conflicts between nations that affect the politics of the wider world beyond. Throughout this process, the focus is consistently with the characters, relating it back to Tao’s own connection with her heritage as well as her experiencing living as an outsider without ever slowing the story’s pacing or moving away from its central ideas.
At the end of the day, this results in a charming, cozy, and magical tale that feels both familiar and refreshing. Through its focus on character growth and gentle plot development, The Teller of Small Fortunes captures and embraces the essence of found family themes and reminds us that home isn’t necessarily defined by place but by the bonds we forge along the way. I came away from this novel’s celebration of joy and friendships with a warm and fuzzy feeling in my stomach, and I would highly recommend picking it up if you enjoy stories with meaningful lessons, loveable characters, and lots of heart.
![]()
![]()
















