Book Review: The Franchise by Thomas Elrod
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3 of 5 stars
Genre: Science Fiction, Fantasy
Series: Stand Alone
Publisher: Tor Books (May 12, 2026)
Length: 368 pages
Author Information: Website
At first, The Franchise seemed exactly like the kind of speculative fiction I’d go for. While Thomas Elrod’s debut joins an increasingly popular vein of cautionary sci-fi tales about the dangers of technology, what really makes it stand out is the way it portrays reality entertainment to almost grotesque extremes.
The story begins with the meteoric rise of a beloved fantasy series created by an author who spent his lifetime fiercely protecting his work from studio executives eager to cash in on adaptations, merchandising, and every other possible spin-off opportunity. However, after his death, the rights fell into the hands of an heir far more interested in profit than artistic integrity, and before long, the franchise saw itself ballooning into a massive multimedia machine. Movies and toys were only the beginning. Using cutting-edge technology, corporations eventually figured out how to create a fully immersive fantasy world populated by real participants who have had their memories altered and identities rewritten. Some volunteered willingly, at least at first. Others became involved under far murkier circumstances.
The result is something that goes far beyond your typical theme park experience. The people inside this manufactured reality truly believe in the new roles they are given, whether they are queens, knights, wizards, or peasants living in this medieval fantasy kingdom. Meanwhile, outside the illusion are the producers, scriptwriters, hired actors, and handlers working behind the scenes to turn this entire enterprise into marketable entertainment. An entire ecosystem is required to manipulate events in order to maintain interest and increase profits, all the while trying to stop the entire operation from collapsing under its own weight. As you can see, the comparisons to The Truman Show, Westworld, and even Game of Thrones are apt.
And really, that’s where the novel shines most: the concept itself. Elrod clearly has a lot to say about fandom, capitalism, exploitation, as well as the toxic aspects of our entertainment culture in general. The book utilizes satire in a lot of it commentary, presenting a near future where spectacle and profit matter more than basic humanity. As the story progresses, the lengths corporations are willing to go for ratings and audience engagement become increasingly absurd, but intentionally so. There’s a darkly funny thread turning through much of the book, and much of it actually works surprisingly well.
That said, a concept, even a fantastic one, can only carry you so far. Eventually, the story started losing me. As the focus shifted more heavily towards individual narratives, leaving behind the more intriguing mechanics of the plot, The Franchise gradually became less engaging instead of more. Structurally, it was also laid out in a way that was inconducive to maintaining momentum. Eventually, all the time jumps and rotating perspectives took their toll, breaking up the flow and making things feel increasingly disjointed.
Ironically, I also found myself far more invested in the happenings outside the fantasy world than within it once the situation became clear to readers. After the curtain is pulled back, revealing the inner workings of the system, the actual fantasy story line loses a lot of its appeal. Instead, more important questions are brought to the forefront relating to the ethics, psychological consequences, and horrifying implications of a society willing to normalize all this for entertainment. Exploring those speculative elements is where the novel feels strongest and most at home, and this is what I mean when I say that the concept is consistently stronger than the story built around it.
That said, I really enjoyed The Franchise, even though I found myself less invested by the end than I was at the beginning. At the end of the day, though, this is one of those novels I admire more for its ambitions than for the actual reading experience. The ideas are genuinely great, the scope is impressive, and there are stretches that absolutely work, like the intrigue in the early chapters and some of the later thematic explorations. I just don’t think the novel ever fully balances all its moving pieces into a cohesive whole. Still, for a debut, there’s a lot to like here, and I’d definitely be curious to check out Thomas Elrod’s future work.
The BiblioSanctum 