Book Review: Too Like the Lightning by Ada Palmer
Posted on May 10, 2016 26 Comments
A review copy was provided by the publisher in exchange for an honest review. All opinions are my own.
Too Like the Lightning by Ada Palmer
Mogsy’s Rating: 3.5 of 5 stars
Genre: Science Fiction
Series: Book 1 of Terra Ignota
Publisher: Tor (May 10, 2016)
Length: 432 pages
Author Information: Website | Twitter
Has a book ever made you feel completely uncertain of how you’ll rate it? Like, what if you’re blown away by its ideas, but at the same time they make you feel utterly out of your depth? Or maybe, a book that you didn’t think would fit your tastes actually ends up surprising the hell out of you. Truth be told, it’s not often that I experience such conflict with a novel, but I’m also not surprised to find myself feeling like this about Too Like the Lightning. After all, it only makes sense that a complex book will require a complex review.
Technically, Ada Palma’s debut novel can be described as political science fiction, but that’s also a gross oversimplification, for here you will also find plenty of historical allusions, social commentary, and philosophical discourse—all coupled with more traditional elements of the genre. In addition, the “story” here isn’t really that but a whole lot more, but I’ll go further into that later. First, we’re introduced to our narrator, Mycroft Canner, writing this account in the year 2454. The world has transformed into a utopia where fast, expedient travel to and from any point in the world has effectively made ideas like borders and nation states obsolete. Instead, almost everyone belongs in one of the handful of mega-factions made up of millions or billions of people. The nuclear family unit has also been replaced by a more dynamic form called a “bash’”, which can vary in size and composition of related or unrelated individuals. And war? War is another topic that one only reads about in the history books.
Mycroft is known as a “Servicer”, a convict serving out his sentence by being as useful as he can to society. Over time, he has grown close to the Saneer-Weeksbooth bash’, whose members are the custodians of this world’s transportation system, a position which gives them considerable renown and power. However, for years the bash’ has also managed to hide a big secret from everyone, sheltering a young boy with the power to work miracles. With little to no effort at all, thirteen-year-old Bridger has the power to bring inanimate objects to life whenever he pleases. Because of his status as an honorary member of the bash’, Mycroft is included in the small group of those who are aware of Bridger’s existence, but that circle is about to be widened with the sudden arrival of an appointed spiritual advisor, or sensayer, named Carlyle Foster.
This description is also merely half of it though, because while all this is happening, all kinds of political machinations are taking place in the upper echelons of the power structure. The book is laced with a thread of mystery here, involving a much elaborate theft of something called a Seven-Ten list, which is a who’s who of the world’s movers and shakers. Naturally, the Saneer-Weeksbooth bash’ is caught in the middle of it, and in their investigations to find out more, Mycroft and others in this narrative find themselves engaging in various political and philosophical dialogues.
To be sure, Too Like the Lightning is actually quite light on plot, but heavy in its social and literary themes. As I said, it’s not so much a story but a Conversation-with-a-capital-C. Here you will find cultural and scientific debates, existentialist questions, explorations into multiple fields of art and history. The book also has lots to say about a variety of subjects, from gender roles to religion. It’s amazing, really. Phenomenal, even. Palmer’s vision is ambitious and unique, drawing from the philosophical movement and spheres of ideas that changed the face of Europe in the 18th century to create this fully-fleshed setting, a world which appears to have gone through its own Age of Enlightenment. The dramatically altered world through Mycroft’s eyes is nothing like our own. Strange, beautiful, and full of wonder, life in this book might not be perfect, but the possibilities are limitless.
That said, this is an odd novel. There’s no other word for it. And I confess, had I been more impatient while reading this, I might have been tempted to set this one aside for later—not because it is a bad book, but because it so far from what I would normally read for entertainment that it might as well be from another universe. Ultimately, I’m glad that I read it to its completion because it was an incredible experience, but I admit there were times where it felt almost too difficult or daunting to continue, especially when I first started. This was also a slow read, because there’s no rushing a book like this; it’s a work of art meant to be savored, consumed, and digested thoroughly.
If I could do it all over again, I probably wouldn’t have read Too Like the Lightning over a period of several days. Instead, I would have taken my time, whether it took weeks or months, in order to give myself plenty of time to chew on the many issues and ideas presented in this novel. A longer timeline might also serve to alleviate a lot of the confusion, breaking down the staggering amount of information you need to know to understand the story into more manageable pieces. A book like this practically screams for a glossary, as there are so many new words and terms to learn, so many new concepts and customs to familiarize yourself with, and of course, almost all the characters seem to have more than one name, and it was an exhausting mental exercise just to keep track of them all.
Still, it does get easier. The narratives surrounding Mycroft’s mission to protect Bridger, the boy who seemingly works miracles, was many times more interesting to me than the mystery involving the theft of the Seven-Ten list—at least at first. Once those two threads started coming together, I became more fascinated and invested. Then came the surprises, like the truth behind mild-mannered Mycroft’s crime and how he ended up a Servicer, or the massive revelations dropped on us at the end of the book.
Fair warning though, as this was intended to be the first half of a duology, there will be no resolutions to be found here, since all that will be planned for part two, Seven Surrenders. Having finished Too Like the Lightning, I feel that I know a lot more now to better prepare myself for the sequel. This book is guaranteed to make you think, and will no doubt be a delight for those who enjoy philosophy. It’s a very rich, thought-provoking experience, even if it is perhaps a bit impenetrable at times. If you’re feeling up for a challenging read—because impressive or not, this can be a very demanding novel—then you might want to give this one a look.
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Week 1: Between Two Thorns Read-Along
Posted on May 9, 2016 7 Comments
We’re diving into The Split Worlds series this week, starting with the first book Between Two Thorns! If you’re interested in joining this Read-Along, visit the SF/F Read-Along group for more information and to join the discussion.
The new season is starting and the Master of Ceremonies is missing. Max, an Arbiter of the Split Worlds Treaty, is assigned with the task of finding him with no one to help but a dislocated soul and a mad sorcerer.
There is a witness but his memories have been bound by magical chains only the enemy can break. A rebellious woman trying to escape her family may prove to be the ally Max needs.
But can she be trusted? And why does she want to give up eternal youth and the life of privilege she’s been born into?



Part 1 – Monday 9th May: Chapters 1-9, hosted by Over The Effing Rainbow
Part 2 – Monday 16th May: Chapters 10-18, hosted by On Starships and Dragonwings
Part 3 – Monday 23rd May: Chapters 19-25, hosted by OneMore.org (Imyril)
Part 4 – Monday 30th May: Chapters 26-End, hosted by Lynn’s Books
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1. Let’s tackle the setup, first of all. The world of the Nether is caught between the Fae world and ours, and is also apparently too old-fashioned for Cathy, our escaping protagonist, to want to live in. What were your first impressions given her views on her home and family?
Mogsy: Her world was too old-fashioned for her, and apparently too crazy. I felt for Cathy, I really did, especially the way she was pushed into a corner. That trick with the three wishes was not very nice, and if that was any indication of the way things worked in the Fae realm, I would have run away too, and never looked back. All joking aside though, I admire a character like Cathy, who clearly has a natrual curiosity and a passion for learning, and she was willing to go her own way despite her family’s scandalized reactions.
Tiara: The Nether seems like it’s probably a beautiful and dangerous place if I’m to go by her interactions with Lord Poppy. Hearing about how casually cruel her own family is and how that is the norm. Reading about how her father beat her when he found out that her tutor was allowing her to read books from Mundanus that filled her head with ideas such as equality and wanting to be educated about the world around her. It would be easy to conform under such hard circumstances. Cathy is afraid of he brutality that the Nether presents, but her want to know things overrules that. She truly does share a trait of the people she admires that have stood up against injustices in history.
2. There appears to be corruption and murder afoot among the Arbiters, a sort of supernatural police, and it doesn’t lead to good times for Max. What do you make of the magical soul surgery that the Arbiters undergo to do their jobs?
Mogsy: I think the Arbiters are great. Let’s face it, the “supernatural or magical police” trope is all over fantasy, but I thought there were a few things here that made the Arbiters unique and interesting. Also, Max’s sections actually intrigue me the most so far. I’m really looking forward to see how this little mystery plays out on his end.
Tiara: That is an interesting angle. I agree with Mogsy that the supernatural police isn’t a new idea, but this idea that their souls are taken from them in order for them to better do their jobs is fascinating. While it does seem to have rendered many emotions and wants void, it apparently doesn’t stop people from giving into corruption. Max’s predicament with his soul is a very curious one and I look forward to seeing what such an implication could mean for him and his new companion.
3. Even more mysterious is Sam’s accidental involvement in the mystery. Any thoughts on the hapless mortal and what might become of him?
Mogsy: Honestly, I have no idea. When this book first started, I thought Sam might be a throwaway character, simply fulfilling his purpose as a plot device to show off some of the “supernaturalness” of this world. Of course, we realized there was more to him after the first few pages. He hasn’t shown up all that much so far, so his fate remains to be seen.
Tiara: Well, we haven’t had too many sections with Sam, but I can see him being a bit of a bumbling sidekick once this all gets rolling. His wedding ring seems to act as protection for him against the Fae, and I’m curious to know whether this was intentionally done by his wife (or her family) or if he just happens to be a victim of circumstance by being the recipient of a charmed item. I have a feeling his whole world is about to change regardless.
Tiara: I had to share my favorite quote in this section because I loved that Cathy found love through geekery. As someone who met her own husband through gaming, stories of people bonding and falling in love over geeky interests always warms my heart:
“He made it his personal mission to educate her about sci-fi’s transition from paper to film. Somewhere between This Island Earth and Forbidden Planet they’d started to hold hands. They kissed halfway through Journey to the Centre of the Earth and by Fantastic Voyage they were almost inseparable. He’d lovingly introduced her to Star Wars in the original film release order, and she realised she loved him at the end of Raiders of the Lost Ark. By Back to the Future III he’d confessed he felt the same, inspired by the scene between Clara and Doc Brown stargazing together.”
Mogsy: I agree, that was such a sweet quote, Tiara! I met my husband through gaming and a shared love for all things geekery too, and that quote reminded me of the way he introduced me to Star Trek. We sat down and watched all the shows and movies together, starting at the beginning with the Original Series.
Audiobook Review: Lovecraft Country by Matt Ruff
Posted on May 9, 2016 13 Comments
A review copy was provided by the publisher in exchange for an honest review. All opinions are my own.
Lovecraft Country by Matt Ruff
Mogsy’s Rating (Overall): 4 of 5 stars
Genre: Horror
Series: Stand Alone
Publisher: Blackstone Audio (February 16, 2016)
Length: 12 hrs and 14 mins
Author Information: Website | Twitter
Narrator: Kevin Kenerly
Lovecraft Country was not what I expected, but it was a good kind of different. I’ve never read Matt Ruff before and only know of him by his reputation of being a cult novelist, and perhaps I thought I was going to be in for a pulpy horror read, considering the title and the cover. It turned out to be all that, plus a lot more substance.
Told in a series of interconnected short stories that form an overall bigger narrative, much of this book takes place in the 1950s following the lives of several members of a black family who find themselves entangled with a cabal of sorcerers in “Lovecraft Country”—a term that has more to do with the rampant racism in that part of the US at the time, rather than the Lovecraftian horror subgenre.
The novel begins with the title story. After serving his country, Atticus Turner returns home to Florida to find that his father Montrose has gone missing, prompting a road trip to Chicago to find out what happened. Soon, his journey brings him to New England with his uncle George and a childhood friend named Letitia. Together, they discover that Montrose has been captured and held prisoner by the Order of the Ancient Dawn, a secret society led by the enigmatic sorcerer named Samuel Braithwhite. Trapped at the estate, Atticus and his family are ultimately rescued by Braithwhite’s son, Caleb.
It turns out, however, that Caleb may have his own agenda. Through the rest of the stories in book, we’re introduced to the other characters in Atticus’ extended family and circle of friends. Each section of the novel is a tale of a supernatural encounter with the Order of the Ancient Dawn or Caleb Braithwhite, who has remained in the shadows, hounding their every step.
There are definitely plenty of Lovecraftian themes in this book, which is what initially led me to pick this up. But while the hallmarks of cosmic horror and paranormal elements abound, that’s not what really disturbed me. The thing you should know about Lovecraft Country is that it takes place in an era where racial segregation and Jim Crow laws are still very much alive, and Ruff’s depictions of the terrible ways African Americans were treated back then are as stomach-churning as you would expect. If the characters react pragmatically in the face of the supernatural horrors and cosmic creatures in this book, well, maybe that’s because the dangers they have to deal with in the real world are a lot worse in many ways. Violence and abuse fueled by racism, ignorance and hate is something that hangs over them every single moment of their lives, coming from monsters that are all too human.
To be sure though, there are also strange events and unseen monsters lurking at every turn, and I thought Lovecraft Country was an intriguing, creative blend of pulp horror with social commentary. The speculative elements made this one a fun read, but the story also made me reflect upon the deeper themes the like identity and history, how both have a hand in shaping a society and the people who live in it. It’s a very “connected” novel, and I don’t simply mean the way it’s structured so that the book reads more like a collection of related short stories with multiple character arcs instead of just the one traditional plotline, because all the themes and ideas in the individual sections come together in the end to form a cohesive whole as well.
Speaking of the structure though, I wasn’t expecting the short story format when I picked this up, and I admit I was initially thrown off by the frequent transitions. Even though this book is not your typical collection, it still has a few of the same issues, mainly that some stories are better than others. Not all of them captured my attention the same way and I fell into a lull with one or two, but that’s probably the only criticism I have for this book. As with most anthologies and collection-type books, not all the stories will have the same quality or appeal to me the same way.
Audiobook comments: Finally, I want to mention that I listened to the audio edition of Lovecraft Country. It is narrated by Kevin Kenerly, who did a great job bringing the all the different characters to life. Though, it feels kind of like a missed opportunity that they didn’t get an additional reader or two on board, since multi-narrator productions are pretty common these days for anthology/short story collection audiobooks that feature stories with way more than just one central character. Nevertheless, I really enjoyed Kenerly’s excellent performance. If I had to do it all over again though, I might have opted for the print version, or even read/listened to the print/audio versions in tandem, because some of the stories in here definitely required more time to digest. Audiobooks are not exactly well suited to frequent pauses mid-chapter to reflect, but I still very much enjoyed my experience in this format.
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Book Review: The Summer Dragon by Todd Lockwood
Posted on May 8, 2016 19 Comments
A review copy was provided by the publisher in exchange for an honest review. All opinions are my own.
The Summer Dragon by Todd Lockwood
Mogsy’s Rating: 4 of 5 stars
Genre: Fantasy
Series: Book 1 of The Evertide
Publisher: DAW (May 3, 2016)
Length: 512 pages
Author Information: Website | Twitter
Todd Lockwood is one talented guy. Not only is he a professional illustrator and a painter of beautiful dragons, with his art gracing a number of science fiction and fantasy covers, apparently he’s one hell of an author too. For years I’ve been an admirer of his work as an artist, so when it was announced that DAW was going to be publishing his debut novel my interest was immediately piqued, especially when I found out that his book is about—what else?—dragons!
And so we have The Summer Dragon, first book of the Evertide saga. In a world where dragons are used as mounts in war, Maia and her family are breeders who supply the army with young dragonlings. For as long as she can remember though, Maia has wanted a dragon of her own to love and train and ride, but as Brood Day draws nearer it seems once again the army will be demanding their entire stock this year. A new threat is emerging, and it has already destroyed another one of the Dragonry’s most productive aeries. To fight the enemy, the army is going to need every single dragon they can get their hands on.
That is why when the mythical Summer Dragon suddenly appears to her and her brother Darian in the woods one day, Maia believes with all her heart that this is a sign that her luck is going to change. She was correct, as it turns out…though perhaps not in the way she expected. Determined to prove to everyone—herself included—that the appearance of the Summer Dragon means something greater for her future, Maia decides to risk it all and take matters into her own hands. She will get her dragon, or die trying.
At its heart, The Summer Dragon displays many characteristics of your classic girl/boy with her/his loyal companion creature story, but nevertheless I was beyond impressed. Lockwood’s writing style feels very smooth and polished, making it wonderfully easy to get into. It’s hard to believe this is his first novel, since he takes to storytelling like he’s been doing it for years. The plot is balanced with lots of action, intrigue, and even some gut-wrenching family drama, and of course we mustn’t forget all the dragon-y goodness.
No doubt dragons are extremely valuable in this world, but while the some in the army may regard them as nothing more than useful mounts during times of war, others recognize the importance of these creatures in all other areas of life. Dragons are deeply ingrained in this culture, featuring prominently in the mythology and religion. For example, the Summer Dragon is seen as a manifestation of one of the great aspects, and the sighting of any of these High Dragons is said to be a sign of great changes to come. People form deep bonds with dragons, and for breeders, they’re more than just a livelihood; they are friends and family.
Clearly, Lockwood has shown he can write dragons as well as he draws them. And speaking of which, he has also included about a dozen illustrations in this novel, each one gorgeously rendered and insanely detailed. That’s already enough for me to recommend picking up the hardcover to admire the artwork in all its glory; for me, it’s like an extra bonus to an already fantastic story. The Summer Dragon has the added benefit of feeling like the perfect coming-of-age tale that I think will appeal to adults and young adults alike. The story hooked me immediately, with a conflict that is straightforward but intriguing. Themes like friendship and family are explored in unique ways, and the action and adventure keeps the story moving at a quick and absorbing pace. Maia is a great protagonist, supported by a vibrant cast of characters who each have their own motivations and secrets, so that you can never really know for sure what might happen. Plus, who can say no to the dragons? Their personalities are absolutely enchanting, and I see them as the stars of this novel in their own right.
The Evertide is now poised to become another one of my favorite fantasy series featuring dragons, putting it up there alongside Marie Brennan’s Memoir by Lady Trent. I’m looking forward to the next installment with great excitement! If you enjoy fantasy and adventure and dragons, you definitely won’t want to miss this.
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YA Audiobook Weekend: Shatter Me by Tahereh Mafi
Posted on May 7, 2016 16 Comments
Genre: Young Adult, Romance, Science Fiction, Dystopia
Series: Shatter Me #1
Publisher: Harper Collins
Information: Website | Twitter | Goodreads
Tiara’s Rating: 3 of 5 stars
Narrator: Kate Simses | Length: 9 hrs and 12 mins | Audiobook Publisher: HarperAudio (November 15, 2011) | Whispersync Ready: Yes
To the world, 17-year-old Juliette Ferrars is a monster. Born with a rare gift/curse, Juliette can kill people with a touch. After three years of serving a sentence in an asylum for an accidental murder, the new governing body of the world, the Reestablishment, promises to give Juliette a fresh start if she’ll become their weapon. Over the years, even before her imprisonment, the world had started to crumble due to wars and humans taking nature for granted. The world fell into chaos and the Reestablishment swooped in and promised to make everything right. Except… they haven’t. They took the opportunity to implant themselves firmly into a position of power. More people are dying from gunshots than environmental reasons. Now rebellion is brewing as the Reestablishment talks of destroying books, artifacts, cultures, and even languages in favor of a more centralized Reestablishment focused government. And they want Juliette to help them establish this order.
Shatter Me strikes me as the type of book that’s meant to be listened to and not read. I think that’s the first time I have ever asserted such a claim about any book. The experimental style of writing lends itself better to being spoken than read. The prose is too purple, many of the metaphors and analogies too jarring, for this to have been an enjoyable book read for me. I found myself pausing the audiobook from time to time to decipher what some of these phrase choices could really mean. Examples:
“My eyes break open. Two shattered windows filling my mouth with glass.”
“Warner thinks Adam is a cardboard cutout of vanilla regurgitations.”
Some of them were brilliant, creative, and profound but some were just pretty words thrown together. But hearing it spoken, that was the key. The choppy sentences, the odd phrase choices, are better narrated, and can be seen as something indicative of Juliette’s mental state. Credit goes to the narrator, Kate Simses, for doing such an excellent job with the narration. She managed to pull a wealth of emotion from the words. Parts of the book that I probably would’ve skipped over in a reading I listened to with my full attention. Simses’ voice managed to make me truly feel for Juliette while her cool, cruel voicing of the antagonistic Warner left me wanting to punch him in the stomach. She did all the cast such justice. Simses’ emotional range kept me rapt and invested in a story that I would have otherwise skipped.
Mafi’s writing style reminded me of two other young adult books that play around with a similar experimental style–5 to 1 and The Girl from the Well. Mafi uses a similar technique of short, choppy sentences followed with long, sprawling prose much like 5 to 1 while incorporating the counting that was featured in The Girl from the Well. Twisting this to her own use, the protagonist, Juliette, writes down many of her thoughts which she scratches through and then either uses simpler phrasing, omits the information altogether, or repeats herself. In the audiobook, this is denoted by the sound of a writing tool marking through words on a paper. I admit that this does feel a bit gimmicky as it’s used less and less as the book carries on, but it was a bold decision to do something different with the writing. Mafi is undeniably a gifted writer who falls toward the more melodramatic side. She likes putting words together in creative ways, and I admire her adventurousness in this regards even when I was left a little befuddled by her choices.
This book isn’t without its problems. Despite the world that Juliette lives in, a world that was falling apart even before she was caged away, she can be far too naive about how things are. You wouldn’t expect a girl who talks of beatings and cruel treatment to be such a bright-eyed lamb. I know writers’ love their heroines, especially in young adults books, but this “too precious, too pure, for this world” thing has really got to stop. I can say that Mafi does allow Juliette some agency, but at turns, she falls into those moments when you really just want to ask why would anyone be so stupid in such a situation like worrying about a kiss when you’re about to, y’know, be dragged back to your sick, almost-rapey, obsessed captor. Let’s focus on the more life-threatening priority first. And while I was glad that Juliette stood up for herself even when she was afraid, it felt inconsistent because it wasn’t tempered well. One minute she’s about to have a panic attack, asking to be killed, because someone is breathing in her general direction and the next she’s screaming at the evil jerk running the place. I’m sure there are more consistent ways to show that Juliette has a spine. I guess I should be glad that she had one at all. There are various other concerns that popped up, but they didn’t bother me enough to make me stop listening.
On to the romance. You knew it was coming. This book features a bit of a love triangle. I really hate to go into too much detail because it would spoil too many parts of the story for those who will read it. I will say that one love interest is awfully damn convenient and the other love interest is the almost-rapey, asshole soldier who is over the sector where she lives. You already know how I feel about asshole love interests in YA books, but this is where I appreciate that Juliette pushes back, that she is allowed to express her extreme frustration with his treatment and what he expects from her. However, Juliette is surrounded by boys/men in this book, so there’s a fair share of “special snowflake” status attached to her just by virtue of her sex in general. I do feel this is a little bit of a disservice to the male characters in this book and relies too much on the idea that men can’t control themselves around women.
I still liked this book, though. I think it’s mainly because of the passion that the narrator put into this. I was invested in Juliette’s story. I cared about her situation and what happened to her and the other characters. I can see where some might see this as whiny, but as I said, the narrator takes passages I would’ve just rolled my eyes at and gave them new meaning with her narration. This story got an emotional response from me. Okay, I would be lying if I didn’t mention that this story also appealed to that part of me that loves a superhero story, and by the end of this book, that is the path that it is firmly starting to travel. Men, women, and children with powers fighting against the corrupt establishment (or Reestablishment, in this case) complete with team outfits. It’s the X-Men lover in me. This series could turn into my guilty pleasure read for 2016, flowery words raining the wrath of God upon the far reaching pieces of our rainbow dementia colored souls purple prose and all.
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Mogsy’s Bookshelf Roundup: Stacking the Shelves & Recent Reads
Posted on May 7, 2016 27 Comments
Bookshelf Roundup is a feature I do every other weekend which fills the role of several blog memes, like Stacking the Shelves where I talk about the new books I’ve added to my library or received for review, as well as It’s Monday! What Are You Reading? where I round up what I’ve read since the last update and what I’m planning to read soon. Mostly it also serves as a recap post, so sometimes I’ll throw in stuff like reading challenge progress reports, book lists, and other random bookish thoughts or announcements.

And just like that, April is over in a blink of an eye and now we’re saying hello to May. Warm weather is on its way, though you wouldn’t know it from all the rain and cold we’ve been having here for the last couple weeks. As we edge towards summer, things are going to be getting a little busier, both real life and on the book blogging front. The next few months will see the release of a lot of anticipated titles, plus as you might have heard, the BiblioSanctum is one of the blogs participating in this year’s Self-Published Fantasy Blog-Off competition, so that will require some adjustments to my reading schedule. Currently I’m working on my plan of attack, but I’m sure I’ll find a rhythm in good time. But now, let’s get on to the books…
Received for Review
Some really exciting new arrivals this week, my thanks to all the publishers for the review copies received! For more details and full descriptions of the books, be sure to click the links to their Goodreads pages!
The Summer Dragon by Todd Lockwood – My thanks to DAW who sent over this finished copy last month. And oh my goodness, the illustrations in it are sooo beautiful in all their glory, while providing extra flavor to the fun, adventurous story here about dragons. I loved this book. My review will be dropping tomorrow, so be sure to check it out.
Admiral by Sean Danker – The good folks at Roc also sent over a finished copy of this military science fiction debut. A man wakes up on a dead ship with three newly trained recruits, and the only clues that identify him are the markings on his sleeper that show he’s an admiral…but is he? I’ve had my eye on this one for a while, so I’m hoping to dive in soon.
Song of the Deep by Brian Hastings – Sterling Pub surprised me last week with this slick little ARC based on the upcoming video game of the same name. They know I love my game tie-in novels! I’ll likely give this one a read, since it sounds like a short, fun Middle Grade story. It came with some cute pins and stickers. My thanks to the publisher!
Bailey’s Story by W. Bruce Cameron – D’aww, they cuteness! My thanks to Starscape for this illustrated children’s novel adapted from Cameron’s bestseller A Dog’s Purpose, which I read a few years ago so I actually know enough about it to recommend it highly, especially if you are a dog lover. Word of warning though, that book made me BAWL LIKE A BABY. I’m sure they’ll tone down on the heartstrings tugging for this children’s version, but if it’s anything like the original, you are going to need plenty of tissues…
I Am Providence by Nick Mamatas – I did a happy dance when this arrived in the mail. It’s funny because I could never really get into the work of H.P. Lovecraft himself, and yet I would gladly leap upon anything inspired by his stuff or stories with Lovecraftian horror themes. My thanks to Night Shade Books for this ARC! There are illustrations in this too, and they are very tentacle-y indeed.
Voodoo Killings by Kristi Charish – I owe Kristi and the awesome team at the Canadian offices of Penguin Random House a big thank you for this one! I became a fan after the Adventures of Owl and I’ve been waiting for this first book of her new series ever since I heard she was working on it. I plan on starting it next week and I am beyond excited.
MEG: Nightstalkers by Steve Alten – Several amazing ARCs also arrived from Tor this week, starting with this standalone fifth installment in Alten’s series about big-ass prehistoric sharks. I’ll be first to admit a weakness for the “creature features” of the 80s and those made-for-television movies about monsters that you see on networks like SyFy, so a book version of something like seemed right up my alley. Besides, who can say no to giant shark rampages? That’s right, no one.
Red Right Hand by Levi Black – Did I mention I love Lovecraftian horror? Yeah, I love Lovecraftian horror. Coming out this summer from Tor is this twisted quest tale of urban fantasy featuring a smart, gutsy female protagonist going up against the menace of the Elder Gods. Yes, please.
Four Roads Cross by Max Gladstone – This one just appeared on my doorstep one day, though I’m not complaining because WHEEE, SO MUCH YES! to this fifth book of the Craft Sequence! If it’s anything like the previous books it’ll feature another self-contained story, and as if that weren’t enough, some old friends are coming back for this latest adventure to defend the great city of Alt Coulumb. Thank you, Tor!
Company Town by Madeline Ashby – A surprise hardcover of this also showed up from Tor. I’ve wanted to check out more by Madeline Ashby ever since I read her book vN pubbed by Angry Robot, so its arrival couldn’t have been more perfect. I’m definitely ready for some murder mystery and bio-tech.
The Transference Engine by Julia Verne St. John – In case you missed our cover reveal and excerpt for this book last week, here it is again. Gorgeous. Just…gorgeous. My thanks to DAW for sending me this ARC with the updated artwork gracing its cover!
Regeneration by Stephanie Saulter – If you haven’t read the first book Gemsigns yet, you are missing out. I too should be working on getting caught up with this series, since this third book is already out now in paperback in the UK, and I am very grateful to the kind folks at Jo Fletcher Books for posting me a copy.
The Star-Touched Queen by Roshani Chokshi – Audiobook, with thanks to Macmillan Audio. I already listened to this one and a review is on its way. This is a truly wonderful book, kind of like a retelling of the Persephone/Hades story but inspired by the grand sweeping epics of Indian mythology. It might not be for everyone, but I loved it.
Underground Airlines by Ben H. Winters – A dystopian alternate history novel about a world where the Civil War never happened, and slavery still existed in parts of America. I am a big fan of Winters’ The Last Policeman trilogy. The man can tell a good story and his upcoming new novel sounds like it’ll be just as compelling and hard-hitting. With thanks to Mulholland Books via NetGalley.
Warcraft: Durotan by Christie Golden – Audiobook, with thanks to Audible Studios. This is the official prequel novel to the Warcraft movie, which is one of my most anticipated summer blockbusters. Whether the movie will be good remains to be seen, but before I watch it I knew I wanted to get the background story. I also love Christie Golden, who is a master when it comes to tie-ins.
Purchased and Won
I’ve been somewhat negligent in talking about the books I’ve purchased lately (though in truth, I’ve been refraining from buying much these days, given my already gigantic TBR) but there are also some books I won earlier this year including Sanctuary Bay by Laura J. Burns & Melinda Metz (thanks for the giveaway, Lekeisha!) as well as a copy of Seven Black Diamonds by Melissa Marr from a blog tour. That one’s signed by the author!
This week I also made a couple purchases because of course I had to pick up Star Wars: Bloodline by Claudia Gray. I know don’t typically feature my graphic novel hauls, but I had to make an exception for this gorgeous deluxe edition of We Stand on Guard by Brian K. Vaughan which wasn’t even supposed to be out until later this month, but I guess they decided to ship early. For those who don’t know, I’m a transplanted Canadian in the US. When I was a kid, me and an American friend of mine used to joke around about what if the USA invaded Canada, which is, like, pretty much the premise of this series. Needless to say, I just had to pick it up, and I’m also a really big fan of BKV.
Finally, I was sooooo incredibly excited to score a copy of The Stormlight Archive Pocket Companion by Brandon Sanderson last week. This sweet little hardcover was an exclusive to indie bookstores for Independent Bookstore Day, and I was lucky enough to snag one while I was on an out-of-town day trip, since there are no indie bookstores near me. Not all the participating stores had them either, because I had to call around and five of the six I tried didn’t even know what the hell I was talking about. I got lucky with the last place, and they only had one left and couldn’t hold it for me. Fortune must have smiled upon me though, because after I hauled ass over there, they still had it.
Reviews
Here are all my reviews since the last update, gathered together and listed here for your convenience and viewing pleasure. The ratings are all over the board this week, with some highs and some lows. I’ve also been on a tie-in novel kick for the last couple weeks and to be honest I think I’m still in the middle of it.
Hex by Thomas Olde Heuvelt (4.5 of 5 stars)
Nightstruck by Jenna Black (4 of 5 stars)
World of Warcraft: Illidan by William King (4 of 5 stars)
Quantum Break: Zero State by Cam Rogers (4 of 5 stars)
The Chimes by Anna Smaill (3.5 of 5 stars)
Wildwood Dancing by Juliet Marillier (3.5 of 5 stars)
Sharp Ends by Joe Abercrombie (3 of 5 stars)
Tell the Wind and Fire by Sarah Rees Brennan (2.5 of 5 stars)
Roundup Highlights:
What I’ve Read Since the Last Update
This was a somewhat lighter week for me when it comes to busting down that TBR. But with a couple of longer books on my plate and the allocation of some of my reading time towards checking out our 30 SPFBO books, that was to be expected. I already have reviews up for a couple of these, and the rest are lined up for the coming weeks, so stay tuned!
Have you heard of or read any of the books featured this week? What caught your eye? Any new discoveries? Nothing makes me happier than sharing my love for books, so let me know what you plan on checking out. I hope you found something interesting for a future read! Until next time, see you next Roundup!
Book Review: The Chimes by Anna Smaill
Posted on May 6, 2016 15 Comments
A review copy was provided by the publisher in exchange for an honest review. All opinions are my own.
Mogsy’s Rating: 3.5 of 5 stars
Genre: Fantasy, Dystopian
Series: Stand Alone
Publisher: Quercus (US: May 3, 2016)
Length: 304 pages
Author Information: Website | Twitter
Lately, several books have made me think a lot harder about the collective memory of humanity and this one is the most recent. What if we lost that memory, or something happened to prevent us from remembering? What if we lost the ability to record our memories and knowledge for posterity?
In Anna Smaill’s The Chimes, this is the reality for our young protagonist Simon. Orphaned and alone, with only vague instructions from his late mother to locate someone named “Netty”, he arrives in London feeling as lost as he could ever be. In the aftermath of a brutal civil war, the London in this alternate world has been transformed into a divided city. Most of its citizens do their best to eke out a modest existence, while the poor live in squalor in the slums. Only a select few are chosen and taken into the walls of The Order’s sanctuary where they stay for the rest of their lives, receiving the best schooling and learning how to compose the beautiful music played throughout the city every morning and night. These are known as the chimes, the songs that suppress the memories of the people of London—because a population that forgets is one that can be easily controlled and contained.
Simon quickly discovers that his task is hopeless. No one is willing to help, and in any case, he can do no more with only a half-remembered promise. Soon, however, he crosses into the territory of a gang of street urchins who end up taking him in, teaching him how to scavenge for the precious metals valued by The Order. This is how Simon meets Lucien, the group’s blind and charismatic young leader.
After a while though, Simon no longer recalls what it was that brought him to London in the first place. Still, like most people in this world, he carries a bag of trinkets and baubles associated with memories that might help anchor him to the past. Handling these objects allows a person to remember, even if it’s just for a short while. Gradually, Simon realizes he is starting to remember things, more and more and from longer ago. He remembers his mother, and the talent that she may have passed on to him. Together with Lucien, whom Simon grows to care for and love, the two of them prepare for a journey to fulfill a promise and to find out more about Simon’s gift.
Smaill has created a wonderful atmosphere in this book. In keeping with the novel’s themes, starting the first few pages of The Chimes felt uncannily like stepping into a kind of fugue state. At first it was hard to figure out what was going on, much like waking up to your surroundings to discover that you have no idea where you are, but your senses detect things that feel vaguely recognizable and familiar. For instance, we are told that we’re in London, but the descriptions of the city and its people feel completely strange and alien. Then there are the made-up words that pepper the narrative, and yet their meanings can often be gleaned from the more common words used to form them. Here and there, musical terms also replace certain adverbs. The list of such dissociations go on and on, which gives this book an almost dreamlike quality. It made getting into the story more challenging than most, I confess, but eventually the fog did clear as more of the world was revealed, and I was able to piece together the novel’s premise.
As you can probably guess from the book’s description, music also plays a huge role in The Chimes, no doubt inspired by Smaill’s own background as a professional musician and violinist. In this world where writing has been banned and the people no longer remember how to read, memories are lost shortly after they are formed, spirited away by the sound of the chimes every morning and evening. But music isn’t the enemy, merely a tool used by the oppressors. In fact, it has multiple other purposes, the foremost of which is to serve as another kind of language. Messages are sung, instructions or maps to places are given in a series of tunes, and as mentioned before, some words are replaced with terms used in musical direction—forte for loud or subito for quick, for example—and clever musical allusions are given to created words like “dischord” or “blasphony”.
The world of The Chimes is also one of the most fascinating and original dystopians I’ve ever encountered. Simply by suppressing the people’s memory, the elites are able to stay in power. However, everyone is aware that memory is important, as evidenced by smalls acts like the carrying around of bags filled with “objectmemory”. Losing that connection is like being lost and untethered, a terrible condition called being “memoryless” that puts fear into people’s hearts.
In the vein of world-building though, I do wish there had been a little more. In spite of the unique concepts described in this book, the details behind them are rather simplistic. Character development was also a bit sparse, though this may have something to do with the fact that Simon spends much of the book trying to piece together his memories and it’s admittedly tough to connect with a protagonist whose sense of self isn’t even entirely complete. In addition, while the prose is gorgeous, there is an abstractedness to it that may pose an obstacle for some. The writing style was what initially tripped me up, though in the end I was able to fall into the rhythm, but it did take me some time to get there.
All told, The Chimes is a novel that may require a bit of patience—but the payoff is worth it. It’s a lovely book with an unusual but spellbinding premise, and readers looking for a different kind of dystopian novel may want to take a look, especially if you have a musical background or a fondness for interesting ways to portray music in fiction. A beautiful story full of imagination and feeling.
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Week 1: Red Seas Under Red Skies Read-Along
Posted on May 5, 2016 6 Comments
Ever wanted to be a pirate? Long hours, hard work, certain peril, possibilities of swashbuckling and seasickness. Don’t forget to bring a kitten. It’s not Locke Lamora’s idea of a career move, but after a promising start the Gentleman Bastards find themselves out of their depth in Tal Verrar. Can Locke and Jean outwit the Archon, the Bondsmagi, the master of the Sinspire and all the pirates on the Sea of Brass?
You are cordially invited to join the Red Seas Under Red Skies read-along.
- 5th May Chapters 1-3 hosted at x+1
- 12th May Chapters 4-6 hosted at x+1
- 19th May Chapters 7-10 hosted at The Illustrated Page
- 26th May Chapters 11-13 hosted at x+1
- 2nd Jun Book 3 & Epilogue hosted at x+1
1) “Jean, I would describe this turn of events as less than helpful.”
We get off to an unexpected start, jumping straight into the middle of – well, what? We’re in Tal Verrar and the wheels appear to have come off. In the subsequent chapters, there’s a lot of focus on Locke and Jean’s friendship and devotion to one another. Do you think Jean has really turned against Locke?
Wendy: There are several moments that seem to imply this to be true, but those are balanced by moments of their utter devotion to each other through thick and thin, piled on top of everything we learned in the previous book. There’s nothing that makes me believe that Jean’s betrayal isn’t simply a ruse within their greater plans, especially since Locke’s talk with Requin indicated plans to cut “Jerome” out of the deal. When Jean switches sides in the opening showdown in the prologue, it felt to me like Jean was doing what he needed to to get the upper hand in situation where it could easily have gone south with the twitch of a finger. Jean getting himself on the other side of the crossbow just makes sense.
Tiara: The thing about friendship, true friendship, is that there should be honesty and loyalty. It doesn’t mean you allow your friends to get away with things or ignore issues that could hurt a friend more than help them by whistling past the graveyard. It doesn’t mean that sometimes you don’t show fear or uncertainty in the relationship. There have been some turbulent, trying times in Jean and Locke’s relationship after the death of their friends, but I don’t believe that Jean betrayed Locke even in the face of all that’s happened.
I noticed that the readers never get to “hear” Locke’s plan for their long-term swindle other than knowing it will involve aliases and the Sunspire. We’re only told that Jean thinks it’s crazy enough to work which leads me to believe this is part of their plan. It certainly fits their usual MO. However, on the slim chance it’s legitimate, I can’t allow myself to believe that Jean doesn’t have some scheme he kept to himself that will benefit them in the end.
2) “I am an honest working thief and I’ll do what I have to to keep a table set and a roof over our heads!”
This time, the interludes are flashbacks to what the Bastards have been up to for the past two years. How did you feel about Locke’s depression – and Jean’s responses?
Wendy: Depression can hit hard and hit differently for each of us. Locke’s self-loathing was completely justified and understandable, as was Jean’s response to it. Locke is quite self-centered in many ways and his ego has shaped the Bastards’ paths. But what good does it serve either the living Bastards or the dead ones to continue wallowing in it? Jean’s treatment of him was harsh, but credit to him for understanding his friend well enough to know the key to getting Locke back on his feet after giving him time. Jean’s kick in Locke’s pants was, as I said, harsh, but I don’t for a second believe that it doesn’t come from a place of love and loyalty for his friend and for the friends they lost.
Tiara: Locke’s depression was a sad thing, especially given how confident he was during much of the previous book. So often in SFF books we’re used to our heroes bouncing back ferociously instead of being allowed the humanity of really crumbling under the weight of their emotions. Locke’s depression goes to show that even the most “put together” person (or as put together as a person like Locke can be) can crumble completely in some circumstances, and he had every right to be this way.
However, don’t think I didn’t understand Jean’s frustration at the situation or the wondering to himself how he was going to “fix” Locke. And I don’t mean “frustration” as in Jean isn’t being sympathetic toward Locke. It’s more like a personalized frustration at not wanting the person you care about to wallow in grief and being uncertain what to do about them which in turn can lead to anger toward the person. See, I’m much like Jean in this situation. If something happens, my instinct is to get off my ass and see what I can make happen to mitigate the damage and get back on the right path. That’s not to say I don’t feel the weight of what’s happening or that I’m trying to ignore it, but I can’t just sit there and do nothing in the situation.
Doing nothing can make people like me feel helpless in such situations, and I think that’s the kind of person Jean is. Damage control even in the face of grim possibilities and odds. Some people are just doers in these situations. People like that are also known for being mother hens toward loved ones who may not be so proactive and they tend to expend a lot of energy trying to make sure they (their loved ones) are okay as well in the situation as evidenced with Locke and Jean. We feel it’s our duty to our loved ones to see them through this. Sometimes it’s by being compassionate and strong and sometimes it’s through tough love.
3) “It is possible,” said Locke with a sheepish grin, “that I have been slightly too bold.”
The Requin game is worth more than the Bastards entire lost fortune in Camorr (and Locke gives us a little insight into what it means in real terms). His reputation is ominous. Given everything we learn about Requin, is Locke over-reaching himself?
Wendy: I want to say yes. That’s a pretty big score and though they are working it over a long period of time, it’s more than necessary. But Locke always has something to prove to himself. Go big or go home. But I’d be far more concerned if this had come about in a brief period of time. A two year con means Locke is back in true form.
Tiara: When you’re a thief, there’s always some calculated risk involved regardless of how big or small the score is, IMO. It may end up being easier to get in that fortified vault than stealing bread from a beggar off the street depending on what variables end up being thrown into either circumstance. More preparation and planning would go into the bigger score, and you’d likely consider more ways of that going wrong than just snatching a piece of bread from a beggar (who could turn out to be One Punch Man and then, you’re in trouble). I think big or small, though, thieves probably way their risks, and it’s not always just about the score but the rush of overcoming a difficult challenge.
I don’t necessarily think he is over-reaching, but it’s an ambitious task for Jean and Locke. Right now, Requin doesn’t strike me as any more or any less ominous than Capa Barsavi was in the last book, and we see how that turned out. Locke has experience dealing with these types. He was just fortunate he was on the right side of Barsavi’s wrath than he is with Requin right now. He did get the man to actually listen to him and let him go. I know we get a rousing story about the mayhem he caused while trying to find an assassin, but I think Barsarvi could (and probably had) caused an equal amount of chaos if we’d heard more stories of his exploits. You don’t get to rule a city without doing many, many dangerous things. Requin’s one up on Barsavi seems to be his cruelty where Barsavi was more calculated. My opinion on Requin’s threat level could change with future readings, though.
4) “It’ll be good to be the predators again.”
[I guess Maxilan Stragos and the Bondsmagi are front of the queue to disagree with Jean (even if you don’t think Requin is more dangerous than a half-starved, blood-crazed wolf shark). And is it just me, or does Tal Verrar feel even more intense than Camorr? Even if the average bod on the street seems less knife-happy, a lot of the buildings seem to be designed to intimidate and/or murder you. How are you liking the new setting?
Wendy: The danger in Camorr seemed more overt. We were introduced to the deadly gangs and the Capa first and given the sense that betrayal of the Secret Peace could easily bring about death. But Tal Verrar is more cold and calculating than it is outright brutal, it seems. Definitely more intimidating.
Tiara: I think both Camorr and Tal Verrar’s elite try to keep up some pretense about their city, but Camorr seems to revel in their brutality more than Tal Verrar does. Tal Verrar seems geared more toward subterfuge and controlled violence. There are no nobles foaming at the mouth for blood in the water like in Camorr. The organized crime in the city seems to be ruled more by the upper class than those living at the bottom of the barrel, and punishment seems to be doled out not just based on physical brutality but for psychological effect as well (such as forcing grave robbers to be locked in steel masks and armor to protect the graves they tried to rob).
It’s like The Warriors versus The Godfather with the two cities. Mess versus Finesse. Tal Verrar is the kind of city where a priest could be the assassin you’re fearing. You’d never see him strike before he blended back in with the others much like in Assassin’s Creed. It seems like the type of place that would leave a person in dread, anticipating some bad thing, which can be worst than knowing what waits for you. The city seems to reflect the elegant danger that the people who run it seem to emanate. I think this setting will provide a welcomed contrast to Camorr.
Favourite Moment(s):
Wendy: Jean setting himself up as “Capa” to the local kid gangs. He was ruthless and productive, but they were still kids and Locke’s accusation of him trying to be a new Father Chains was apt. And yet, this was a passing moment in the lives of the Gentleman Bastards. When it’s time to move on, it’s time to move on (though, experience in this series points to the fact that nothing that occurs in flashbacks, interludes, or, well, ever, is to be forgotten. We could see the Brass Cove again…)
Tiara: Locke arguing with Jean about his romance novels. It has such a familial familiarity that I’m all too familiar with because it reminds me of loving arguments my husband and I have about our book interests. My husband doesn’t read as much as I do, but my dear husband, who tends to strike people as an intimidating bear of a man, would be right at home reading Jean’s romance novels. I’m a sucker for a romance, too, but my husband has read stuff I wouldn’t dare touch. LOL.
Additional Thoughts:
Tiara: The Bondsmagi showed up pretty early in this book–earlier than I thought they would. I expected them to come into play in this book, but thought that we would get more of a buildup and things would begin to focus in more on the conflict between the Bastards and the Bondsmagi (that sounds like a title for a fantasy romance–The Bastard and the Bondsmage, better that Fifty Shades of Gray). However, based on what I’ve read now, I think this is a significant problem that’s not going to be tied up in one book, which I can appreciate as well. They took on the threat of being mortal enemies with the Bondsmagi, and it wouldn’t feel right for it to wrap up so neatly in one book, especially factoring in the Bondsmagi’s power and influence. I feel like this issue with the Bondsmagi is going to continue to follow them into the next book and maybe even the fourth book.
There’s also this nagging feeling I have about the Bondsmagi and Locke himself. The last book made sure to keep it fresh in our minds that Locke’s heritage is secret. If the Bondsmagi do continue to play a significant role in these stories, even from the background as I think they will, then what are the chances that Locke’s story will somehow entwine with the Bondsmagi? That would be exciting!
Audiobook Review: Blood of Elves by Andrzej Sapkowski
Posted on May 5, 2016 13 Comments
“The witchers appeared unexpectedly and silently, as usual. And also as usual, from nowhere. They stood ebfore her, tall, slim, their arms crossed, the weight of their bodies on their left legs, a position from which she knew they could attack in a split second.”

Blood of Elves by Andrzej Sapkowski
Genre: Fantasy
Series: The Witcher #3
Publisher: Hachette Book Group Orbit (May 2009 — first published 1994)
Author Info: sapkowski.pl
Narrator: Peter Kenny
Wendy’s Rating: 4 of 5 stars
I could have played a drinking game based on how many times the phrase “blood of elves” came up in the first chapter of the book. Not that I’m complaining. In fact, a good few drinks would have added to the fun I had listening to this audiobook.
This is listed as the third book in The Witcher series, with two short story collections coming before it, The Last Wish and Sword of Destiny. It’s not necessary to read either of these to appreciate Blood of Elves, but it’s definitely to your advantage. I’ve read only the Last Wish, so I’m aware of many of the players and the politics involved, though I am missing some of the backstory on Ciri, the princess promised to Geralt who escaped harrowing events at Cintra, and Yennefer, the sort of love of Geralt’s life. I’ve also played some of The Witcher games which definitely isn’t necessary to enjoy the stories, but for me, it made for an intriguing character and medium transfer study. Sapkowski has distanced himself from the games, stating that they are dissimilar in many ways–which is true. But part of my enjoyment of the books has come from seeing where the game story writers have cherry picked scenes and characters and political machinations to create their own version. Most of the characters and their personalities and motivations are in tact, even if they serve different purposes than that of their original form. It makes me want to see how this story translates in The Hexer movie that was released in Poland in 2001 and it makes me very eager for the 2017 movie to come, especially if I could have Mads Mikkelsen as Geralt.

Pretty please?
Blood of Elves introduces us to a world on the brink of war between the various races. Tensions between humans and non humans runs high, and that doesn’t bode well for Geralt and his witcher companions. The witchers’ are monster hunters. They have no interest in the politics and Geralt intends to stay neutral (an element of the books that factors in greatly with the games).
“I’m a witcher. An artificially created mutant. I kill monsters for money. I defend children when their parents pay me to.”
That’s all well and good, Geralt, until you make a royal couple swear an oath promising you their first born child. This is Ciri, the Princess of Cintra, who is now in the care of the witchers at their home of Kaer Morhen. Only, there’s more to Ciri than the witchers can handle, which is why they request the aid of the enchantress, Triss Merigold, who also points out that the witchers are all big stupid men who don’t know how to treat a 12-year-old girl, much less a princess. Here’s where I praise Sapkowski for not only writing about menstruation as if it’s a normal part of life that happens to women all the time, but also for making Triss’ interactions with the witchers–even the sexist jerks–so hilarious. In fact, the whole book is quite funny. Sapkowski’s tongue is often firmly in cheek, but he also writes very dark and very emotional scenes–all of this together creates some very endearing characters and moments.
This is a slow burn in terms of the greater political plot. There are monsters fought–both human and supernatural–but the story does not end with any kind of climactic wrap up or cliffhanger confrontation. Instead, it works to solidify Ciri’s role and her relationships. Geralt is the main character in this story, but so too is this princess who carries the blood of elves within her veins and exhibits magic in very unusual and prophetic ways.
Peter Kenny narrates this audiobook and it is quite fitting that the story opens with Dandelion, the bard’s creative retelling of certain events. Kenny does an excellent job, and though I definitely want Mads Mikkelsen, Kenny’s Geralt pleasantly reminds me of Zach McGowan, with a nice brogue.
I still have to get around to playing the third Witcher game. While I know that it diverges greatly from this book, reading the books makes me want to spend as much time with the characters as I can, in whatever form they come in.
Story

Performance


Mogsy has been reading The Witcher series too, and Geralt of Rivia has made a few appearances here at Bibliosanctum. Click here to find out more!
Sanctum Sanctorum: May the Force Be With You
Posted on May 4, 2016 18 Comments
Normally we save our Sanctum Sanctorum discussions for the end of the month, but how could we miss the perfect opportunity to talk Star Wars. Because clearly we don’t talk about Star Wars enough on this blog. Share your Star Wars love in the comments! (Because obviously everyone loves Star Wars, right??)
When did you first venture off to the galaxy far far away?
Wendy: I was just a year old when A New Hope hit the theatres, so I didn’t watch it till years later when it was on TV. I remember always being really scared of the monster in the trash compactor. Then Empire Strikes Back came out and we went to see it as a family. My brother may never forgive me for making him take me to the potty during the first Yoda scene.
Tiara: I wasn’t around when the first Star Wars movie came out, so it was some years after the movies released that I was introduced to them. I can remember being around 6 or 7 when I watched The Empire Strikes Back. My aunt, who isn’t so much into science-fiction, had a huge crush on Billy Dee Williams at the time. I was already a fan of science-fiction stories, so I begged to see all the movies.
Mogsy: I grew up overseas in Asia. We were in China in the late 80s/early 90s and there were no such things as early Saturday morning cartoons, sports games, after-school activities or outdoor recreations or any number of the things parents usually turned to keep to their children occupied for me and my brother. So, what my mom did was put on VHS tapes of American movies over and over to keep us entertained. (Actually, this was how my love for many of the 70s and 80s sci-fi and adventure movie series developed, not just for Star Wars but also Indiana Jones, Back to the Future, Gremlins and Ghostbusters, just to name a few.) I was probably 6 or 7 then. All three movies were already out by the time I was even born, but how I wish I could have been around to experience Star Wars with the rest of the world for the first time ever on big screen. I can only imagine the electrifying sense of awe in the theater. Anyway, I think I had a time machine, I would take it back to 1977 and watch Star Wars. Pretty frivolous use of a time machine, really, but there you go.
How obsessed were (lol okay are) you?
Wendy: I used to watch the movies every time they came on television and still have the original VHS videos (the ones with the painted covers, not that remastered crap). I obsessively read the expanded universe books and had a subscription to Lucasfilm Magazine where I picked through every page to find out when we would get the promised prequels. I was there at midnight for the first showing, and even though the prequels hurt my soul, I’ll still bleed for Star Wars. It was my first fandom where my first OTP (Han and Leia) lived and the world in which I wrote my first fanfiction before I even knew what fanfiction was. This past Christmas, I treated three generations of my family and we all went to see The Force Awakens on Christmas day. It was glorious. I’ve started reading and re-reading the books and comics again and collecting toys…. for all the criticisms thrown at the movie–even the prequels–I can’t think of anything that is so universally compelling; that has insinuated itself into so much of our cultures. Even if you don’t like Star Wars (who are you?) you know what it is and what it’s about.
Tiara: Honestly, I think between the three of us on this site that I’m the more casual fan, which I guess is still more rabid than most people. For years, I mainly watched the movies. Then, I ventured into the games. I learned more about the universe through friends and the internet. Now, I’ve started to dive more into the books and comics. I did get dressed up as a Jedi and go see The Force Awakens opening night with my husband. We had fun being surrounded by other fans.
Mogsy: Well, I think it’s no secret that I’m a Star Wars addict. If you follow this blog, then you’ve also likely seen my Star Wars book reviews and all my Star Wars related ramblings on Twitter. I used to be a lot worse back when I was younger and I had a lot more time and spare cash to spend on my obsession. In high school, I built and painted dioramas for my Star Wars action figures for fun. In my senior year I wrote my Psychology paper on the Jungian archetypes of Star Wars. Our family’s ruby Cavalier King Charles Spaniel is named Mara after Star Wars‘ most famous redhead. All through my life, I collected pretty much everything and anything Star Wars related, and I mean everything and anything, like, even the soda cans from when Pepsi Co. did that whole ad campaign with The Phantom Menace. Yeah, we’re talking that obsessed. These days, I’ve mellowed out a lot and I’m pretty much content now to just watch all the movies, all the shows, read the books and comics, and buy the occasional toy for my kids (okay, fine, they’re mostly for me).
Favourite character?

Vergere
Wendy: Originally, Han Solo. Handsome and dashing. I was smitten. Now, having matured and branched out into the expanded universe, I’ve met so many other amazing characters. Mara Jade is a given, but I am particularly fond of the characters that question the Force and struggle between the so-called Dark Side versus Light Side. Can’t we all just get along? First, it was Jolee Bindoo from the game, Knights of the Old Republic. Then it was Kreia from Knights of the Old Republic II. And before them, the Dathomiri witches, and Vergere from the book Traitor, who taught Jacen Solo that there was no Dark and Light; only the Force.
And also, Poe Dameron. Handsome and charming on screen and off. I’m smitten.
Tiara: I can’t say that I really have just one favorite character. I don’t think it’s ever just been one character for me that made Star Wars. The reason why I enjoy the universe is because of what many of the characters add to the story, how these characters work together (or against) one another in this universe. It’s more about the synergy that all the characters come together to create that I enjoy. So, with that in mind, I guess most of them are my favorite. They all bring something different to the table.
Mogsy: I can’t name just one favorite character, that’s too hard! Maybe you want to get more specific? I mean, do you want my favorite character from the original trilogy, from The Force Awakens, from Star Wars Rebels, from the Old Republic era, from the all the numerous different series of comics, games, books, TV shows etc. etc. etc.? From Boba Fett to BB-8, Sabine Wren to Darth Bane, Quinlan Vos to Revan, Jaina Solo to Rex, I have a different answer to pretty much every question and it also might change from day to day depending on what mood I’m in, or even how the Star Wars universe evolves. It is full of so many great characters, from both the old EU and the new canon, and they’re constantly adding more. Really, I love a lot of characters–as long as their name isn’t Jar Jar.
Sith or Jedi?
Wendy: Dathomiri Witch. In other words, if I have Force powers, I don’t want to be any where near those Jedi or Sith punks and their ridiculous codes.
Mogsy: These days, when I ask my four-year-old daughter who her favorite Star Wars character is, she always answers Darth Vader and then will proceed to belt out the Imperial March. I have no idea when or how my sweet little girl went Dark Side, but I may have to choose Sith just so we can rock a Darth Vader/Kylo Ren team when we play Disney Infinity.
































