|Hollow World art by Marc Simonetti|
As you know, I’m always looking out for interesting and/or promising fiction projects on Kickstarter to back. Earlier this year in March, one of my favorite fantasy authors Michael J. Sullivan decided to crowdfund his science fiction fantasy cross-genre novel Hollow World, so naturally I pledged my support. Ultimately, the project was not only fully funded, but the Kickstarter campaign ended up being a resounding success as well, at more than 1000% funded.
Yesterday, the stretch bonuses and other goodies starting coming in, and I just wanted to share. First is a signed 24″ x 36″ poster of the gorgeous image above. Luckily, my work requires that I always have a bunch of frames just lying around, so I quickly slapped that baby into one of them and hung it up by my own personal nook in the gamer cave. My Boba Fett bobble-head stands guard over it now.
Then there are the bookmarks — 6 all together, and all of them signed on the back as well.
Given the vast numbers of posters and bookmarks sent out to Hollow World backers, I imagine poor Mr. Sullivan’s writing hand must be cramping something fierce by now. But I love my Kickstarter goodies, and I can’t wait to read this book!
The sure sign of a good book or graphic novel cover is when it immediately makes me click the buy button. That’s what happened during my recent Comixology raid when I stumbled onto Becky Cloonan‘s haunting and beautiful trilogy. This is Cloonan’s first self-published project. I’m glad I judged it by its cover!
It has long been a shameful secret of mine that I’ve never read a Neil Gaiman novel. Sure, I’ve read his Sandman comics and a few of his short stories, but somehow, the opportunity to read a full-length novel of his has never come up, despite the fact that books like American Gods and Neverwhere have been sitting in my Kindle gathering metaphorical dust for like, oh, I don’t know…the past two or three years.
That’s why this summer I made it a point to lose my Neil Gaiman virginity, and decided to give the honor to American Gods first of all because it is considered one of his “classics”, and second of all because the Tenth Anniversary Edition of the book I owned also had the added benefit of an audiobook Whispersync bundle deal, which I’d picked up as well. As it turned out, this worked out for the best.
And now I have the hefty task of actually trying to describe what American Gods is about. The book begins with the introduction of Shadow, a man coming up on the end of his three-year prison sentence and looking forward to get back to his life. Days before his release, however, he gets news that his beloved wife was killed in a car accident, along with his best friend. Freed from prison now but with his life in tatters, Shadow agrees to work for a mysterious stranger he meets on the way home, a man who calls himself “Mr. Wednesday”.
Shadow travels across America with Wednesday, meeting his new boss’ unusual friends and colleagues, and here’s where things start to get cryptic and mystical. Wednesday and his peers turn out to be incarnations of the Old Gods of ancient mythology, whose powers are waned since the rise of modern life and the technological era, these aspects themselves manifesting as the American “New Gods”. Everything Shadow thought he knew has been turned upside down. Nothing is as it seems; legends and myths are real, secrets are everywhere, everything is connected…and war is coming.
You ever read a book where you know very early on that it’s not the kind for you, but you end up enjoying it a lot anyway, because it’s just so beautifully written and profound? This was definitely one of those for me. I’d known what I was in for, of course; like I said, I’ve had some experience with Neil Gaiman’s style of writing and know that his stuff is often allusive and metaphysical, surreal and abstract in nature.
In other words, totally not my thing at all. And thematically, the book turned out to be exactly as I’d expected. By all rights, I shouldn’t have liked it, but I did. Wow. And now I finally understand the reason it’s considered a contemporary masterpiece, and why Mr. Gaiman has so many fans.
Recall how I said I also had an Audible copy of American Gods, and that’s actually how I read this novel, going back and forth between the ebook and the audiobook. I wanted to bring this up because I feel the excellent production quality of the latter definitely bears mentioning. Sometimes, great voice actors can bring the words to life, and that can also certainly make me enjoy a book much more than I normally would. The Tenth Anniversary version I had included a full cast featuring excellent narrators, which made it all the more engrossing, not to mention Neil Gaiman himself narrated some sections of the novel as well as the foreword, afterword, and other extras.
This edition is also the newly updated and expanded version with the author’s preferred text, so I definitely appreciated the chance to read this book in a state that’s closer to what it’s meant to be. One thing I think everyone agrees about Neil Gaiman is that you can count on him to be original and innovative, and the uniqueness of the themes and ideas in American Gods unquestionably reflects that. The extras included in this version really tied everything together and provided a lot of insight into this intellectual work of art — because yes, after having experienced this book, I definitely consider it art.
He can no longer profess to know the city more intimately than anyone else after the Owls are revealed to him. The Owls push him to the brink of his mental and physical capabilities, believing him to be broken once he escapes. Batman may have won a small battle against them, but there’s still the war to consider. Per usual, Batman loses himself in this one-man stand against injustice that he doesn’t seem to realize or care how his actions are affecting those around him. The way he treated Dick near the end of the story just broke my heart a little, especially since there’s almost nothing Dick wouldn’t do for him. However, I know that will pan out to be part of some great Batman scheme no one knew about in the end.
Everything about this made me draw parallels against Batman R.I.P., even down to the feelings it brought out for me, but I did enjoy this story. I never get tired of stories that push Batman to his limits and try to deal with the fine line of madness that he often seems to tread.
Expected Date of Publication: July 30, 2013.
This was an e-ARC I received from the publisher via NetGalley in exchange for an honest review. I thought it was really fantastic, but honestly, I’m also a little lost as to how to talk about it. To understand, I guess you have to be at least a little familiar with Chuck Wendig and his writing. If you’re not, then you’re in for a treat…or a shock. Or both.
I only just became a fan of the author myself, having recently read The Blue Blazes (my review here) and Blackbirds (my review here). I liked them a lot, and especially adored the latter. But already, I knew enough to be skeptical when I saw that this was a Young Adult novel. Based on the books I’ve read by him, let’s just say YA is pretty much the last thing to come to mind when I think about Chuck Wendig. Instead, I think “dark, twisted and gritty”, “intensely violent”, and “slick snappy one-liners often delivered in a terrible ear-shrivelingly foul manner”.
I had to wonder, Is he going to be dialing it back for this? My guess was that he would have to, for a YA novel. And if that’s the case, how much? Is this still going to read like a book by the Chuck Wendig I know and love? The answer, thankfully, was yes. The story here is definitely all Wendig, but just imagine it tweaked a bit around the edges to make it more appealing to the YA reading audience.
The book begins by introducing us to 17-year-old Cael McAvoy and his life in the Heartland. The Heartland is interesting — imagine a dystopian Midwest-type setting where a particularly aggressive species of corn has taken over, creating an ocean of corn as far as the eye can see. As the leader of his scavenging team, Cael captains a small airboat over the cornfields day after day, scrounging for valuables and useful materials to sell.
But it’s never enough. The Empyrean government oversees life in the Heartland, literally looking down on all of them from above in their luxurious sky flotillas, while people like Cael and his friends and family are struggling to survive. Heartlanders have to deal with poor working conditions, disease, a corrupt mayor and the oppressive government, but Cael has pretty much accepted this as the way things are…until Obligation Day comes and Cael stands to lose the love of his life.
As you can see, this book has all the trappings of a YA novel, with its dystopian world and teen protagonists. It also involves an authoritarian ceremony where the Empyreans pick the Heartlanders mates for them, resulting in uncertainty for the young lovers Cael and his girlfriend Gwennie. The book even hints at a blossoming love triangle.
But while it certainly has the feel of a YA novel, to me it also doesn’t. And here’s where I struggle to find the words to explain why I feel this way, because on some level I think someone not already familiar with Chuck Wendig or his books will be completely blindsided by this book — which could be good. To his fans and readers open to different takes on YA fiction, this will definitely be a refreshing change. I’ve always felt that Chuck Wendig’s books have a “presence” about them, and it exists here as well. It’s reflected in the dialogue, the characters, and the plot, which retains some of its grittiness and what makes Wendig’s books so great. Under the Empyrean Sky might be YA, but I’d still say it’s geared more towards “older YA”. Speaking of which, Wendig does have a hilarious way with words that makes swearing almost seem like a separate art form — so while foul language generally doesn’t bother me one bit, do beware if it does bother you, especially since some of it is on the vulgar side.
The thing I loved best, though, is the world building. The story in this book takes its time and in my opinion doesn’t really start picking up speed until the halfway point, but that’s because so much of the first half is dedicated to bringing the Heartland to life and describing the hardships of its people. I love books like this and The Blue Blazes where Chuck Wendig really gets to show off his talent for creating unique and highly detailed settings, because he’s so obviously good at coming up with all these awesome ideas. Two words: piss-blizzards — or the stifling yellow corn pollen wind storms that plague the Heartland, I love it.
Really, my only criticism is that I wish Cael was a little more likeable. It helps, especially in a YA novel. But honestly, I really struggled to be sympathetic to Cael’s character, at least in the beginning, since he often came off as immature, bossy and a bit of a jerk even to his friends. He also tended to be driven by his angry impulses and hormones, but then again, as they say, “Boys will be boys”. Thankfully, I did start liking Cael (or at the very least, got more used to him) enough that I was staunchly rooting for him and his team by the end of the book. And that’s the important thing.
Ender’s World is a collection of essays on Orson Scott Card’s classic, Ender’s Game, which also features Q&As with fans, answered by Card himself. The introduction is written by Card and over those pages, he carefully analyzes and explains what the story of Ender’s Game and the character of Ender Wiggins mean and mean to him. He notes that none of this was in his head when he first wrote the short story decades ago. He just wrote what felt right, but as time passed and the book rose to its well-earned critical acclaim, his introduction shows just how much he cares for the character and the world he created. The collected works in this book identify people who have come to care for Ender and his Game as well, but for differing reasons. The variance in authors, from military strategist to TV show creator and more, indicates that Ender’s Game is a book that transcends the realm of science fiction and speaks to people of all walks of life.
My favourite essay was the first, “How It Should Have Ended,” where Eric James Stone laments that Ender’s story went on beyond his victory against the buggers to reveal a deeply depressed Ender who sought atonement in the sequels. In Stone’s first reading, he determined, like many, that the hero’s story should end with the victory parade. But when he read the book the second time and attempted to stop where he felt it should have ended, he realized he couldn’t. Because he realized that this story wasn’t just about a kid beating the odds stacked against him to create an elite team of soldiers, tricked into defeating a deadly enemy by willingly, but unwittingly sacrificing human lives – it’s a story about Ender Wiggins. A hero. A soldier. A child.
This is a theme that played strongly for me with Ender’s Game and its sequel, Speaker for the Dead because of my appreciation for Joseph Campbell’s The Hero With a Thousand Faces. I’m the person who forces herself to sit through the “Return to the Shire” at the end of Return of the King and loves Peter Jackson for including it even though, yes, it was pretty boring. But I will argue tooth and nail that it was necessary to show the path of the hero. There is no true victory celebration for a hero because the battle for him or her is always a Pyrrhic one. They might save their home and the people they love, but they sacrifice their souls to do so, leaving them no home to return to.
This is even more tragic for Ender because he is a child. He not only loses his home, but his childhood.
transformation of our children into heroes.”
Before I turn this into my own essay about what Ender’s Game means to me, let me simply recommend this book to any fan of the Ender saga. You may not enjoy or agree with all the points expressed, but hopefully you’ll appreciate just how deeply this story has reached for some and why.
With the movie coming out soon, it becomes that much more relevant and gives me high hopes for how true to the book the film will be. It is clear from his introduction that Ender is Card’s baby and he wouldn’t allow his beloved on to the big screen without his supervision and the utmost care and dedication from those to whom he hands Ender over to.
With thanks to NetGalley for providing the opportunity to read and review this book.
Welcome to Cover Lover, a feature on this blog dedicated to book covers! For a long time, I’d wanted a place where I can share some of my favorite covers, or talk about any that might have caught my eye. So when I came across this idea on fellow gamer/book lover Angelya’s site The Oaken Bookcase, I jumped at the opportunity to adopt it as well. The “meme” was originally created by another friend of mine, Jaedia, on her book blog Once Upon A Time, so be sure to check out both their sites and take a look at some of the covers they have featured.
This afternoon, I came home to an email from fellow blog contributor Wendy, who linked me to British cover art of Drew Karpyshyn’s upcoming epic fantasy Children of Fire, as it appears Amazon UK had just put it up.
OH MY FREAKING GOD:
Expected Date of Publication: July 30, 2013
Thank you to NetGalley and Angry Robot for providing me with a pre-release copy of Three in exchange for an honest review. This futuristic, post-apocalyptic science fiction novel piqued my interest as soon as I saw it, and I knew even from reading its simple and brief description that I definitely had to check it out.
The story opens, introducing us to a world where society has crumbled and human activity only exists in pockets of safe zones across a devastated landscape. When the sun sets, creatures known as the Weir come forth and the night is filled with their glowing blue eyes and sounds of their electrifying howls. The setting is unmistakably post-apocalyptic and even has the slight feel of a western, but at the same time it appears a significant portion of technology has survived. Throughout this novel you will encounter characters utilizing high-tech weapons, implants, chems, mechanical limbs and the like.
The book features our eponymous protagonist Three, a lone gunman who has turned to bounty hunting to make a living. One day, he emerges from the wasteland to collect on a successful job and encounters a distressed woman pleading for help with her young son in tow. Three has always worked alone and prefers it that way, so he is surprised to find himself accepting the mantel of protector to Cass and her boy Wren. To keep themselves alive, the trio must go on the run to escape the merciless adversaries who are after them.
I remember finishing the prologue and being a little unsure about what to make of it, which really isn’t all that unusual given how it typically takes me at least a few chapters to get a feel for a book. But then I read the first chapter which introduces Three, and I was hooked. There’s just something about him that makes the reader want to learn more, his character being a man of few words notwithstanding. While Three may play to the familiar dangerous-looking-but-honorable-tough-guy archetype with simple and straightforward motivations, the author definitely knows how to present his character as someone you want to root for right away.
I also liked the trust and respect that develops between Three and Cass over the course of their journey. To me it felt really natural and gradual, even with the many trying yet justifiable obstacles along the way. Cass loves her son Wren and guards him with the ferocity of a lioness protecting her cub, so it’s such an engrossing process to see her views evolve as she begins to accept Three and make room for him in their lives.
I very much enjoyed the setting as well, which I talked a bit about at the beginning of this review. There are elements of it that will be familiar to readers of post-apocalyptic science fiction, but it also feels unique. My one regret is that the book didn’t provide as much context as I’d have liked, such as how the world became this way, how some of this strange and awesome technology came about, what gave rise to the Weir and where they go during the daytime and how they turn others into one of them, etc. None of this information is necessary to understand and follow the story, of course, but my curiosity gets the better of me sometimes, and it sucks having these questions hang at the back of my mind as I’m reading, especially for such a fascinating world.
Needless to say, for a debut novel, I thought this was very impressive. Three may be a little light on plot, but I like that it makes up for this with its fast pacing and well-written action sequences, sometimes alternating between the viewpoints of the various characters like you see in movies, creating this atmosphere of danger and suspense.
If his goal was to leave me wanting to know more about these characters and this world, then Jay Posey definitely succeeded. I wasn’t sure before if this was going to be a series and if there were going to be any more books, since the story’s ending tied up rather nice and neatly (which was a nice plus). But then some digging around showed me that Legends of the Duskwalker is indeed going to be a series, so I’ll be sure to be on the lookout for more by this author in the future. There’s still so much I want to know about the history of some of these characters, how they got to where they were, and what else is in store for them.
First of all, let me get this out of my system: dead people aren’t tossing anything. They are being tossed. In my head, this book is more accurately titled The Wave-Tossed Dead.
Secondly, this was an audiobook listen and while Tara Sands did a good job and her voice worked well for both the age of the characters and the target audience, I couldn’t help comparing at least some of the characters to My Little Pony…
With those diversions out of the way, I can move on to a proper review of the sequel to The Forest of Hands and Teeth.
The story takes place far into a dystopian future following “The Return,” an unexplained event that brought the dead back to life. Pockets of society remain, surrounding by the dead. Most are the typical slow moving zombies, but once in a while, without enough zombie presence, a “breaker” is created. I like that these zombies aren’t just about feeding. They are about infecting. A breaker’s birth and their speed and agility lends itself to this concept. Once a zombie here has infected someone with a bite, it eagerly and immediately seeks new prey, greatly increasing the threat if you can’t just kneecap a friend to buy yourself more time to escape.
The main protagonist is Gabry (Twilight Sparkle), daughter of Mary from the previous book. Gabry is Mary’s exact opposite. Mary was all about herself, oblivious of how her selfish actions basically ruined the lives of other. Gabry is hyper-aware of others and spends a lot of time going over her guilt and woulda coulda shoulda It can be annoying, but I weigh her against how infuriating a character her mother was and find that Gabry is at least tolerable. I had hoped this book would redeem Mary a bit with wisdom in her maturity, but nope. She’s still selfishly all about abandoning loved ones and responsibilities to fulfill her own needs.
Ryan presents both Mary and Gabry as fairly typical teens, and I think a teen would truly appreciate or at least understand their actions and even their selfishness. I have apparently reached the point in adulthood where I have forgotten that I may have been just like these girls and will instead just shake my fist and say “those damn kids!” with conviction.
Those damn kids (i.e. Gabry’s friends with Gabry nervously tagging along thanks to peer pressure) quickly launch the story with their adventure outside of the protective walls of Vista, resulting in an attack that forces Gabry on a dangerous path to save everyone else.
This book also introduces a cult of worshippers of the undead. I’m always wary of cults, because religious zealotry can tediously swallow up a plot. That wasn’t the case here and moreover, the cultists were treated respectfully in their descriptions, even taking into consideration some of their rituals.
The romantic plotline was fairly typical, though not cloyingly so. YA isn’t my usual genre, but I do like the way Ryan doesn’t pull punches with the darkness of her books. Don’t expect happy endings. As frustrating as Mary and Gabry can be, I respect that they and the events they deal with are all realistically handled.