Friday Face-Off: Desert

Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.

This week’s theme is:

“Nomad is an island.”
a cover featuring a DESERT

Mogsy’s Pick:

Rebel of the Sands by Alwyn Hamilton

I’ve long been a fan of western-fantasy settings, and Rebel of the Sands takes this one step further by combining it with an Arabian Nights feel, plunging readers into world of harsh sun and sand. Supernatural beings like the Djinn and magical horses fill these pages, as well as mortals endowed with special powers. These cases are explained in a very imaginative way, pulling in elements from legend and mixing them with the author’s own ideas.

But how do the novel’s covers measure up? Let’s take a look at them now:

From left to right, top to bottom:
Viking Books for Young Readers (2016) – Speak (2017)

Polish Edition (2017) – German Edition (2016) – Spanish Edition (2016)

French Edition (2016) – Romanian Edition (2018) – Serbain Edition (2016)

Winner:

There are some great covers for this book, and what really struck me were the subtle differences like the style of the border used in many of them. I find it amazing how that one feature can completely change the look and tone! Hence when choosing my winner this week, I considered everything from the color scheme and layout to the central image and art style, etc.  and in the end, the Romanian Edition probably gets my vote for best all-round cover. I love the contrast between its bright border against that deep blue background, and the fact you can clearly see the silhouette of the girl on the horse, unlike some of the other covers. I also like the little touches, like the moon in the starry sky.

But what do you think? Which one is your favorite?

Book Review: The Near Witch by V.E. Schwab

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

The Near Witch by V.E. Schwab

Mogsy’s Rating: 4 of 5 stars

Genre: Fantasy

Series: Book 1 of The Near Witch

Publisher: Titan Books (March 12, 2019)

Length: 354 pages

Author Information: Website | Twitter

When I heard that V.E. Schwab’s long out-of-print debut novel The Near Witch was going to be re-issued, my first thought was, “Oh hell yes, I’d read it!” even with the full understanding that things might be a little rough. Schwab may be an experience writer now, but debuts are debuts—most are like raw, uncut gems, their latent potential waiting to be released. I certainly wasn’t going to judge it by the same standards as I would apply to her later books.

What I didn’t expect, however, was how much I loved this. The prose was plain, the story was simple, but in that straightforwardness was also a refreshing sweetness and charm I haven’t seen a lot from the author’s newer works. In a way, The Near Witch reads very much like a traditional folk tale. Taking place in the sleepy little village of Near, the story follows Lexi, who lives with her mother and little sister Wren. Before her father died, he had taught her that witches are just like anyone else—there are good ones, bad ones, and most just wish to be left alone to their own lives. Unfortunately though, many of the other villagers hold on to more old-fashioned views, mistrusting the two elderly sisters who live on the edge of town. Whispers of witchcraft have long surrounded Magda and Dreska Thorne, but for the most part, the people of Near have tolerated their presence.

However, that was before the children started disappearing, called from their beds by a magical voice in the wind. Suspicions immediately fall upon the Thorne sisters, who are also accused of protecting a mysterious stranger who has just arrived in town. But Lexi has met this stranger, and knows he has nothing to do with the disappearances. Cole, as she called him, is just a youth hardly older than herself, and he has an idea of the real reason behind the missing children. Lexi wants to help him, but her efforts are prevented by her overprotective uncle Otto as well as some of her “friends” like Tyler who think proper girls should know their place and leave the search to the men. What none of them realize is that Near’s legends know no bounds or limits; an ancient force has awakened, and it won’t rest until a wrong has been righted.

As I said, there is nothing complicated about the plot to The Near Witch; in fact, Schwab places more emphasis on the atmosphere than the story or even the characters. But I think this, more than anything, is what gives the book that timeless allure, like a fairy tale or legend you can pick up five, ten, or twenty years from now and still have its setting and mood resonate with readers. This has allowed the novel some lenience, despite having many of the same flaws as typical debuts. For example, Lexi and Cole aren’t particularly well drawn, nor are many of the other townsfolk who read like clichéd archetypes. But because this falls into the expected pattern for a story resembling traditional folklore, a perceived weakness actually ends up becoming a strength.

So although The Near Witch might not be as complex or developed, I nevertheless found it to be more enjoyable than some of the author’s newer books. Its classic themes are familiar and relatable, like those of friendship, love, and redemption. It is also a story about a young woman wanting something more than what society has dictated for her, as well as her determination to show that she can and will succeed where those trying to suppress her have failed. While nothing new is presented here that thousands of Young Adult novels have not already covered, the beauty and pureness of the story’s ideas and emotions come through in their simplicity.

Also included at the end of this book is a heartbreaking little novella called The Ash-Born Boy, intended to be a prequel that reveals Cole’s origins. The fairy tale-like feel is even stronger in this one, given that it is so short, beguiling, and tragically dark. If you enjoyed Cole’s character in The Near Witch, then you’ll no doubt also love this story which adds even more depth to his personality and explores his troubled past.

In sum, there is nothing deep or earth-shattering about The Near Witch, but this magical 2011 debut by V.E. Schwab nonetheless managed to exceed all my expectations for it. Her writing was solid even then, deftly creating the timeless atmosphere and weaving in the folktale vibes I loved so much. All in all, a delightful and enjoyable read—like a nice, sweet treat.

Waiting on Wednesday 04/03/19

Waiting On Wednesday” is a weekly meme that first originated at Breaking the Spine but has since linked up with “Can’t Wait Wednesday” at Wishful Endings now that the original creator is unable to host it anymore. Either way, this fun feature is a chance to showcase the upcoming releases that we can’t wait to get our hands on!

Mogsy’s Pick

Shark Beach by Chris Jameson (May 28, 2019 by St. Martin’s Press)

There were a ton of new cover reveals this week, but you know what I’m most excited about? Killer sharks. Chris Jameson is coming out with his third shark book, and it’s the kind I would push to the top of my TBR just because I can’t get enough of these guilty pleasure reads.

“A dream getaway is about to turn into a living nightmare. . . 

Rick and Corinne Scully and their kids have visited Florida’s Captiva Island many times. This year, they’ve brought along their best friends, who can’t wait to finally experience the place the Scullys call Paradise on Earth.

But this vacation is turning out to be a lot different than planned. The Scullys never expected the rowdy college spring-breakers renting the house next door, or a hurricane that would sweep through the Gulf Coast, or the century-old shipwreck that washed up on the shore. They never knew about the military research being done at a nearby marine institute–and the test subjects that escaped during the hurricane. In the aftermath of the storm, the Scullys and their friends will try to salvage what’s left of their time at the beach. They believe it’s safe to go back in the water. . .but they’re dead wrong.”

Book Review: The Deepest Blue by Sarah Beth Durst + Giveaway

***The giveaway is now over! Thank you to everyone who entered!***

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

The Deepest Blue by Sarah Beth Durst

Mogsy’s Rating: 4 of 5 stars

Genre: Fantasy

Series: Tales of Renthia

Publisher: Harper Voyager (March 19, 2019)

Length: 368 pages

Author Information: Website | Twitter

Sarah Beth Durst’s The Queens of Renthia introduced readers to a world where nature and humankind coexist in a state of precarious balance. While life would cease to exist without the presence of the natural spirits, they also see humans as the invaders of their domain and would gladly see us all dead. If not for the protective powers of a Queen who holds control over all the spirits in the area, human settlements would be under constant threat of vicious attacks.

But that trilogy only focused on a very narrow slice of the world—the forests of Aratay, to be exact. And if you were anything like me, you probably also asked yourself the same questions after reading: is it like this everywhere else? And if there are forest spirits, does that mean there are also desert spirits, grassland spirits, ocean spirits?

Some of these answers, in part, can be found in The Deepest Blue, something of a spin-off off the original series. It can be read as a stand-alone, as this time, our focus is on a whole new set of characters. The novel transports us to the crystal blue shores of the island nation of Belene, home to our protagonist Mayara, a young woman about to be wed to her best friend and love of her life, Kelo. Surrounded by friends and family, she can hardly wait for the big day. Her only regret is that her older sister would not be there to witness her happiness, Elorna having perished in an accident eight years ago, while diving for shellfish. The family has never been the same since. Understanding better than most how dangerous the island and its surrounding waters can be, Mayara vows she would never take the love she and Kelo shares for granted, that they would make the most out of their new lives together.

However, that future may be snatched away before it has even begun. On the day of their wedding, a deadly storm sweeps through Belene, destroying homes and taking lives. Such a powerful destructive force could only have been caused by the ocean spirits, and Mayara fears she may be the reason for their sudden attack, for she has been hiding a secret, one known only to a very few. But now that most of Belene is destroyed and so many close to her are dead, she has no choice but to finally reveal it: she has the power to control the spirits. To save those she loves, Mayara must make a difficult choice—sacrifice herself and be sent to a lonely island where others like her tested, or spend a life on the run so that the spirits and their watchers, the Silent Ones, will never find her.

For those who have read The Queen of Blood, The Deepest Blue mirrors it in some ways. Both are about reluctant protagonists who come into their power to control spirits and must compete with other young women to become Queen. But the way things are on the islands is very different from the forests. Mayara finds herself in a fight for life, as only one woman can become Heir while the rest of them must die—a situation that is much bloodier and cutthroat than we are used to. In this sense, the comparisons in the synopsis to The Hunger Games are warranted, in terms of action, violence, and brutality.

Mayara, however, is a very different kind of heroine from a lot of these stories. As the last to arrive on the island, she has also received the least training. Knowing that her chances of survival are low, she decides on another tactic, reaching out to the competition in the hopes of making friends and allies. Consequently, The Deepest Blue became less about a tale of individual survival, instead transforming into one of sisterhood and cooperation against the elements. I was also pleasantly surprised by the inclusion of Kelo’s perspective. I don’t want to elaborate too much on his role for fear of spoiling the plot, but I did like how the romance in this book eschewed conventions by focusing on an already established relationship between a newlywed couple.

There was also more complexity to this story than I expected. Threads of political machinations and mystery are woven throughout, adding more intrigue to the premise. The ways of the islands are fascinating, and I loved that Durst expanded on the magic, spirits, and cultures of her world by taking us to this whole new setting. As much as I enjoyed the original trilogy set in the forests, there’s just something so alluring about Belene and its tropical islands and oceans, and the fact that this is the backdrop to so much vicious scheming and violence simply intensifies the suspense.

All told, The Deepest Blue was a most welcome addition to the world of Queens of Renthia, and I’m also thrilled because this book made me realize I was not quite ready to say goodbye to all the magic yet. Fans of the trilogy will be sure to love this one too, and while I highly recommend starting out with those books first, new readers can also jump right in and enjoy it on its own.

The Deepest Blue Giveaway

And now time for the giveaway! Since I enjoyed The Deepest Blue so much, I want to share the love with a copy I’m putting up for giveaway. With apologies to our international readers, due to the costs of shipping, this giveaway is open to residents of the US only. One winner will receive a hardcover copy of the book. To enter, all you have to do is send an email to bibliosanctum@gmail.com with your Name and valid Mailing Address using the subject line “THE DEEPEST BLUE” by 11:59pm Eastern time on Monday, April 8, 2019.

Only one entry per household, please. The winner will be randomly selected when the giveaway ends and then be notified by email. All information will only be used for the purposes of contacting the winner and sending them their prize. Once the giveaway ends all entry emails will be deleted.

So what are you waiting for? Enter to win! Good luck!

Dreams of the Dark Sky by Tiny LeCount Myers: Excerpt & Legacy of the Heavens Box Giveaway

Inspired by Scandinavian indigenous cultures, DREAMS OF THE DARK SKY takes place during the aftermath of a devastating clash between gods and men, where two unlikely allies—one immortal and one human—must band together to survive.

“My Finnish grandfather told me stories about fighting in World War II,” Myers says. “About hiding in the snowy forests for weeks and how it felt like he’d entered another world. My fascination with this other world hounded me until I began to write this series.”

A few years ago, Tina received a letter from her cousin Björn in Finland: “I am writing to you about your grandparent’s grave,” the letter began. “My father and uncles paid it the last time, but they are gone. Do you have any interest to come to Finland some time? The summer is best on the island as you probably remember. Your picture is on the wall with your grandfather and grandmother.”

Writing the series led Tina on an incredible journey to reconnect with her Finnish family and the land of her mother’s birth. Inspired by her family’s homeland, Tina set The Song of All and DREAMS OF THE DARK SKY in the forbidding fringes of the tundra, where years are marked by seasons of snow, and humans war with immortals in the name of their shared gods.

Dreams of the Dark Sky by Tina LeCount Myers

In the aftermath of a devastating clash between gods and men, two unlikely allies?one immortal and one human?must band together to survive in the sequel to the epic fantasy debut The Song of All. 

The war between men and immortals that raged across the frozen Northland of Davvieana has ended. For men, the balance of power between Believer and Brethren, between honoring the gods and honoring the sword, has shifted to favor priests over Hunters. 
 
But it is the legacy of one man’s love for his son that shapes the lives of all who survived. 

While Irjan, the once-legendary immortal hunter, has saved his son’s life, he cannot save Marnej from the men who will make him a killer, nor can he save the immortal girl he’d promised to protect from the secret of her birth. 

Raised by Irjan among the immortals, Dárja has been trained to fight by a man who once hunted her kind. Prisoner among the humans, her hatred for them is challenged by the chance to give Irjan what he has always wanted?his son Marnej returned to him. 

Together, Marnej and Dárja, human and immortal, must find a way to trust one another if they are to live long enough to learn the truth behind the secrets and lies that have forged their lives.

 

Excerpt from Dreams of the Dark Sky by Tina LeCount Myers, published by Night Shade Books Books. Copyright © 2019 by Tina LeCount Myers

Dreams of the Dark Sky is the second book of the Legacy of the Heavens.

The first, The Song of All, introduced readers to the worlds of the Jápmemeahttun and the Olmmoš.

First among those created by the gods, the Jápmemeahttun lived in harmony on the fringes of the tundra until their numbers grew so large that they overwhelmed their lands. As they struggled to survive, the gods took pity and gave them a gift. The Jápmemeahttun would live their lives in two halves: the first as female and the second as male, and as one soul prepared to leave the world, another prepared to give birth. The life force of the gods would pass through the old soul into the unborn, giving the baby life and turning the mother’s gender to male in the process. In this way, balance was soon restored to their population.

When the Olmmoš humans walked out of the east with their odd ways and their strange animals, the Jápmemeahttun welcomed them and taught them how to live upon the ice and snow and find light in the endless darkness. But over time, the humans grew wary of their guardians, whose lives seemed to stretch on forever. What started as an affinity between two peoples ended in enmity as the humans rebelled against the authority of those they called the Immortals.

For generations, battles between humans and Immortals raged on, until the Immortal Elders discovered the Song of All. Believed to be a gift from the gods, the Song of All acted as a veil to shield the Immortals from human eyes so the two tribes could live in the same world and never interact. This fragile peace held for almost a hundred seasons of snow, until the Brethren of Hunters began to seek out the reclusive Immortals to regain their wartime power, now challenged by the priestly Order of Believers.

Raised by the Brethren, Irjan had avenged his family, slain by rogue Immortals, by becoming the most skilled among the Hunters. He eventually grew weary of bloodshed, though, and fled to live a peaceful life as a farmer, husband, and father. But when he came upon his wife and infant son moments before they died, Irjan suspected the Brethren. Even as he mourned his wife’s death, Irjan tracked the Immortals deep into the snow-covered forest in the hope that their legendary powers would bring his infant son, Marnej, back to life.

The Jápmemeahttun life bringers Aillun and Djorn had journeyed together to their Origin to give birth. The inherent danger in this sacred ritual was compounded when they heard a human voice within the Song of All. As Aillun started to give birth and Djorn, the ancient warrior, began to die, Irjan ambushed them. Thrusting his infant son into the light emanating from the old Immortal’s body, Irjan brought Marnej back from the dead. But Aillun’s subsequent death left Irjan responsible for Dárja, the infant Immortal she had birthed.

Dávgon, the Brethren leader, dispatched his best hunters to bring back the traitor Irjan to serve the Brethren’s cause or forfeit his life for his earlier betrayal. Irjan, to elude his former comrades, set off for the Northland, where he had once safely traveled. But Irjan’s skills as a Hunter had not prepared him to care for two infants, and he was forced to rely upon the aid of strangers. Drawn into a Brethren trap, Irjan’s life was saved by

Kalek, an Immortal healer who had been heart-pledged to Aillun. Together, Irjan and Kalek protected the infant Dárja, but could not prevent the Brethren from kidnapping Marnej.
Kalek soon learned that Aillun had made Irjan Dárja’s guardian. Torn between his duty to his people and his lost love, Kalek brought Irjan to the Immortal Elders and what he thought was safety. The Elders knew what Irjan had not yet accepted—the human Hunter, in fact, had dual heritage, and possessed the unique ability to enter the Song of All as if he were a Jápmemeahttun. But his arrival among them bound the Elders to choose between protecting their kind from the humans and respecting Irjan’s right to live as one who had both human and Immortal blood. Their compromise to imprison Irjan temporarily staved off discontent.

While imprisoned, Irjan consoled himself with his friendship with Kalek and his responsibility for Dárja. However, he continued to harbor plans to rescue Marnej from the Brethren, who would turn his son into a killer. Irjan escaped at the first opportunity, forcing Kalek to choose between his new friendship and his tribe. Convinced by Irjan that his son’s freedom would serve the Immortals, Kalek fought alongside his friend until he was wounded. When it became clear there was no hope of rescuing his son, Irjan chose to save Kalek’s life, returning with him to the Northland, where he and Dárja were reunited. Irjan spent the next sixteen seasons of snow as a prisoner, teaching Dárja what he knew best—how to fight.

Dávgon, the Brethren leader, aware of Marnej’s Immortal blood and the unique abilities he possessed because of it, used Irjan’s now-grown son to track the Immortals and foment war between the two tribes. When Marnej entered the Song of All, the Immortal Elders realized there was no hope for peace. Dárja, who had grown into a skilled fighter, ardently supported the call to war. However, the revelation that she would never experience a fully Immortal life because of Irjan’s interference in her birth confirmed her fear that Irjan had always loved his son, Marnej, more than her. Determined to prove herself a true Immortal warrior, Dárja secretly joined the warrior ranks to confront the humans, unaware that Irjan had also joined as a last attempt at redemption.

When the Immortal warriors used the Song of All to attack the human soldiers in the Great Valley, Marnej pushed his way into the mêlée, anxious to demonstrate his loyalty to the Brethren. While Dárja fought her way through the human ranks, Irjan gave his life to protect his Immortal comrades when the tide turned against them. Decimated by the human victory in the Great Valley, the remaining Immortal warriors withdrew into the Song of All while Dárja was taken prisoner. At the Brethren’s fortress, Dárja and Marnej confronted their shared past and discovered, to their surprise, the potential of their tenuous future.

Part One
LOST TO THE SONG

CHAPTER ONE

Kalek picked at the meager meal of stewed rabbit and bitter greens. He ate out of habit, out of a healer’s instinct to sustain his body, but, more and more, he wondered why he bothered.

A suppressed giggle broke through the hushed atmosphere in the dining hall. Kalek looked up from his bowl. Two young nieddaš sat with their heads together. One had a hand over her mouth. Her shoulders shook with laughter. The boaris scattered about the dining hall continued to eat. The old showed no interest in the lives of the young.

Once a lively center for sharing meals, the dining hall had become cheerless in the moon cycle since the battle with the Olmmoš. It was impossible to enter a common area and not think of those who had died defending their kind in the last battle. The Jápmemeahttun had believed the power of the Song of All would preserve peace by keeping them safely hidden. But the Olmmoš could not live in peace, and Kalek cursed the day they had walked out of the eastern dawn. He had not been born yet, but he knew the songs from before, when their kind had thrived in balance with the world around them.

Look at us now, he thought. The few Taistelijan warriors who had survived the battle stood out among the nieddaš and the boaris. They were thankful to be alive, but they lived with the heavy burden of guilt. Indeed, it seemed that those who sought out healers, like himself, suffered less from an illness of the body and more from a sickness of the spirit. Increasingly, the old spent more time alone, listening to the Song of All, waiting for their time to end. They seemed to prefer the chorus of the wider world to the melancholy of their own immediate one. Yet, when called upon, they honored their duty as life bringers. They traveled to their Origins without complaint. Old and wise, they must have known that when their spirits left this world, new souls would likely not replace them.

But what alarmed Kalek most was not the pervasive sadness among the old, but the changes wrought among the young. Although the youngest still ran about playing innocent games, the older ones left childhood behind for hard work.

Wood for fires still needed to be chopped. Metal and leather still needed to be wrought. Animals still needed to be butchered. And fields still needed to be plowed. The survival of their kind depended on these tasks, which meant survival depended on the nieddaš, who were now the majority.

The necessary new duties had made many of the older and more capable nieddaš sullen and silent. They exhibited a harshness that had not existed before the battle. Still, when the time came for these nieddaš to return to their Origins and give birth, they struggled, restless and fearful, because what had once been a rite of passage had become, to their minds, a death sentence.

No one wanted to speak about what was happening, but none could ignore the fact that few nieddaš returned from birthing. Once, a nieddaš could expect to be a guide mother in the course of her life. Now she could only hope to be one. Kalek had seen the sidelong glances of those who still had no babe to love and nurture. And they all felt the palpable desperation as the songs of the guide mothers were sung less and less.

Despite his calling as a healer, Kalek found it hard to offer counsel to those nieddaš who came to see him. In their sad faces, he saw Aillun, his beloved first heart-pledge, who had traveled to her Origin what felt like a lifetime ago. Believing she could save them both from sorrow, Aillun had not shared the truth of the quickening within her. At the time, Kalek had told himself his wounded heart justified his harsh last words. But really it was his injured pride that had made him growl like a trapped bear. Later, though, when Aillun failed to return from her Origin, he would learn what real heartache was. He would not be the one to send these innocent nieddaš to their death in the Outside.

“You have pushed your food from one side of your bowl to the other many times, Kalek.”

Startled by the voice, Kalek looked up.

“Lighten your heart and be done with your meal,” Okta said.

Kalek dropped the wooden spoon. He looked deep into the eyes of his mentor. A milky whiteness grew in them now, but the ancient healer’s gaze was still sharp and penetrating. He could not lie to his mentor, his friend.

“What are we doing?” he asked, hopelessness flooding his question.

Okta raised his unruly eyebrows. “We are surviving. As we always have.”

Kalek’s despair turned his gut sour. “To what end, Okta? We are defeated.”

Okta patted his apprentice’s hand. This was by now an old conversation between them.

“Kalek, even in defeat, there can be life.”

The young healer shook his head, his focus on the bowl in front of him. “We are all just waiting to die.”

“It has always been so,” Okta said gently.

Kalek’s head shot up. His pale, feverish eyes bore into Okta just as they had the day of the battle, when Kalek had found Irjan’s body. Nothing in the young healer’s training had prepared him to see his friend and lover broken and bloodied. It did not matter that Irjan was part Olmmoš and had once hunted their kind. He had fought and died like a true Jápmemeahttun warrior. Then, as now, Okta knew that Kalek’s giant frame could bear much, but anguish threatened to crush his soul.

“Fine words meant to play with one’s thoughts,” Kalek said. “They are not an answer.”

Okta nodded his head, allowing the reproach to stand.

The old healer lifted his cup. He wished he could ease his apprentice’s pain. He wanted Kalek to regain his spirit, to see beyond the death of friends and comrades, and the death of those he had loved. Aillun first. Then Irjan. Okta drained his tea, then placed the cup down.

“There are no words I can offer you, Kalek, that will be sufficient,” he said. He stood and gathered his bowl and cup. “I will return to my chambers and then go out to gather herbs.”

The ancient healer did not wait for his apprentice to answer, and Kalek did not try to stop him.

The knock upon the apothecary door stopped Okta at the garden’s threshold. He considered ignoring it, longing to be outside where the rhythm of life pulsed, unchanged and welcoming. But a healer could not ignore someone in need. He backtracked through the crowded room filled with pungent herbs and distilling tinctures. He opened the door, surprised to see the Noaidi.

“Einár! This is unexpected. Are you feeling unwell?”

The Elder shook his head. “May I enter? I wish to speak with you.”

The formality of the Elder’s request placed Okta on guard. While the two shared a friendship that spanned ages, Einár was the head of the Council of Elders and the gods’ Oracle. For the last several seasons of snow they had not agreed on much, but in the vast span of their lifetimes, this was but a small matter.

“I have not seen much of you since our return,” Okta said, standing back to allow the Elder’s hunched frame to enter the apothecary. When did Einár become so thin? So frail? he wondered.

“My time now is mostly spent with the gods,” Einár said with a matter-of-factness that belied the onus of being the Noaidi. “I try to understand their wishes, and our future.”

Okta hesitated. “And . . . what do they say?”

Einár clasped his hands in front of him. The sleeves of his pale-green linen robe fell down across his gnarled knuckles. “They say many things, but I am not here to speak of the gods. I am here to speak to you of Dárja.”

Okta winced. The name cut him like a knife. His hand rose to his chest where the weight of responsibility rested heavy and immutable.

He was to blame for what had come to pass, at least in part. He had been angry and callous when he had last spoken to Dárja. He had told her she would always be a nieddaš. That she would never be a mother. Never be an almai. Never be a warrior. He had been blunt and brutal, and he had immediately regretted it.

Despite all his training as a healer, Okta had not understood what it meant to live a singular life. His had been a Jápmemeahttun life. He had been a nieddaš. He had given birth. He had handed his child to her guide mother, then embraced his life as an almai. When asked, he had become a warrior. He had experienced it all, as his kind was meant to. But Dárja was unique, and Okta had failed her. They had all failed her.

“I have heard her song,” Einár said.

The calm pronouncement set Okta back on his heels. He braced himself on the edge of his scarred work table. Disbelief clouded his thoughts, but his heart pounded.

Dárja had disappeared the day the Taistelijan had marched to battle. He did not doubt she had wanted to prove herself worthy to be a warrior. To prove him wrong. And he was wrong. He was wrong to keep his doubts about her future to himself for as long as he had. He could have helped her. They all could have helped her. But the truth remained hidden for too long, too painful to relive.

Okta met the Elder’s gaze. “She is alive, then?”

“Yes. I have heard her song.”

Okta’s elation made him eager to tell Kalek. The news would give the young almai the encouragement he needed. It would light the way back from the darkness that had consumed him.

Einár raised a hand to caution Okta. “There is more. I have also heard the song of Irjan’s son.”

Whatever hope had welled within in the ancient healer was dashed. “Marnej,” he muttered, remembering Irjan’s son, whose very existence had threatened what little peace remained to their kind. Silently, he blamed the boy, So much life lost. So many lives changed. And Marnej at the root of it all.

“I do not know what this means,” the Elder continued, “but I leave you to make the choices you feel you must.” He paused, then added, “The way you have always done.”

Okta staggered back at the impact of this judgment. He glanced at Einár, expecting to see condemnation. Deep folds shaded the Elder’s weary eyes. Okta’s shame bloomed hot. He had just quietly denounced the Olmmoš boy when he should have castigated himself. Blame rested with him, not Irjan’s son. Okta plopped down on the bench beside his work table. He was too old and he had seen too much to deny his attempt at playing a god. When Irjan had entered their lives, Okta had been adamant that, as half-Jápmemeahttun, Irjan deserved to live. But there was a part of him that now wondered if their kind might have been spared the recent tragedies had he just let the Taistelijan warriors track and kill Irjan in the very beginning.

“You have always listened to your heart, Okta,” Einár said. “Sometimes for the betterment of us all, and sometimes to our detriment. But we are so few now.” The Elder paused as if he chose his next words with care. “I am compelled to caution you. The actions of one will impact us all.”

Okta nodded.

The Elder withdrew from the apothecary, closing the door behind him. Okta sat, taking stock of the news. The knowledge that Dárja lived was both a profound joy and a subtle agony. Selfishly, he wanted to see her determined young face peer around his door again, if only to exonerate him for his part in her misery. But if that came to pass, he would once again have to cause her heartbreak. He would have to tell her of Irjan’s death on the battlefield.

Young. Headstrong. She will only see her part in it, Okta thought woefully.

He could not say Dárja had been wrong to blame Irjan for what had happened. Irjan’s actions had altered the course of all their lives. In trying to bring his son, Marnej, back from the gods’ embrace, Irjan had doomed the life bringers, Aillun and Djorn. The life force created by a boaris at death was meant to help the nieddaš give birth to her child and then allow her to transform to almai. Djorn did not have the power to sustain life for more than two souls. Marnej had been reborn, but Aillun died. And Dárja had been denied the life force she needed to mature fully as one of their kind.

When Irjan had pleaded to join the warriors leaving to fight the Olmmoš, Okta had recognized a man desperate for some kind of redemption. While he did not agree with the need for bloodshed, he respected Irjan’s desire to be a part of it. He had not talked Irjan out of fighting. Rather, he had helped him, and embraced him, and watched him ride into battle. His heart had ached for the man. Half Jápmemeahttun and half Olmmoš, Irjan had labored to do what was right and had suffered for love.

Kalek was right to agonize over how to tell Dárja this truth, he mused to himself. If she were to walk through his door right now . . . The thought disappeared almost as soon as it formed.

Okta leaned forward to rest his hands on his knees. The anticipation kindled by Einár’s news flickered briefly before reason snuffed it out. Dárja may be alive, but she could easily be a prisoner or pursued by the Brethren of Hunters, by Marnej even. Okta was certain that, despite the distant connection between Dárja and Marnej, if their songs were heard together, then it could only mean she was in danger. Marnej had been raised as an Olmmoš. Raised to be a Piijkij, like his father, he had sworn an oath to kill their kind. Marnej might be Irjan’s son, but he was also a Hunter.

Okta wanted to act. He wanted to do something. But Einár’s warning stung his conscience like summer nettles. In the past, Okta had sent Kalek out to meddle in the affairs of the Olmmoš, believing it to be the best course of action. And he knew if he told Kalek that Dárja’s song had been heard, his apprentice would rush into the Outside to try to find her. Kalek was as much a guide mother to the girl as Irjan, even if Irjan was her chosen biebmoeadni.

Okta wrestled with his thoughts. The reasonable part of his mind said it would be futile to send Kalek out to save Dárja. She could be dead within days. But the truth was that he could not bear the thought of losing Kalek. He had risked his apprentice’s life twice, believing the chance for peace was justified. But never again. Kalek was too dear to him and the future was now too uncertain to risk anything on some notion of pride.

Okta still sat with his hands upon his knees when Kalek entered the apothecary. If any misgivings persisted, they disappeared the instant he saw his apprentice. Framed by his pale, lank hair, the young almai’s doubt-etched brow overshadowed his face. If the gods possess pity they will place no more demands upon him, Okta thought, then silently promised, Nor will I.

“I thought you had left to collect herbs,” Kalek said, surprised to see Okta.

“Yes, yes. I became distracted and delayed,” the ancient healer said, staying within the bounds of truth.

Kalek passed by his mentor, briefly touching Okta’s shoulder. “Come, I will help you.”

Okta watched Kalek’s sure, fluid movement around the apothecary. How different their paths had been. He remained grateful that Kalek had not had to fight in the war. Too young for the ancient battles and too valuable for this last stand, Kalek had been spared. But even as he praised the gods for this small mercy, he knew that the young almai had not really been spared. To watch one’s kind slowly die over a lifetime might prove to be a greater cruelty than witnessing comrades killed in battle.

“Thank you, Kalek,” Okta finally said. “I much prefer your company to my own.”

A feeble smile graced the almai’s face. “That is only because you are so old and your own company so familiar.”

“True,” Okta agreed with a knowing laugh, “I find that, in your company, I need to bend less to pluck the right herbs.”

Kalek took the thin woolen cloak from its worn peg. He held it out to Okta, who stood. Kalek’s smile lingered, but it did not reach his eyes.

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Legacy of the Heavens Box Giveaway

To celebrate the release of Dreams of the Dark Sky, Night Shade Books and Wunderkind PR partnered up to create these gorgeous Legacy of Heavens limited boxes, and they want to give you a chance to win one too. Inside the box you will find:

—one copy of THE SONG OF ALL (Book 1)
—one copy of DREAMS OF THE DARK SKY (Book 2)
—a special Tarot card and personal note from the author
—Special Finnish mint candy, a favorite of the author and a reminder of her grandfather
—a Luke Birch scented candle that evokes the Finnish Forests that inspired the books

Enter now by clicking this Rafflecopter link!

Open to residents of the US only. This giveaway will run until April 8. Good luck!

Book Review: The Luminous Dead by Caitlin Starling

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

The Luminous Dead by Caitlin Starling

Mogsy’s Rating: 2.5 of 5 stars

Genre: Horror, Science Fiction

Series: Stand Alone

Publisher: Harper Voyager (April 2, 2019)

Length: 432 pages

Author Information: Website | Twitter

The Luminous Dead by Caitlin Starling is a story about two women who have more in common than either of them would like to admit, but by the time they realize how much they mean to each other, it might already be too late. Gyre was only a little girl when her mother abandoned her, leaving only a vague note with an invitation to her daughter to come find her when she is ready. Now twenty-two years old, our protagonist has finally decided it is time. But first, she’ll need to make enough money to get off her backwater planet and begin her search, and to do that, she has forged her credentials and work history in order to sign on to a dangerous mining operation known to pay its cavers extremely well.

Given how much she was offered for the job, Gyre expected to be assisted by team of specialists and scientists, but instead, she finds herself alone in the deep, dark tunnels of the planet with only a single overworked individual on the surface remotely monitoring all her life support and suit controls. Introducing herself as Em, her handler is secretive and uncommunicative in her lofty position of authority, which immediately sets off Gyre’s dislike and mistrust of her. But very soon, as the mission becomes increasingly difficult and treacherous, the two of them have to learn to work together and let each other in, because only then can they save one another and put the ghosts of their pasts to rest.

I was torn between like and dislike for this book, and it kills me to have to give this one anything less than 3 stars because it had its moments. However, there were simply too many other things about it that left me feeling disenchanted and utterly frustrated, making it hard to justify a higher rating. The truth is, I probably would have enjoyed the story a lot more had it been presented in a shorter, less repetitive and more condensed form, but as it is, I felt that too many pages were devoted to pointless back-and-forth or were squandered by following our characters as they—quite literally in some cases—walked around in circles.

What’s more, I feel the publisher description has done the book a great disservice by comparing it to The Martian and Gravity, because the reality, as I found out, was much different. For one thing, the “intensive drive” that was promised was virtually non-existent. A heart-pounding thriller this was not, so don’t be expecting anything like The Descent. I just can’t emphasize enough the slowness of this book, even though, in all fairness, I have no doubt the measured pacing here was entirely intentional. The plot featured here is the kind that relies heavily on character development and relationship building, a process that understandably cannot be rushed.

But back to my issues with the blurb: as you would recall, both Mark Watney and Ryan Stone in the respective tales of survival were quick-on-their-feet problem solvers who kept their cool and used their wits to apply their knowledge and resources available to them in order to overcome obstacles. In awe of their inventiveness and ability to find quick and clever ways to get out of tight spots, never once while watching them did I think to myself, “Wow, that was dumb.” Unfortunately, the same could not be said for Gyre, a recalcitrant, reckless and naïve protagonist who frequently and actively sabotaged her own chances of survival with her tunnel vision and less-than-intelligent decisions. That she never learned from any of her mistakes or the fact that the narrative fell back again and again into the same tiresome, infuriating patterns was simply another nail in the coffin. I mean, if you have reason to suspect your mental capabilities may be compromised, perhaps then you shouldn’t rely solely on your own impaired judgment? Sure, Em’s not perfect, but maybe trust that as mission control, she has at least some idea of what she’s talking about? But no, pretty much the entirety of this 400-page novel consisted of repeated variations of the following conversation:

Gyre: “I’m going to go ahead now and do something stupid.”
Em: “No, don’t do it, Gyre. That would be really stupid.”
Gyre: “Fuck you! Just because you’re my boss doesn’t mean you can boss me around!”
*Gyre goes ahead and does something really stupid*
Gyre: “Well shit, I guess that really WAS stupid. I might have just doomed myself with my stupidity. Dammit Em, why didn’t you stop me?”
Em: “You’re right, I really should have tried harder. I’m so sorry that I’m such a monster.”
Gyre: “Damn right you are, and I’m not about to let this happen to anyone else. To do that, I’m going to go ahead now and do something stupid.”
Em: “No, don’t do it, Gyre. That would be really stupid.”

And on and on, ad nauseum. Granted, the first couple of times this exchange happened, it gave us great insight into the characters’ personalities and dynamic. However, tighter writing and more concise storytelling could have probably conveyed the same ideas in half as many pages. The F/F relationship was also not very satisfying, and considering so much of it was developed under mental and physical strain or was fueled by desperate need and duress, I just couldn’t see it as either healthy or sustainable. Furthermore, I was never convinced of Em’s true intentions of sending people down into those caves. The explanations given were so underwhelming, initially I thought they were a smoke screen to obscure the true reasons which would later be revealed, but nope, that was it.

Still, I did mention the book had its moments. First of all, kudos to the author for pulling off what is essentially a novel featuring an extremely limited setting and only two characters. And while at no point did I personally find this “horror” novel scary or disturbing, Starling nevertheless did a fantastic job evoking an atmosphere of isolation and claustrophobia, especially in the sections with the sumps. At times, the hopelessness of Gyre’s situation really got to me, not to mention how all the uncertainties had a way of messing with your head. Scenes of breathless action were few and far between, but whenever they cropped up, they were also well written and suspenseful. Plus, the tunnelers were pretty cool, though we didn’t get to see nearly as much of them as I would have liked.

However, at the end of the day, the positives were still outweighed by the negatives, which greatly impacted my experience with this book. Namely, slow pacing and aggravating characters were my main issues, compounded with the possibility that my expectations had been set too high by the synopsis. That said, I don’t want to discourage anyone from checking out this novel if the story’s description calls to you, or if you think this is something you might enjoy. Good luck, and happy caving.

Mogsy’s Bookshelf Roundup: Stacking the Shelves & Recent Reads

Bookshelf Roundup is a feature I do every other weekend which fills the role of several blog memes, like Stacking the Shelves where I talk about the new books I’ve added to my library or received for review, as well as It’s Monday! What Are You Reading? where I round up what I’ve read since the last update and what I’m planning to read soon. Mostly it also serves as a recap post, so sometimes I’ll throw in stuff like reading challenge progress reports, book lists, and other random bookish thoughts or announcements.

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Received for Review

My thanks to the publishers and authors for the following review copies received, and be sure to click the links to their Goodreads pages for more details and full descriptions!

My thanks to Ace/Roc/DAW and Berkley for the following ARCs: Beneath the Twisted Trees by Bradley P. Beaulieu is the fourth book of the Song of the Shattered Sands series; it’s hard to believe the series is so far along now and I’m two books behind! Salvation Day by Kali Wallace is a sci-fi thriller about a lethal virus awoken on an abandoned spaceship–which sounds right up my alley. And Storm Cursed by Patricia Briggs is the eleventh installment of the long-running and excellent urban fantasy series, Mercy Thompson. I was so excited when this one made a surprise appearance earlier this week on my doorstep. The publisher also sent along finished copies of Atlas Alone by Emma Newman and Holy Sister by Mark Lawrence. With their release dates fast approaching, I have plans to read both in early April. And from Penguin Books, I also received an ARC of The Poison Thread by Laura Purcell, the same author of The Silent Companions, which I read and loved last year. It’s also known as The Corset in the UK, and I’m so glad to know it’s coming stateside soon.

Speaking of the UK, this month I received a trio of surprise airmail packages from the kind folks at Jo Fletcher Books. Morhelion by Dominic Dulley is the second novel of The Long Game, sequel to Shattermoon which I haven’t read. I’d not heard of this series before, but the premise about an alien war sounds interesting. If I find out that I can jump in at book two without getting too lost, I’ll probably check it out. I’ve also been hearing some really good things about Our Child of the Stars by Stephen Cox lately, so I was pretty excited when a copy showed up. A couple of the bloggers I follow have described this as enchanting, heartwarming, and spellbinding, so that’s definitely put it on my radar. And Hearts of Ice by David Hair is book three of the Sunsurge Quartet, the follow-up to the author’s Moontide Quartet. I have the first book still on my TBR, which I plan on hitting up as soon as I finish the final two books in the first series. This will be a long-term project, I think!

From the amazing team at Night Shade Books and Talos, I also received the following finished copies: Black Moon: The Complete Tales of Jules de Grandin by Seabury Quinn is the fifth and final volume collecting the stories of the eponymous supernatural detective made famous in the pulp magazine Weird TalesAstro-Nuts by Logan J. Hunder is a quirky little novel of sci-fi comedy from the same author who brought us Witches Be Crazy, a book I read a few years ago and just couldn’t get into its brand of humor, but if you enjoy a lot of slapstick and puns, maybe it could be your thing. Lastly, the publisher also sent along an ARC of The Best Science Fiction of the Year: Volume Four edited by Neil Clarke, the latest anthology of buzzworthy stories from the best and biggest names in the genre.

With thanks to Simon & Schuster for sending along a copy of The Astral Traveler’s Daughter by K.C. Archer, the follow-up to School for Psychics. I still mean to check out this series, so I was really glad to receive book two. And also huge thanks to Harper Voyager for this gorgeous finished copy of The Deepest Blue by Sarah Beth Durst, a standalone novel set in the author’s incredible world of Queens of Renthia. I’ve already read this and loved it, so my review should be up soon. From Saga Press, I was also thrilled to receive an ARC of Storm of Locusts by Rebecca Roanhorse, sequel to Trail of Lightnight. As of this writing, I am about halfway through already and so far it’s a blast.

Thank you also to Orbit Books for A Time of Blood by John Gwynne, the highly anticipated sequel to A Time of Dread! And a big shout out also to Tor for A Memory Called Empire by Arkady Martine, a space opera I’ve been curious to read ever since I first learned about it, as well as Kellanved’s Reach by Ian C. Esselmont, book three of the Path to Ascendancy series taking place in the world of Malazan.

Last but not least, a special thanks to Tor.com for this mysterious little box I received last weekend. Inside its ominous skull-adorned packaging, however, was a delightful treat–ARCs of two of their exciting upcoming releases, Gideon the Ninth by Tamsyn Muir and The Monster of Elendhaven by Jennifer Giesbrecht. The dark theme could not have been more perfect! I can’t wait to read both these books.

 

On to the digital pile, courtesy of Harper Voyager I was sent an Edelweiss link for the eARC of The Winds of Marque by Bennett R. Coles, which I couldn’t resist because this book had long been on my watch list. In the past I’ve also read some great stuff from Inkshares, so when I saw the description for The Living God by Kaytalin Platt, I decided I wanted to give it a try. From NetGalley, the moment I saw Wanderers by Chuck Wendig pop up from Del Rey it was an immediate request, for although the last few books I’ve read from him were not his best, I am still a big fan.

And at last, the first season of the serial Ninth Step Station by Malka Ann Older, Fran Wilde, Jacqueline Koyanagi, and Curtis C. Chen is finally completed, which means I can finally binge all the episodes at once. With thanks to Serial Box for providing a review copy in both ebook and audio formats. In the audiobook haul, thank you to Penguin Audio for the psychological domestic thriller My Lovely Wife by Samantha Downing, Macmillan Audio for a listening copy of the mystery fantasy The Perfect Assassin by K. A. Doore, as well as Audible Studios for the third Threshold novel Dead Moon by Peter Clines.

Reviews

Here is a quick summary of my reviews posted since the last update:

The Song of All by Tina LeCount Myers (4 of 5 stars)
The Devil Aspect by Craig Russell (4 of 5 stars)
The Priory of the Orange Tree by Samantha Shannon (3.5 of 5 stars)
Markswoman by Rati Mehrotra (3.5 of 5 stars)
Once & Future by Amy Rose Capetta and Cori McCarthy (3 of 5 stars)
Star Wars: Queen’s Shadow by E.K. Johnston (3 of 5 stars)
The Homecoming by Andrew Pyper (2 of 5 stars)

What I’ve Read Since the Last Update

Here’s what I’ve managed to “unstack” from the TBR since the last update. More reviews coming soon!

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Have you heard of or read any of the books featured this week? What caught your eye? Any new discoveries? I hope you found something interesting for a future read! Let me know what you plan on checking out. Until next time, see you next Roundup!:)

Friday Face-Off: Unicorn

Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.

This week’s theme is:

“I thought unicorns were more . . . fluffy.”
a cover featuring a UNICORN

Mogsy’s Pick:

The Time of Contempt by Andrzej Sapkowski

The Time of Contempt is the second full-length novel and the fourth installment of The Witcher Saga featuring Geralt of Rivia, a traveling mercenary who uses his warrior training as well as his mutant powers to hunt and kill deadly monsters. Originally published in Polish, the series has since gone on to inspire dozens of movies, TV shows, comics, and even a hit video game. The books and short stories have also been translated into numerous languages, which is why there are so many different covers to compare today. Here is a selection of the best and most notable ones:

From left to right, top to bottom:
Polish Edition A (1995) – Polish Edition B (1999) – Polish Edition C (2015)

 

Orbit (2013) – Gollancz (2013) – German Edition (2009)

Ukrainian Edition (2016) – Bulgarian Edition (2017) – Serbian Edition (2012)

 

Italian Edition (2013) – Czech Edition A (2007) – Czech Edition B (2011)

 Spanish Edition A (2004) – Spanish Edition B (2008) – Spanish Edition C (2016)

 

Finnish Edition (2013) – Dutch Edition (2015) – Hungarian Edition (2013)

French Edition (2009) – Russian Edition (2018) – Chinese Edition (2016)

Winner:

This week, I think my favorite cover is the 1999 Polish Edition. Not only does it feature a unicorn, I love how the stark white background and the monochromatic tones bring out the dramatic interplay between the lights and the darks. At first glance, you could almost even miss the fallen figure at the unicorn’s feet, camouflaged in its shadow. I can’t remember the story well enough to know what’s going on in this picture, but there might even be some meaning hidden in there.

But what do you think? Which one is your favorite?

Audiobook Review: The Priory of the Orange Tree by Samantha Shannon

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

The Priory of the Orange Tree by Samantha Shannon

Mogsy’s Rating (Overall): 3.5 of 5 stars

Genre: Fantasy

Series: Stand Alone

Publisher: Audible Studios (February 26, 2019)

Length: 25 hrs and 52 mins

Author Information: Website | Twitter

Narrator: Liyah Summers

The Priory of the Orange Tree is a labor of love. As a reader, I could sense so much passion and effort poured into this novel, it is no wonder Samantha Shannon decided to take a break from The Bone Season series in order to birth this one into the world. But let’s first just get this out of the way: clocking in at more than 800 pages, this book certainly measures up to the task, but it also contains all the strengths and weaknesses one might anticipate with such an ambitious undertaking, especially considering we are dealing with the author’s first foray into the epic fantasy genre.

The story begins with a prophecy: an ancient evil called the Nameless One, said to be trapped in its abyssal prison, will return to the world after a thousand years of peace. It is written that this evil takes the form of a fire-breathing dragon, which, together with the rest of its fiery brethren, will bring destruction to all of humankind. Because so much history has been lost to time, it is unclear where the Nameless One originated or how it came to be defeated and imprisoned in the first place, but in the West, it is long thought that their legendary hero Galien Berethnet was the one who wielded the sword that grievously wounded the beast. To this day, many in Virtudom, the nation founded by Berethnet, still believe that his ancestors hold the key to the Nameless One’s containment. Legend says that as long as a queen descended from the line of Berethnet sits on the throne, the world will be protected, and so it has been for countless centuries, power passed down to a single daughter in each generation. Currently, the latest in the line is Queen Sabran—young, unwed, and childless, so the pressure is on to arrange a betrothal and conceive a daughter in order to protect her realm.

But while the West despises all kinds of dragons, the nations to the East revere them—especially the water-dragons they believe to have been the true reason for the Nameless One’s downfall. As such, they are worshipped as gods, and some individuals even dedicate their entire lives training for the honor of one day getting to ride one. Tané is one of these dragonrider hopefuls, whom we get to meet at the beginning of this novel when she chances upon a Western interloper and fails to report him to the authorities, fearing that it would jeopardize her ambitions.

And finally in the South, an entirely different kind of belief system has sprung up around the dragons. Like the West, they have no love for the creatures, but they also don’t believe that it is the line of Berethnet responsible for holding the Nameless One at bay. Still, a Southern order of female mages, called the Priory, has dispatched one of their own to the court of Sabran Berethnet in order to keep an eye on things—just in case. This secret agent of the Priory is Ead Duryan, who has been able to stay closely by the queen’s side all this time by masquerading as one of her ladies-in-waiting. In her undercover role, she has discovered that Sabran is being targeted for assassination. Using her brand of forbidden magic to cast protections around the queen, Ead is determined to ferret out the conspirators before they can put an end to the Berethnet line and possibly bring about the end of the world.

Clearly inspired by the epic fantasy traditions established by authors like George R. R. Martin or Robin Hobb, Samantha Shannon tries her hand at a sprawling, world-spanning saga of myth, dragons, and political intrigue. Rich, riveting world-building compels the reader to stick around and explore further from the very first page. I also liked how this novel incorporated a few touches of real-world elements, drawing heavily from European history and theology for the belief system of Virtudom, for example, or the fact that Eastern attitudes towards water-dragons are a reflection of the way Asian cultures revered the mythological beasts, which they also believed were celestial in nature. This blend of the new and familiar, as well as the author’s grasp of the need of balance between the two, was impressive and masterful.

That said, it would be disingenuous to pretend every single page of this massive tome held my attention. With so much world-building and character development to establish, this story takes a long time to find its legs. Even then, it stumbles around awkwardly for some time, jerking the reader’s attention this way and that as this cumbersome multi-thread narrative struggles to get to where it needs to be. What finally sealed the deal for me was the focus on Sabran around a third of the way through the novel, because I thought she was the most interesting character. However, this meant that every time we shifted away from her, it would be uncertain once more whether the other POVs could hold my interest.

As much as I appreciated this being a standalone, a part of me also wonders if the story could have been better served as a series of two or three books. There’s enough content here for a trilogy, certainly, and multiple books could have helped this saga achieve its full impact, as there were some ideas in here that felt shallow and unrealized. It also might have stabilized the pacing, because the difference between the slow, measured way information was doled out in the first half of the novel versus the rushed pacing in some of the later sections was quite jarring.

Still, the main forces driving The Priory of the Orange Tree are compelling, especially once character motivations are revealed and they become the most important factors fueling the story’s many conflicts. This clashing of beliefs and warring ideologies between East, West, and South eventually comes to a head in a very big way. Just who will win out was a question that kept me glued to the pages and pushing hard towards the end, even through some of the more tedious, meandering sections.

All in all, The Priory of the Orange Tree is not a perfect novel, but quite honestly, I did not expect it to be. Although Samantha Shannon already has a few books under her belt, epic fantasy can be a tricky genre riddled with traps and pitfalls for even the most experienced authors. In spite of this, and even given the novel’s flaws, I think she did a marvelous job pulling it all together.

Audiobook Comments: I’ve never listened to an audiobook narrated by Liyah Summers, and a quick check on Audible shows The Priory of the Orange Tree is her only credit, as of this writing. I really hope she’ll be scoring more narrating gigs after this, because her performance was excellent. Even with such a long novel, Summers was able to keep her voices and accents consistent, and she brought the story much power and presence with her reading.

Waiting on Wednesday 03/27/19

Waiting On Wednesday” is a weekly meme that first originated at Breaking the Spine but has since linked up with “Can’t Wait Wednesday” at Wishful Endings now that the original creator is unable to host it anymore. Either way, this fun feature is a chance to showcase the upcoming releases that we can’t wait to get our hands on!

Mogsy’s Pick

The Bone Ships by RJ Barker(September 24, 2019 by Orbit)

Holy crap, a new book by RJ Barker! His Wounded Kingdom trilogy has become one of my favorite fantasy series of all time, and ever since I finished it I’ve been waiting in anticipation to see what he will write next. Looks like his next series will be called The Tide Child, and the first book follows a group of condemned criminals as they go on a dragon hunt on the high seas.

A crew of condemned criminals embark on a suicide mission to hunt the first sea dragon seen in centuries in the first book of this adventure fantasy trilogy. 

Violent raids plague the divided isles of the Scattered Archipelago. Fleets constantly battle for dominance and glory, and no commander stands higher among them than “Lucky” Meas Gilbryn.

But betrayed and condemned to command a ship of criminals, Meas is forced on suicide mission to hunt the first living sea-dragon in generations. Everyone wants it, but Meas Gilbryn has her own ideas about the great beast. In the Scattered Archipelago, a dragon’s life, like all lives, is bound in blood, death and treachery.”