YA Weekend: Angel Mage by Garth Nix
Posted on October 20, 2019 23 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3.5 of 5 stars
Genre: Young Adult, Fantasy
Series: Stand Alone
Publisher: Katherine Tegen Books (October 1, 2019)
Length: 560 pages
Author Information: Website | Twitter
Since this was my first time reading Garth Nix, I really had no idea what to expect. With the exception of his Old Kingdom series, his books have always given me the impression of being skewed towards younger, Middle Grade readers, which was why I was surprised at the maturity and richness of Angel Mage. I’m not just talking thematically, or the world-building either; even the writing style was very lush and complex, closely resembling the tone of literary classics.
And no wonder. For this novel, Nix was clearly inspired by Alexandre Dumas’ The Three Musketeers. However, the incredible world in which the story takes place feels highly original and unique, filled with a vast trove of magical lore to die for. After more than a hundred years of dormancy, an angelic mage named Liliath emerges from her resting place with the goal of being reunited with her archangel lover once again. In her day, she was a powerful icon maker, and was responsible for the Ash Blood plague which wiped out most of Ystara and transformed many of its victims into horrific monsters called beastlings. The cursed survivors were led to the neighboring capital of Sarance by Liliath where they thrived, but now their descendants are called the Refusers, unable to be touched by magic and shunned by the angels.
As Liliath builds support among the downtrodden Refusers, she also casts her influence outward to four angel-touched young people, all newly arrived in the city: Agnez is a skilled swordswoman and a cadet in the Queen’s Musketeers; Simeon is a promising doctor recently cast out by his institute; Henri is a Cardinal’s clerk who fell into the role by a stroke of fortune; and finally, Dorotea is a scholar and an icon maker of extraordinary talent. The four of them are the key to getting Liliath what she wants, even though they are unaware of their roles in her grand scheme. But as all of them become fast friends, drawn to each other by the hidden threads of fate, eventually they realize Liliath must be stopped and only they can prevent the chaos and destruction which would result from the angel mage’s obsessive quest.
In this fantasy world based on angelic magic and iconography, there’s a lot of background information and detail to get across, making this a very tricky and dense book. I’m not surprised to hear Nix is known for being a master at world building, as evidenced by the amount of thought and effort which must have gone into creating the setting for Angel Mage. In fact, he might have even gotten carried away with it—forgetting that while a complex and rich world is all fine and good, the story needs to be interesting too—because there were sections where I found my attention flagging as I struggled with the information deluge. I hate to say it, but I had to push myself through most of the first hundred pages, because the bulk of it was so tedious.
Thankfully, things improved as our four protagonists were introduced, as the writing style loosened up with their interactions and dialogue, making the story immensely more readable. Although I really enjoyed the idea of icon making and magic from the angels, it was the character development that won me over. Agnez, Henri, Simeon, and Dorotea were all so different, but together their personalities clicked perfectly, and it was convincing and realistic how quickly they became friends. I loved Simeon, a gentle giant who is passionate about healing, as well as flighty Henri who has big dreams but little know-how on how to reach them. And yet, the women were the ones who really stole the show here, with the assertive and hotheaded Agnez offering a counterpoint to the quiet and even-tempered Dorotea. Even Liliath was a powerhouse villainess—ruthless, determined, and uncompromising in her desire to be with her love again. She’s the most frightening sort of antagonist, and while I did not enjoy her POV nearly as much as the other four, it did add a fair amount of excitement and intensity to the overall narrative.
Still, Angel Mage is the kind of book that really demands your full attention, even if it’s not always that successful at keeping it. This can make following the story a little confusing, and there’s also a lot of filler. In general, I think the plot could have used a bit more energy and more even pacing, but that’s really the extent of my complaints.
All in all, I really enjoyed my first book by Garth Nix and would definitely be open to reading more by him in the future. Fans of his will probably eat this one up and fall in love with the characters and this gorgeously crafted world richly threaded with the undertones of a Dumas classic.
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Friday Face-Off: Scream
Posted on October 18, 2019 30 Comments
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“It’s your favorite scary movie, remember? He had on the white mask, he stalked the babysitters.”
~ a cover featuring a SCREAM
Mogsy’s Pick:
A Clockwork Orange by Anthony Burgess
Halloween is almost here! To celebrate, I’ll be featuring the classics on Friday Face-Off for the full month of October. This week, we’ll be shining the spotlight on the controversial dystopian satirical black comedy novel by Anthony Burgess. Here are some of the covers:
From left to right:
W. W. Norton & Company A (1986) – W. W. Norton & Company B (2012) – Penguin Essentials (2011)
Ballantine Books (1971) – Penguin Classics (2010) – Penguin Books (1998)
Spanish Edition (2008) – Polish Edition (2007) – Portuguese Edition (2004)
Turkish Edition (2013) – German Edition (1999) – Hungarin Edition (2016)
Lithuanian Edition (2007) – Swedish Edition (2004) – Indonesian Edition (2017)
Winner:
I deliberately left off any of the movie poster/tie-in covers this week, because clearly there are enough cool artistic covers to enjoy. My favorite this week is probably the Turkish Edition.
But what do you think? Which one is your favorite?
Book Review: Dark Pattern by Andrew Mayne
Posted on October 17, 2019 21 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 4 of 5 stars
Genre: Mystery, Thriller
Series: Book 4 of The Naturalist
Publisher: Thomas & Mercer (October 15th 2019)
Length: 316 pages
Author Information: Website | Twitter
These Naturalist books tend to be “one day reads” for me, and Dark Pattern, which got devoured in two reading sessions over a matter of hours, was definitely no exception. I love this series so much, and I just knew this novel would be another unputdownable mystery, which is why I’m glad I had the foresight to clear my schedule to devote an entire afternoon to reading, because bloody hell, this one was addictive.
Once again, Dr. Theo Cray is on the case, though he’s had a lot more on his mind since the last time we saw him. If you have not caught up to this point in the series yet, please bear in mind this review may contain some spoilers for the previous books. While each novel features a self-contained story, the events in them do add up to affect the protagonist in a big way, as evidenced at the beginning of Dark Pattern, which sees Theo fretting over his exposure to a dangerous virus at the conclusion of Murder Theory. While his reputation for catching serial killers has all but destroyed his prospects in the educational and research fields, at least he still has his logical mind and moral compass—for the time being, anyway. And he’s going to need all his wits about him if he’s to solve his next big case, brought forth to him by a nursing professional concerned that a corrupt local hospital system may be shielding the activities of a serial killer nurse who is targeting patients.
Following this tip leads Theo to several families who have lost their children to routine hospital care, with the cause of death a mystery. The one common factor is a nurse who has worked with or around the children immediately prior to their deaths, and the pattern is enough to make Theo suspicious and take a closer look. But what he ends up uncovering is so much worse, including corrupt bureaucrats who knew something fishy was going on but refused to do anything, as well as the manipulation of patient statistics to hide the truth.
Gosh, the stuff you read in this book will send chills running down your spine, and what’s even more frightening is how much of the bad conditions are based on truth, if news you see on corruption in healthcare or my own experiences working in hospitals are anything to go by. Dark Pattern is up there as one of the darker novels in the series, both because of story’s themes and what happens to our main character. Being hospitalized is unpleasant enough as it is, but it’s also a place where people should be able to put themselves and their loved ones in the trust of healthcare workers who are supposed to help heal them. The plot’s premise of a serial killer stalking along the antiseptic halls looking for his prey among the ill, the old, and little helpless children made my skin crawl.
And then of course, we come to Theo. He’s been slowly losing it for a while now, pushing his luck (and limits) when it comes to how far he’s willing to go to solve a case. He continues this trend in Dark Pattern, but now his methods and actions have become even bolder and more extreme. While his heart is still in the right place, you can really tell Theo is well on his way down a slippery slope. While this concerns him, the irony is that he’s probably worried for all the wrong reasons, and without revealing too much about the ending, I have to say his lack of perspective and eventual loss of grip on the situation really surprised me.
Which brings me to the elephant in the room. Let’s just say I loved this book for the most part, and was all prepared to throw it a five star rating until the last few chapters happened. Again, without spoiling anything, I’ll just say that this section didn’t quite jive with everything that came before. The conclusion itself was rather underwhelming, and it also almost felt as if the author suddenly ran up against a hard deadline and had to rush through the rest of the book. I can’t deny this was a bit disappointing, though to tell the truth, this bizarre shift made me feel more confused than anything. This is because in a way, the end of Dark Pattern felt like a sort of “soft reset” for Dr. Theo Cray. It pretty much places the series at a place where the story and character can go in any number of new directions, so I suppose just about anything can happen now.
It gives me great hope for a fifth installment. While Dark Pattern didn’t exactly wow me with its ending, the rest of the book and its mystery plot was solid. I look forward to seeing where The Naturalist series will go next.
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More on The BiblioSanctum:
Review of The Naturalist (Book 1)
Review of Looking Glass (Book 2)
Review of Murder Theory (Book 3)
Waiting on Wednesday 10/16/19
Posted on October 16, 2019 19 Comments
“Waiting On Wednesday” is a weekly meme that first originated at Breaking the Spine but has since linked up with “Can’t Wait Wednesday” at Wishful Endings now that the original creator is unable to host it anymore. Either way, this fun feature is a chance to showcase the upcoming releases that we can’t wait to get our hands on!
Mogsy’s Pick
The Last Human by Zack Jordan (March 24, 2020 by Del Rey)
As you know, I’m always on the lookout for my next favorite oddball sci-fi, and this one caught my eye earlier in the week.
“The last human in the universe is on the run from a godlike intelligence in this rip-roaring debut space opera.
Sarya is the civilized galaxy’s worst nightmare: a Human.
Most days, Sarya doesn’t feel like the most terrifying creature in the galaxy.
Most days, she’s got other things on her mind. Like hiding her identity among the hundreds of alien species roaming the corridors of Watertower Station. Or making sure her adoptive mother doesn’t casually eviscerate one of their neighbors. Again.
And most days, she can almost accept that she’ll never know the truth–that she’ll never know why humanity was deemed too dangerous to exist. Or whether she really is–impossibly–the lone survivor of a species destroyed a millennium ago.
That is, until an encounter with a bounty hunter and a miles-long kinetic projectile leaves her life and her perspective shattered.
Thrown into the universe at the helm of a stolen ship–with the dubious assistance of a rebellious spacesuit, an android death enthusiast on his sixtieth lifetime, and a ball of fluff with an IQ in the thousands–Sarya begins to uncover an impossible truth.
What if humanity’s death and her own existence are simply two moves in a demented cosmic game, one played out by vast alien intellects? Stranger still, what if these mad gods are offering Sarya a seat at their table–and a second chance for humanity?
The Last Human is a sneakily brilliant, gleefully oddball space-opera debut–a masterful play on perspective, intelligence, and free will, wrapped in a rollicking journey through a strange and crowded galaxy.”
Book Review: The Twisted Ones by T. Kingfisher
Posted on October 15, 2019 34 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Twisted Ones by T. Kingfisher
Mogsy’s Rating: 4.5 of 5 stars
Genre: Horror
Series: Stand Alone
Publisher: Saga Press (October 1, 2019)
Length: 400 pages
Author Information: Website | Twitter
The Twisted Ones was a fun novel featuring the perfect blend of humor and horror, with the first element provided mainly in the form of the main character’s incredibly infectious voice, while the second came via the setting’s creeptastic atmosphere. You’ve got an old house in the middle of the woods, filled with decaying trash and other ghastly things like scary baby dolls. Meanwhile, the locals also know better than to go wandering among the trees, for it is said the laws of reality work differently here, and unwary travelers might suddenly find themselves stumbling through a veil into another world. Not to mention, the woods is home to monsters—strange, grisly creatures made from dead bodies and grinning skulls.
But of course, being a newcomer, Mouse was unaware that any of this awaited her as she rolled up to her late grandmother’s house, at the behest of her father who wanted to see if anything could be salvaged from the property. One look, however, was enough to tell Mouse the answer. Dear old granny was a mean, miserable bitch in life (no, seriously, she was a real piece of work), and in her last days, seemed to have become quite the recluse and hoarder as well. The place is filled from top to bottom with useless junk, but being the dutiful daughter, Mouse decides to stick around and help clean it out. Together with her loyal coonhound Bongo, the two get ready to settle in for the long haul.
But soon, during her walks in the woods with Bongo, Mouse starts coming across impossible things, like a grassy hill where none was supposed to be, or odd stones carved with unnerving pictures and symbols. And then came the most frightening discovery of all—a gruesome effigy made of animal bone and body parts, hanging from a tree. Mouse knows she shouldn’t let her imagination get away from her, and yet she can’t help but feel the thing might have been alive—watching and waiting. Worse, among her grandmother’s cluttered belongings, Mouse finds an old journal that belonged to her step-grandfather. To anyone else, the old man’s writings would have sounded like the nonsensical ravings of a disturbed mind, but after seeing what she did in the woods, Mouse has reason to believe her step-grandfather must have been terrorized by the same horrors plaguing her now.
Be sure not to let the cheery, affable nature and tone of the narrator fool you into thinking this is a light and airy novel, because this one was downright CREEPY. In particular, there was a scene around halfway through that made me regret my decision to read this book after dark, as I ended up having a bit of trouble falling asleep that night, my attention drawn constantly to the window to make sure nothing was peering inside. Anyone who’s read The Twisted Ones will probably know exactly which scene I’m talking about.
But let’s back up and talk about how this book captured my attention and love immediately, starting with the first page when readers were introduced to Mouse, a middle-aged editor who just got out of a bad relationship and is in desperate need of a distraction. Right away, you knew this was a strong and independent lady who knew how to take care of herself, and who wouldn’t let a setback stop her for long. In the end though, what I adored most about Mouse, and what made her so relatable, was her easygoing and funny personality, and I lost track of the number of times where she said something that made me burst out laughing.
To be sure, finding this balance between fright and fun was the best surprise, and what I loved most about The Twisted Ones. And I guess seeing such a strong, vivacious and easygoing character like Mouse go to pieces with terror at the things she sees in the woods also somehow emphasized the novel’s horror for me.
Other aspects I enjoyed include the side characters, like Foxy and Tomas, and of course, who can forget sweet, goofy Bongo, who brought so much bounce and joy and to this story—to the point where I would insist horror fans who are also dog lovers must read this book. In terms of criticisms, I honestly can’t think of much, though I suppose if push comes to shove, I would say the ending might have been a tad on the weaker side due to some disjointedness.
Still, as you can probably tell, I had a great time with The Twisted Ones. This was my first experience with Ursula Vernon, who is writing here as T. Kingfisher, but it certainly wouldn’t be my last! Overall, I loved the mix of creepiness and humor, and after a string of horror books that failed to leave much of an impression this October, I’m also relieved and happy to finally read one that didn’t disappoint! Highly recommended if you’re looking for a spine-chilling read this season that’s also tremendously entertaining.
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YA Weekend Audio: The Tenth Girl by Sara Faring
Posted on October 13, 2019 16 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating (Overall): 2 of 5 stars
Genre: Horror, Young Adult
Series: Stand Alone
Publisher: Macmillan Audio (September 24, 2019)
Length: 15 hrs and 35 mins
Author Information: Website | Twitter
Narrator: Frankie Corzo, Mark Sanderlin
I guess I’m just not having the best luck with my horror reads lately. The Tenth Girl was the latest to disappoint, and this one stings especially, considering how it started off leading me to believe I was going to fall in love with this book. Somewhere along the way though, everything started unraveling.
Labeled a gothic psychological thriller, The Tenth Girl follows 18-year-old protagonist Mavi who arrives at Carmela De Vaccaro’s elite finishing school for girls, to which she had given false information in order to gain a teaching job. Said to be cursed, the isolated boarding academy sits in an icy region of Patagonia which has seen much political unrest, resulting in the ousting of its local peoples. It is the 1970s, and Mavi herself has come to this remote part of the continent from her home of Buenos Aires following the death of her activist mother at the hands of the military regime, hoping to find some refuge in the mountains.
What she did not expect to find, however, was even more trouble. At the school, Mavi is introduced to its nine students, though if the whispers are true, there is a tenth girl who is missing, but everyone is tightlipped about that. Things are certainly creepy enough at Vaccaro’s without the disturbing rumors flying about, with its foreboding headmistress and dire warnings not to go wandering on the grounds at night. Whispers of phantoms and ghostly possession also plague the school halls, which have seen their fair share of tragedy and devastation. As Mavi learns more about the dreadful history of the academy, she also finds out about the mysterious Others through one of their members, a spirit boy named Angel.
One incredibly jarring thing about The Tenth Girl is its structure. The narration flips between perspectives, mainly those of Mavi and Angel, and the novel also appears to be told via more than one timeline, though seeing how that is one element of the ultimate surprise, I’m not going into too much detail about that. I think my biggest issue with this book is the ending. On the one hand, it had a great twist, one that should have been right up my alley due to certain elements I am unable to reveal. Unfortunately, though, I was not a fan of the way it was handled. Since I can’t really talk about it due to spoilers, I’ll say this: it felt like a copout, and I didn’t like the sudden shift in how it made readers view the world. All that delicious gothic atmosphere that I was enjoying? Completely destroyed.
The ending was also implemented in a way that felt out of place and broke any kind of connection I was having with the story up to that point, making me look back at the first three-quarters of the book with mistrust and more than a few eyerolls. Here’s the thing: twists that make me feel shocked and blindsided are fine, but twists that make me feel cheated and robbed are not. I bring this up because I suspect readers will fall into one of these two mindsets once they reach the end, and that will ultimately determine how you feel about this book.
And really, it’s just such a shame when looking back, because the author clearly has a good grasp of the gothic horror tradition, as evidenced by how well she created the perfect mood for her haunted school story. While billed as a thriller, the novel’s pacing is more of a slow-burn—which was exactly what the plot required. The characters were also intriguing, and I immediately took to Mavi and the heartbreaking history of her family, while the personalities and behaviors of the students, staff, and Others at the Vaccaro school added extra layers to the mysterious sense of the place. All this and more contributed to the fantastic historical setting, and if anything, that was what made the eventual bait-and-switch feel even more frustrating, adding to my regret.
Still, kudos to Sara Faring for taking such a bold risk here, with one of the most extreme and daring twists I’ve seen in a while. I certainly don’t resent the twist itself, and might have even enjoyed it had it been handled better, but I think that would have required a very different book. Ultimately, The Tenth Girl didn’t work too well for me, but I believe others might do better with it. So if you’re willing to take the chance, it could be worth a look.
Audiobook Comments: Of the two narrators for The Tenth Girl audiobook, Frankie Corzo probably did the better job reading as Mavi, while Mark Sanderlin voice sounds way too young for someone like Angel, hence his chapters were somewhat distracting and not as good.
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Novella Review: The Monster of Elendhaven by Jennifer Giesbrecht
Posted on October 12, 2019 21 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Monster of Elendhaven by Jennifer Giesbrecht
Mogsy’s Rating: 2 of 5 stars
Genre: Fantasy, Horror
Series: Stand Alone
Publisher: Tor.com (September 24, 2019)
Length: 160 pages
Author Information: Website | Twitter
This is probably going to be one of my shorter reviews, because as much as I wanted to love The Monster of Elendhaven, unfortunately that just didn’t happen. That said, neither did I dislike it. Once more, as it so often tends to happen with me and novellas, I’m left with a sense of coldness and indecision when it comes to my feelings on this book.
Things started well enough. In the beginning, readers are introduced to the grimy city of Elendhaven, a foul setting of darkness and evil founded upon a bloody battlefield corrupted by magic and violence. In other words, the perfect place for a monster to make its home.
That monster’s name is Johann. He can’t remember where he came from, but he knows he’s unnatural. Natural men can be hurt and die, but he can’t. He also discovers he has a talent and taste for killing. And thanks to his immortality, nothing can stop him as he stalks the streets of Elendhaven, preying on his victims and growing in power.
But then he meets Florian Leickenbloom. Florian is a sorcerer, and Johann realizes that by working. together they can unleash even more chaos and devastation upon the unsuspecting masses of the city.
Any way you look at it, The Monster of Elendhaven is one dark and gloomy book. And I think for me, that was part of the problem. Don’t get me wrong; I certainly don’t mind at all when my stories are grim and dreary, but still, I need to know why I care. The issue with Elendhaven is that author Jennifer Giesbrecht has so successfully painted such a wretched and irredeemable place, that I really couldn’t have given two hoots if the surrounding seas had opened up and swallowed the city and everything within it whole.
Then there were the characters. Neither Johann or Florian had any personality to speak of, and I believe when your book stars such despicable protagonists, they’d damned well better have a spark of charisma, however small, for me to connect with them. Unfortunately, while each had their own unique quirks and fascinating modes of speech and behavior, that simply made them eccentric, not real.
To be fair though, Florian had a compelling backstory, which proved to be one of the stronger aspects of this tale. The other interesting element was the romance, if you can even call it that. I love unconventional takes on relationships, and this one was most definitely on the strange and twisted side. That said—and I think this becoming a common refrain—when it comes to romance, I prefer that it not become the dominating factor of a non-romance genre book, and I felt that in some respects it received too much focus here, to the point of distraction.
And speaking of common refrains, here’s another one: I wish this novella had been just a tad longer. I think it would have addressed many of the issues, including building the setting and the characters up to be more sympathetic and interesting. On the whole, I also think the author made a few faulty judgment calls, being too concerned with being edgy when her focus should have bene on developing more pertinent aspects of the story.
In sum, The Monster of Elendhaven will probably work well for many, but it didn’t for me. I did enjoy the concept of the novella, but sadly I just wasn’t a fan of the execution, and all in all, the story and characters lacked the hook I look for in a book.
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Friday Face-Off: Inn
Posted on October 11, 2019 30 Comments
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“And, though there should be a world of difference between the smile of a man and the bared fangs of a wolf, with Joss Merlyn they were one and the same.”
~ a cover featuring an INN
Mogsy’s Pick:
The Shining by Stephen King
Halloween is almost here! To celebrate, I’ll be featuring the classics on Friday Face-Off for the full month of October. This week, we shine the spotlight one of the most infamous haunted hotels to have graced the horror genre and the big screen. Here’s a selection of some of the more interesting covers, many of which I chose because they featured interiors and exterior scenes of the Overlook:
From left to right:
New English Library (1980) – Random House Mondadori (2001) – Hodder & Stoughton (2011)
Anchor (2008) – Cemetery Dance Publications (2017) – Subterranean Press (2013)
Hodder (2007) – Portuguese Edition (2009) – Hungarian Edition (2018)
Romanian Edition (2019) – Russian Edition A (2012) – German Edition (1985)
Swedish Edition (2014) – Chinese Edition (2012) – French Edition (2000)
Thai Edition (2015) – Danish Edition (2006) – Dutch Edition (2012)
Winner:
I have a clear favorite this week: I just love the Swedish edition! Not only is it visually arresting, it calls to mind one of the scenes from The Shining movie.
But what do you think? Which one is your favorite?


















































































