Waiting on Wednesday 07/01/20
Posted on July 1, 2020 22 Comments
Waiting On Wednesday” is a weekly meme that first originated at Breaking the Spine but has since linked up with “Can’t Wait Wednesday” at Wishful Endings now that the original creator is unable to host it anymore. Either way, this fun feature is a chance to showcase the upcoming releases that we can’t wait to get our hands on!
Mogsy’s Pick
The Mask of Mirrors by M.A. Carrick (January 19, 2021 by Orbit)
Putting together my most-anticipated list the other day and going through my past Waiting on Wednesdays, I realized I hadn’t featured this one yet, which would have been a huge omission as it’s one of the books I’m most excited to check out in early 2021. It sounds intriguing, and the cover is gorgeous.
“Darkly magical and intricately imagined, The Mask of Mirrors is the unmissable start to the Rook & Rose trilogy, a rich and dazzling fantasy adventure in which a con artist, a vigilante, and a crime lord must unite to save their city.
Nightmares are creeping through the city of dreams…
Renata Viraudax is a con artist who has come to the sparkling city of Nadezra — the city of dreams — with one goal: to trick her way into a noble house and secure her fortune and her sister’s future.
But as she’s drawn into the elite world of House Traementis, she realizes her masquerade is just one of many surrounding her. And as corrupt magic begins to weave its way through Nadezra, the poisonous feuds of its aristocrats and the shadowy dangers of its impoverished underbelly become tangled — with Ren at their heart.”
Most Anticipated Releases of 2020: July to September
Posted on June 30, 2020 42 Comments
As June comes to a close, it’s time to look ahead to the Science Fiction and Fantasy reads I’m most excited about in the months of July to September. Not only do I enjoy making these lists, they also help me organize my reading by focusing my attention to the highly anticipated releases that I’d like to check out. This year, the pandemic has really done a number on book release dates, so hopefully most of these are accurate!
As always, I’m under no illusions that I’ll be able to read everything here all, but I will try – and hopefully I still got to put some new books on people’s radars.
So what are your most anticipated releases for the third quarter of 2020? Do you have any of these books on your list? What’s missing that I should be checking out?
July
July 7 – The Shadows by Alex North, The Damned by Renée Ahdieh, The Bright Lands by John Fram, Survivor Song by Paul Tremblay, Every Sky A Grave by Jay Posey, Burn Our Bodies Down by Rory Power, Unravel The Dusk by Elizabeth Lim
July 14 – The Only Good Indians by Stephen Graham Jones, Peace Talks by Jim Butcher
July 21 – The Sin in the Steel by Ryan Van Loan, Ashes of the Sun by Django Wexler, Malorie by Josh Malerman, The Year of the Witching by Alexis Henderson, He Started It by Samantha Downing, Savage Legion by Matt Wallace
July 28 – Afterland by Lauren Beukes, Automatic Reload by Ferrett Steinmetz, Deal With the Devil by Kit Rocha, The End of Her by Shari Lapena
August
August 4 – A Chorus of Fire by Brian D. Anderson, Harrow The Ninth by Tamsyn Muir, The Night Swim by Megan Goldin, The First Sister by Linden A. Lewis, The Living Dead by George A. Romero & Daniel Kraus, Seven Devils by Laura Lam & Elizabeth May
August 11 – It Will Just Be Us by Jo Kaplan, The Last Uncharted Sky by Curtis Craddock
August 14 – Driftwood by Marie Brennan
August 18 – Vicious Spirits by Kat Cho
August 25 – Clown in a Cornfield by Adam Cesare, Architects of Memory by Karen Osborne, The Woods by Vanessa Savage, Final Cut by S.J. Watson
September
September 1 – Fable by Adrienne Young, A Dance With Fate by Juliet Marillier, Star Wars: Thrawn Ascendancy: Chaos Rising by Timothy Zahn, The Residence by Andrew Pyper, Night of the Mannequins by Stephen Graham Jones
September 8 – The Ghost Tree by Christina Henry, The Bone Shard Daughter by Andrea Stewart
September 15 – The Trouble With Peace by Joe Abercrombie, They Threw Us Away by Daniel Kraus, To Sleep in A Sea of Stars by Christopher Paolini, The Trials of Koli by M.R. Carey
September 22 – The Doors of Eden by Adrian Tchaikovsky
September 29 – Battle Ground by Jim Butcher, The Nesting by C.J. Cooke, The Cabin on Souder Hill by Lonnie Busch, A Deadly Education by Naomi Novik
Audiobook Challenge 2020: 2nd Quarter Update
Posted on June 29, 2020 19 Comments
It’s that time again! Summer is in full swing, and that means as the 2nd quarter of the 2020 Audiobook Challenge comes to a close, we’re ready for another update on my progress in the year thus far along with a rundown of the list of audiobooks I’ve completed in the last three months. But first, here’s a quick refresher on what the challenge is all about:
Challenge Details
- Runs January 1, 2020 – December 31, 2020. You can join at anytime.
- The goal is to find a new love for audios or to outdo yourself by listening to more audios in 2020 than you did in 2019.
- Books must be in audio format (CD, MP3, etc.)
- ANY genres count.
- Re-reads and crossovers from other reading challenges are allowed.
- You do not have to be a book blogger to participate; you can track your progress on Goodreads, Facebook, LibraryThing, etc.
- If you’re a blogger grab the button and do a quick post about the challenge to help spread the word. If you’re not a blogger you can help by posting on Facebook or Tweeting about the challenge.
- Updates plus a giveaway will be posted twice during the year. First update in June 30, 2020 and last update in December 15, 2020.
Levels
- Newbie (I’ll give it a try) 1-5
- Weekend Warrior (I’m getting the hang of this) 5-10
- Stenographer (can listen while multi-tasking) 10-15
- Socially Awkward (Don’t talk to me) 15-20
- Binge Listener (Why read when someone can do it for you) 20-30
- My Precious (I had my earbuds surgically implanted) 30+
- Marathoner (Look Ma No Hands) 50+
- The 100 Club (Audiobook Elite) 100+
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Because of the pandemic shutdown, my reading shifted heavily towards the digital so I ended the second quarter with 20 audiobooks under my belt, making that a combined total of 37 so far for the year. At this rate, I’m definitely going to crush the Marathoner level, but will still be well short of The 100 Club. However, my personal goal of 75 audiobooks is still possible, and I’m just going to have to keep it up!
Are you doing the Audiobook Challenge this year? If so, how are you doing?
Book Review: Mexican Gothic by Silvia Moreno-Garcia
Posted on June 28, 2020 28 Comments
Mexican Gothic by Silvia Moreno-Garcia
Mogsy’s Rating: 4 of 5 stars
Genre: Horror, Historical Fiction
Series: Stand Alone
Publisher: Del Rey (June 30, 2020)
Length: 352 pages
Author Information: Website | Twitter
The word “Gothic” is like catnip for me these days, I just can’t resist. So is it any wonder that I was all over this new novel by Silvia Moreno-Garcia? I mean, leaving aside the fact I’m also a huge fan of hers. All the books I’ve read by her have been so unique, wonderful and creative, I just couldn’t wait to see what new tale she’ll spin next.
In Mexican Gothic, readers follow young socialite Noemí Taboada as she lives it up in glamorous Mexico City in the 1950s. Everything is turned upside down, however, when our protagonist receives an ominous letter from her cousin Catalina. Recently married, Catalina used to be very close with Noemí until she moved away to live with her husband Virgil at High House, his family mansion. But according to the letter now, Catalina appears to be afflicted with a mysterious illness and her words are filled with worry and fear about living in her new home.
Concerned for her cousin, Noemí agrees to go check up on her and makes the journey to High House. Immediately upon her arrival though, she could sense something very wrong with the place. The mansion is old, dilapidated and unwelcoming. The servants within are listless and withdrawn. Virgil and his family members are cold and stern, obsessed with etiquette and following strict rules. In this stifling environment, Noemí can understand why Catalina would be unhappy, but one look at her cousin and it’s clear that something more happening here. The once vibrant young woman now seems confused, frightened, and not at all like herself. Refusing to believe it’s all due to illness, Noemí decides to do some digging around for herself, uncovering a disturbing history of madness and tragedy behind High House.
Needless to say, there’s a doozy of a mystery behind Mexican Gothic, and it’s one best left for prospective readers to find out for themselves. But just a heads up—this story goes nowhere fast, which is perhaps to be expected with the “Gothic” element in its equation. That being said, it doesn’t necessarily mean the plot itself feels slow, since the author uses that time to gradually and effectively to build up suspense and atmosphere.
Her descriptions of the setting, for example, are incredible. High House is written to feel like a bubble trapped in time, with its crumbling façade and residents restrained by antiquated rules and beliefs. Vivacious, larger-than-life Noemí, who comes from a life of glamor and glitz, feels like a flower transplanted into the wrong pot—which in fact is a metaphor used frequently in the book. Then there are the other people in the house: handsome and charming Virgil, who is clearly hiding something behind that perfect smile; his stony cousin Florence who keeps everyone in line; her son Francis, close in age to Noemí but is timid and sheltered to the extreme; and finally, the patriarch of High House himself, Howard Doyle, an aged man practically on his death bed. It’s all enough to give you the heebie-jeebies.
And if the atmosphere alone doesn’t set your heart a-pounding, then the things Noemí experiences certainly will. Whatever’s wrong with High House also plays tricks with the mind, making our protagonist doubt what she sees and hears. The reader is left wondering what’s real and what’s not, and that’s a mind trip that will surely make your skin crawl.
If you like rooting for a strong and capable heroine though, a clever protagonist who refuses to back down from adversity, then you’ll really enjoy this book. Without Noemí, this novel might have become too dreary and uncomfortable, but her personality is the spark this story needed to keep things sharp and entertaining.
Overall, I really enjoyed Mexican Gothic, and a job well done to Silvia Moreno-Garcia for writing another winner! She’s constantly amazing me with her talent and versatility, the way she seems to excel at whatever genre or style of story she’s telling. So whatever she writes next, you can count on me being there.
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Friday Face-Off: Window
Posted on June 26, 2020 21 Comments
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“Windows to the soul?”
~ a cover featuring a WINDOW
Mogsy’s Pick:
The Night Before by Wendy Walker
If you’re nervous about online dating, The Night Before is definitely not the book to read. Pretty much every nightmare scenario you can think of is covered in this suspenseful thriller that will leave you guessing at every turn. If only more covers for the book reflect this nerve-wracking energy, but then maybe they just don’t want to give anything away…
From left to right:
St. Martin’s Press (2019) – Orion (2019)
Italian Edition (2020) – German Edition (2020)
Winner:
My pick this week is the Italian edition “Window” cover because…well, look how creepy it is! Seriously!
But what do you think? Which one is your favorite?
Audiobook Review: Devolution by Max Brooks
Posted on June 23, 2020 25 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating (Overall): 3 of 5 stars
Genre: Horror
Series: Stand Alone
Publisher: Random House Audio (June 30, 2020)
Length: 9 hrs and 50 mins
Author Information: Website | Twitter
Narrators: Judy Greer, Max Brooks, Jeff Daniels, Nathan Fillion, Mira Furlan, Terry Gross, Kimberly Guerrero, Kate Mulgrew, Kai Ryssdal, Steven Weber
Max Brooks, the creative mind behind World War Z, returns to horror with another epistolary-style novel, this time taking us deep into the forests of the pacific northwest where an unfortunate group of neighbors have a deadly encounter with Bigfoot. The story is presented to us in the form of a series of documents collected by a journalist writing a book on the incident, but most of it is made up of entries from the diary of Kate Holland, the closest thing we have to a main character. She and her husband Dan have just moved into the secluded community of Greenloop near the base of Mount Rainier in Washington, a small little piece of paradise developed by tech tycoon Tony Durant who also lives there with his family. The other residents are also as you would expect—wealthy loners or progressive intellectuals who want to live off-the-grid and be “one with nature,” but also can’t do without their modern comforts and high-tech gadgets.
Sure, it’s an isolated life, but there’s no denying it’s peaceful, comfortable, and above all, idyllic. It’s the perfect retreat from the hustle and bustle of the outside world, and for a while, Kate truly believed she and Dan could be happy here. But of course, that was before the catastrophic eruption of Mount Rainier, causing chaos in the entire region and cutting off all access and lines of communication to Greenloop. With no way to get the word out or any supplies in, the residents hunker down for what they expect to be a long time before any rescue comes. With a new vegetable garden planted and a rationing system in place, they might just make it…until they realize that all along, they have been sharing these forests with another predator. These creatures have also been displaced by the volcanic eruption, and they too have been driven to desperate measures to survive.
So, first let’s talk about the positives. Much like World War Z, Devolution is a fictionalized oral-history-or-firsthand-account-type piece of investigative work that seeks to piece together a momentous event in the past. Possibly, Brooks was hoping to catch lightning in a bottle twice by attempting a similar style and format for this novel, which is good news if that’s what you had in mind. Personally, I loved it—the novelty clearly hasn’t worn off for me yet, but then again, I’ve always been a sucker for epistolary novels despite some of their limitations, which I’ll talk about in a bit.
Because now, for the not-so-great, which is really a compounding of a bunch of minor gripes that made Devolution less than convincing. Yeah, yeah, I know, writing a believable Bigfoot story would be a tall order (har har) even under the best of circumstances, but there was simply too much here that felt…off. First of all, to create the perfect storm of conditions which would allow this book to make sense, we had to put together an extreme situation where a group of people would be completely cut-off, isolated, and pathetically helpless in the woods should a major disaster strike—and so we have Greenloop, populated by residents that read like they’re torn right out of a straight-to-the-Syfy-channel B-list movie.
Needless to say, it’s difficult to find too many of these characters likeable. Even with Mostar in the picture, I also find it hard to believe that a bunch of bleeding hearts could suddenly make an incredible transformation into Rambo overnight. There’s actually a line in the book where an observer notes the similarities between the Greenloop residents’ defenses and the guerilla warfare tactics used during the Vietnam War, and marvels at the way such ideas can span space and time. Nah, the reality is, one of Kate’s friends probably just saw it in a movie somewhere. It’s this attempt to make everything seem more profound than it is which kind of grated on me, though to its credit, the novel did get one thing right: Mother Nature does not play nice. Still, even then, the author fudges a lot of the details to try and make this point. In college, I had the pleasure of studying primatology in order to complete an anthropology degree, and while much of the science behind great ape biology and social behavior in this book is true including chimpanzee aggression and intelligence in group hunting, when it comes to his Sasquatches, Brooks can’t seem to decide if he wants them to be highly intelligent or mindlessly savage, so he switches between the two willy-nilly in order to suit his needs.
And then there’s the writing. I mentioned the limitations of the format, the biggest one being the challenge of creating a sense of in-the-moment urgency from something that you know was written in the past. As such, Kate’s diary entries do not actually read much like diary entries, no matter how many times she tries to convince us she’s writing like this to preserve a perfect record for posterity. Still, most readers are well aware this is not how average normal people write in their diaries, but we are willing to overlook it anyway for the sake of enjoying a story. However, the problem stems from the sheer number of action scenes in Devolution, which after a while make Kate’s narrative feel awkward. Worse, it even gave some of the more intense, brutally violent and gory sequences the opposite effect, making them feel over-the-top and goofy instead.
There were a few more issues here and there, but I think by now I’ve covered the major ones. This will probably come as no surprise, but I can’t say I thought Devolution was amazing, though I suppose it delivered a fair bit of entertainment. If having that is your goal, then this book will do just fine, but I confess to being somewhat disappointed considering I really enjoyed World War Z and was so looking forward to a new novel by Max Brooks. At least the audiobook, read by a full cast including such big names as Judy Greer, Nathan Fillion, Jeff Daniels, Kate Mulgrew and more was simply a blast, and I’m glad I got to listen to it.
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Audiobook Review: Home Before Dark by Riley Sager
Posted on June 22, 2020 20 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Home Before Dark by Riley Sager
Mogsy’s Rating (Overall): 4 of 5 stars
Genre: Horror
Series: Stand Alone
Publisher: Penguin Audio (June 30, 2020)
Length: 11 hrs and 4 mins
Author Information: Website | Twitter
Narrators: Cady McClain, Jon Lindstrom
I love a good haunted house book, and it’s been a while since I read one. That said, I might have hyped myself up a bit too much for Home Before Dark, because I did not find it as scary as others have said it to be. Still, it did its job and scratched a long-neglected itch.
Told via dual timelines, this novel is the story of the Holt family. Twenty-five years ago, Ewan and his wife Jess and their young daughter Maggie moved into Baneberry Hall, an old mansion nestled in the Vermont woods. A struggling writer, Ewan had always dreamed of living in a place like this, though money was always an issue. Baneberry Hall, however, was surprisingly affordable—and of course, there’s a good reason for that. The house has a dark past, filled with memories of grief, pain and death. Yet for Ewan, who possesses a fascination for the extraordinary, the estate’s macabre history simply made it that much more appealing.
But in the end, the Holts barely even made it three weeks in their new home before they fled terrified into the night, vowing never to step foot in the house again. Not long after that, a local reporter catches wind of the bizarre police report filed about the incident, sparking national interest in the Holts’ story, leading Ewan to write a tell-all account of what really happened at Baneberry Hall. The resulting book, called House of Horrors, became an instant hit, placing the family in the world’s spotlight.
For Maggie, who was only a little girl when it all happened, there was never a time she could remember not having that damn book define her life. Growing up, it felt like she was either shunned for being a freak or smothered with attention from morbid fans who are hungry for more details. Joke’s on them, though—for Maggie has no recollection of her time at Baneberry Hall. In fact, she thinks her dad made it all up. Why else would he refuse to ever talk about his book with her? And now, having lost his long battle with illness, he will never get the chance. At yet, Maggie’s not about to give up her search for answers, and following the shock and confusion of finding the deed to Baneberry Hall still under her late father’s name, she decides that the only way forward is to return to the place where it all started.
As you’ve probably guessed by this point, one of the timelines—the present one—is told through the now adult Maggie’s eyes, while the other is the book House of Horrors itself, written by Ewan Holt. These two threads are intertwined though alternating chapters, which on its own is already a brilliant concept, but what’s even more impressive is how well it was handled. Although twenty-five years separate the narratives, the transitions between them were executed in a way that allowed them to build upon each other. Needless to say, for the story to flow seamlessly and coherently, the timing had to be dead on, and kudos to the author for nailing it.
That said though, while I think the writing is superb, it did feel like there was something missing. Sager clearly knows horror, as he’s certainly got all his haunted house tropes down, drawing obvious inspiration from The Haunting of Hill House, The Amityville Horror, The Shining, and other genre classics. Still, it’s possible that this overreliance on the familiar drew his attention away from other areas, like atmosphere building. The story’s pacing could have something to do with this; simply put, I loved that we moved through the plot at breakneck speed, but sometimes we moved so fast that there wasn’t even enough time for any atmosphere to build. Plus, there’s only so many times you can reuse the same old tricks before they lose their effect—things like unexplainable bumps in the night, shadows at the corner of your eye, etc. (Although if you have a fear of snakes, be prepared for a pretty rough time overall.)
Of course, your mileage may vary, seeing as I don’t scare easily. But what’s not in doubt is how much fun I had in spite of that. While Home Before Dark might be the first book I’ve ever read by Riley Sager, I promise it won’t be the last. Several of his previous novels were already on my to-read list, and after this I’ll certainly be making it my priority to get to them, and you can also bet I won’t wait to check out whatever he does next.
Audiobook Comments: The Home Before Dark audiobook was narrated by Cady McClain and Jon Lindstrom, who both performed their respective parts really well. I did feel like there were some missed opportunities though, such as sound effects or singing (I guarantee you will never look at The Sound of Music the same way again), which might have helped the audiobook feel even more immersive.
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