Book Review: Hellbound by Tim Hawken

Hellbound by Tim Hawken

Genre: Fantasy, Horror

Series: Book 1 of the Hellbound Trilogy

Publisher: Rethink Press Limited

Date of Publication: November 28, 2010

Author Information: Website | Twitter


Rating: 4 of 5 stars – This novel was an enjoyable blend of horror, theology, and philosophy with a twist of humor that dared to tackle ideas such as the Hell paradox and the idea of destiny existing in a nonlinear fashion.

Hellbound introduces us to Michael, one of Hell’s newest residents. Michael finds himself in the company of Asmodeus (also called Satan) without knowing or understanding how he got there. He doesn’t remember his life. He doesn’t remember his death. Michael’s story isn’t as simple as “Once upon a time, I woke up in Hell because I was very bad.” The readers aren’t treated to book that chronicles Michael’s downfall until he hits the point of irredeemable. Michael’s story begins in Hell.

Asmodeus, who is a glib devil always ready with a retort, ushers Michael around Hell introducing him to what his domain has to offer. This presentation of Satan as a charming deceiver isn’t a new one. He is supposed to be tempting and likable in order for people to trust him and do his bidding. I liked that Hawken explored this wittiness, though. He made Satan likable, even though you know something malicious is lurking there. Satan is equally forthright and vague. Yes, he’ll admit that he’s using Michael to his ends, but Satan twists his stories in his favor and omits what doesn’t suit his current purpose. Sometimes, it feels like it’s not so much of him twisting the truth than this is how he’s interprets the events. That whole two people getting two wildly different meanings from the same event, if you will.

Hawken’s concept of Hell is one that’s explored in universal reconciliation. Universal reconciliation asserts Hell isn’t a place for people to suffer endlessly, that all souls will be reconciled with God. Some souls may have to endure suffering in Hell for their sins for a while, but after the appropriate penance has been paid, they will enter Heaven. However, there is a major difference in Hawken’s version of this reconciliation. While universal reconciliation states that all souls will enter Heaven, in this book, that reconciliation is still a matter of free will.

Hawken’s paints Hell as a place that caters to any sinful desire you might have. There is some unbearable heat outside the buildings and there are a few souls burning in torment, but mostly it seems that vices are readily available for people to enjoy. From casinos to brothels, it’s a veritable playground for adults divvied up in districts according to sins. Why would anyone want to leave such a place? For all its amusements, this Hell is still a savage place where rules don’t apply and there is no real punishment for misdeeds committed against others in Hell. However, all Hell’s residents (unless exempted by Satan) suffer from “The Guilt.”

“The Guilt” is basically visions of things people did in their earthly life. Guilt is felt more acutely in Hell. The weight of it is absolute. It’s painful and heavy to endure. It tears away at the mind, and it happens often. “The Guilt” isn’t meant just to act as punishment, though. There is no rationalizing sin in Hell as often done in life, and this allows the condemned to scrutinize their actions without the pretense. Guilt is a powerful feeling, and one that is often overlooked when discussing powerful emotions. To quote Satan: “Don’t underestimate the power of a guilty mind.” Going back to this “choice” to leave Hell, these visions allow them to evaluate and decide for themselves if they’ll seek absolution or if they’ll continue to endure Hell.

As Asmodeus chauffeurs Michael around, Michael begins to remember important parts of his life through “The Guilt.” He remembers his past and all the ups and downs he faced as an orphan who became a bare-knuckle fighter. Most importantly, though, he remembers his love for his wife, Charlotte, and their horrible deaths. However, while Michael went to Hell, his wife’s soul is stuck in Limbo where it will stay until this wrong is corrected. Yeah, I know it sounds like I just described something that should be in The Crow, but I swear I’m not doing the story justice. This is the moment when Asmodeus strikes and his interest in Michael is revealed as he offers to direct Michael on the path that will correct that. Michael realizes Satan has much to gain from his success, but that’s a trifling matter when compared to what he hopes to achieve for Charlotte.

Honestly, I wasn’t quite sure what to expect when I started reading this book. I wasn’t even sure what to expect for nearly the first half of the book. I was soaking up the details of Hell during that time while being on guard for when Asmodeus would finally reveal what he wants. You don’t get a personal tour of your new home from Satan without there being some catch. Then, I learned how Michael died, which ended the first section of the book called “Damnation” and led into the second section titled “Revelation.” And it was quite the revelation. That was the “There it is!” moment when I knew that the rules of engagement were about to be spelled out, and what a fascinating, thought-provoking journey Michael took from that point.

This book had the power to make me laugh one moment and to be deeply contemplative the next. Michael was an interesting character who you can’t help rooting for in all his flawed glory, and his story–the person he was, the person he was becoming–really struck a chord in me. You could really feel the depth of the various emotions he displayed–the pain, the uncertainty, the anger, all of it. There were some little nitpicky things I had with the book, but they were mostly just some of my weird nitpicks and don’t really warrant spending time complaining about. I was much more fascinated with the theories Hawken set forward than the things I didn’t like.

Overall, this novel was an enjoyable blend of horror, theology, and philosophy with a twist of humor that dared to tackle ideas such as the Hell paradox and the idea of destiny existing in a nonlinear fashion. If you’re not a fan of stories that play with the idea of Divine Providence, stories that turn theological ideas inside out, this is likely not the story for you. Hawken presents some very fresh ideas in this story about God, Satan, and how everything fits together in this grand scheme. It also explored the depth of love and how sometimes you’re willing to do anything for those who matter the most. Look out for my review of book two I Am Satan soon!

4 of 5 stars 
I’d like to thank Tim and his publisher for providing me a copy of this book to review.

Interview with E.L. Tettensor, Author of Darkwalker + Giveaway!

What an exciting start to the week! Today I’m pleased to bring you an interview with E.L. Tettensor, whose new book Darkwalker was released last week. If you haven’t seen my 5 star review of it yet, be sure to check it out. The book is a fantastic mix of mystery and paranormal, and is the promising start to the new Nicolas Lenoir series. I simply loved it, and it was an honor and a pleasure to chat with the author!

Also, be sure to stick around at the end of the interview and enter our Darkwalker giveaway for your chance to win a print copy of this great debut. Good luck, and enjoy the interview!

Let’s get this party started!


Mogsy: Hello E.L., welcome to The BiblioSanctum! And I want to thank you so much for letting me interview you today!

E.L. Tettensor: Thanks for having me!

Mogsy: Before we begin, I think congrats are in order on the release of your novel Darkwalker, which is the first book of a new paranormal series. How would you describe the book to someone new to your work?

E.L. Tettensor: I sort of think of it as Sherlock Holmes meets X-Files, featuring the Crow. Arrogant detective, paranormal investigation, raven-haired spirit bent on revenge. It’s a very dark novel, to the point where I almost picture it all happening in black-and-white, like those movies where the cobblestones are always shining wet and there’s steam rising from the sewers.

Mogsy: That’s actually exactly how I saw the setting. But let’s talk about the main character for a bit. I have to say, Lenoir came off as such a grump and surly guy at the beginning, though I know now that it’s by design. I think I even wrote in my review that reading the first chapter made me want to punch him in the face! Was that the sort of reaction you were going for? What were the challenges to writing a character like him?

E.L. Tettensor: I think it’s a stretch to say that I was going for “punch him in the face”, but I was definitely conscious of the fact that I was writing an antihero, and not a very likable one at that. When we first meet Lenoir, he’s this cynical know-it-all who has really lost his way, personally and professionally, and he lashes out at everyone around him. At its heart, Darkwalker is really about Lenoir’s journey back to the light, but not everyone will want to take that journey. Some readers might not give Lenoir the chance to redeem himself. For those who do, I hope their faith is suitably rewarded. But it’s definitely a risk, especially for a debut novel.

Mogsy: I do tend to react strongly to main characters’ actions and personalities, but Lenoir definitely redeemed himself in my eyes. So what is it about detective stories that draw you in? Obviously, I’m a big fan of all types of speculative fiction but it’s always great when I see mystery thrown into the mix too, which is why I enjoyed this book so much. What were some things that inspired you or made you decide to write a series combining mystery with fantasy & paranormal?

E.L. Tettensor: To be honest, I didn’t consciously set out to write a mystery. The concept for the book started with the Darkwalker himself, with this idea of a vengeful spirit who hunts down those who have sinned against the dead. I toyed with a few different ideas about the types of people who might come into the Darkwalker’s crosshairs, and the notion of a corrupt homicide detective started to take root. Once you’ve decided on a detective for a protagonist, you’re pretty much locked into mystery mode, especially if you’re trying to create something deliciously creepy. As for the fantasy side of things, that was really about giving myself the flexibility to create, to tell the story I wanted to tell without being locked into any particular parameters. I really enjoy historical fantasy, but for this book, I wanted to colour a little farther outside the lines.

Mogsy: Reading Darkwalker also got me really curious: who is your favorite fictional detective, whether from a book, movie, TV show? Inquiring minds want to know!

E.L. Tettensor: You’re going to laugh, but I think the first detective I ever really fell for was Eddie Valiant (from Who Framed Roger Rabbit). Even as a kid, I was drawn to this broken-down, self-loathing character who was just going through the motions, waiting for someone to reignite that inner spark that once made him great. Later, I got into the source material for that – Philip Marlowe and Sam Spade and whatnot. But my heart still belongs to Eddie.

Mogsy: Haha, hey, Eddie has his charms! Anyway, one thing I loved about this book: the Adal. They play such a big role in this novel, and I am amazed at so many of the details – their magic, their history of being persecuted, their way of life, etc. Anyway, you’ve created a very rich history and culture for a society of people here, and I imagine you must have drawn inspiration from the real world when you wrote about them. Can you tell me more about that process of creating the Adali?  

E.L. Tettensor: I definitely drew inspiration from the real world, including my own experiences. Adali culture borrows from a few different sources, but especially from the pastoralist societies of northeast Africa. In these cultures, cattle are the foundation of the economy – of everything, really – and that’s a way of life that has always fascinated me. It’s a fragile system in some ways, and when it bumps up against a fundamentally different way of life, as it does in Darkwalker, that can result in serious friction on both sides. The Adali also share features with cultures found elsewhere on the continent, especially when it comes to magic. People familiar with juju, vodun, or muti will recognize similarities with khekra (Adali magic).

So that’s where the bone structure of Adali culture comes from. Once I’d decided on that, the process of fleshing it out was really about imagining how a pastoralist culture with deep roots in the occult would interact with a European-style society on the cusp of industrialism. How they would adjust and adapt to survive, and the conflict that would create, both between societies, but also within them.

Mogsy: Another thing I loved (okay yeah, there are a lot of things I loved about this book) is the idea of the Darkwalker. It’s probably going to be tough to talk about this vengeful spirit without giving away too many spoilers, but I just have to ask! How did you come up with the concept of something that hunts those who have committed crimes against the dead?

E.L. Tettensor: The Darkwalker is sort of a mélange of two classic elements of paranormal literature: the vengeful ghost and the ancient curse. Like a ghost, he was once mortal, but is now damned to an eternity of restless wandering. And what drives him is not unlike the sort of curse triggered by disturbing a grave, or trespassing on an ancient temple. The Darkwalker is the embodiment of the curse, but instead of protecting a specific object or place, he’s the champion of the dead in general.

I think the most interesting thing about him is that he’s in some ways a tragic character. He’s essentially a slave, with no will of his own – at least none he can exert – condemned to an eternity of servitude as some sort of cosmic hitman. He actually reminds me a little of Sam Beckett in Quantum Leap: ripped from place to place, life to life, compelled by some unseen force. Except instead of righting wrongs, he’s, you know, flaying flesh.

Mogsy: I suppose another thing about Nicolas Lenoir that is by design is the mysterious nature of his past. You don’t go into a lot of detail about his history, though you do drop tidbits of delicious information along the way, leading readers to speculate about the kind of nightmares he must have seen in his past. Is that something you plan to explore further in future books of this series?

E.L. Tettensor: Darkwalker is in a lot of ways a story of redemption, but Lenoir still has a long way to go, and he’s always going to be haunted by his past. We’ll definitely learn more about him as the series progresses, but don’t expect it to happen all at once. Lenoir wants desperately to put the past behind him. The only way he’ll look it in the eye is if he’s forced to. Those moments won’t come along often, but when they do, they’re going to shake him up – and the reader too.

Mogsy: By the way, how do you feel about the cover? Personally, I really like it; well-dressed man with a cane practically screams detective, and the misty cobbled streets definitely set that dark, mysterious tone. It really caught my eye, and I was just wondering what you think about it.

E.L. Tettensor: I love it!

I was initially quite apprehensive about the cover. I’d been warned early on that it was the “least democratic part of the process”, and I tend to be really hard on covers (especially Spec Fic covers). So when I saw the artwork, I was thrilled. It was exactly how I’d imagined it, evoking just the right mood. I’ve had a lot of compliments on the cover – a lot – so I think they did a fantastic job.

Mogsy: So when a new author blows me away with their book, I always want to find out more about them. Who is E.L. Tettensor? What are your hobbies when you’re not writing? And what might be something readers will be surprised to learn about you?

E.L. Tettensor: Hobbies when I’m not writing?

….

I used to have hobbies. Really, I did. Like reading. And playing music, and painting. If I end up writing full-time one day, I’m sure there’ll be a tearful reunion with my guitar. Until then, it’s pretty much writing and work. I’m lucky, though – my day job is interesting and rewarding. I live and work in Africa (Burundi), in the development/humanitarian field, so that really takes up most of my time. Fortunately, it’s also great fodder for storytelling.

Mogsy: That’s pretty incredible, the place you live and the work you do. It’s great you are getting some time in for writing though. Is there anything you can tell us about the next Nicolas Lenoir book at this point? And are there any other projects on your plate currently or in the near future, either writing or non-writing related?

E.L. Tettensor: I’m just wrapping up the sequel to Darkwalker now. It was a lot of fun to write, because the characters are starting to wear in like a good baseball glove, including some minor characters from Darkwalker who take on much more important roles in the sequel. I can’t say much at this stage, except that there’s more of everything: the mystery, the occult, the world-building. That, and Lenoir has found his mojo. Good thing, too – he’s gonna need it.

Mogsy: Ooh, sounds great! Once again, I appreciate you stopping by the blog, I was very excited when I found out I would be getting the opportunity to find out more about you and your book. Thank you so much for taking the time to answer my questions!

E.L. Tettensor: Anytime! It was a pleasure. And if you or your dear readers have any more, you can always drop me a line at http://www.eltettensor.com!

* * *
DARKWALKER GIVEAWAY 

And now for the giveaway! Up for grabs is a print copy of Darkwalker and entering is easy! All you have to do is leave a comment below with which includes a way for me to get in touch with you (email, twitter, etc.) by midnight Eastern time on Monday December 16th. This giveaway is open to residents of US and Canada only. So what are you waiting for? Win a copy of this amazing book! Good luck!

YA Weekend: Days of Blood & Starlight by Laini Taylor

Days of Blood and Starlight by Laini Taylor

Genre: Young Adult Paranormal

Series: Book 2 of Daughter of Smoke & Bone 

Publisher: Little, Brown Books for Young Readers

Date of Publication: November 6, 2012

Author Information: Website | Twitter

Mogsy’s Rating: 3.5 of 5 stars – “Though there is very little of the romance that first drew me in, the story has evolved to something darker and more suspenseful; the writing, as always, is beautiful”

Let’s face it. Forbidden love is just like any other kind of love in young adult fiction. A good thing like that hardly ever lasts, at least not without being dragged through seven layers of confused teenaged angst and subjected to overused plot devices that involve mix-ups and misunderstandings. That said, I still really enjoyed this book. But the delicious passion and romance, which is what I loved so much about Daughter of Smoke and Bone, is lost and gone in this sequel, replaced by so much anger and bitterness.

Karou has finally awoken to her true origins, remembering the Chimaera she used to be. She also remembers the angel she once loved, in the world before the war and bloodshed. His people have decimated hers and killed those she loved, and so now she sets her sights on two goals: rebuilding the Chimaera army as their new ressurectionist, and hating Akiva. Meanwhile, the angel in question is wracked with guilt and heartbreak over what he has done to Madrigal/Karou, miserable that he’d found her only to drive her away again. Yet the war rages on, and Akiva must continue fighting for his own side, though not without uncertainty and a lot of doubt for his leaders and their orders.

The story has evolved to focusing on the fighting, politics and conspiracies between and within both factions. The seductive, magical aspect of this series has shifted to something darker and more violent, though I don’t necessarily see this as a bad thing. But like I said, there is now very little of the delicious romance that first drew me in, though I suppose this was something I’d already expected even as I was zipping to the library to snag the second book as soon as I was finished with the first. I understand you have to ramp up the romantic drama somehow to make things interesting, especially in a trilogy. Sadly, it just didn’t work for me; the relationship between Karou and Akiva was at once reduced to slow, dull, typical.

On the other hand, there’s so much more to this series than just the romance. When I wasn’t so busy being a morose sentimentalist, I actually enjoyed this book quite a lot, especially the chapters leading up to the ending. As irked as I was with the comedy of errors that has become of Karou and Akiva’s love story, the gripping suspense in the conclusion and its promise of an incredible finale in the third book went a long way to make up for my disappointment. I still like the story, and desperately want to know what happens next.

I also don’t want to make it sound like the book is completely devoid of love and lightness. After all, one of my favorite characters is Zuzana, Karou’s best friend, who has found happiness with her boyfriend Mik. Their relationship is like a potent concoction of sweetness and humor injected right into the story — almost like the author realized in advance that she would need to include them somehow to make everything feel less empty and bleak. It worked, for the most part; Zuzana’s chapters carried a big part of this book for me. As I grew less interested in Karou and Akiva, my fondness for other characters increased. Besides Zuzana and Mik, I also very much liked Liraz and Hazael, Akiva’s angel siblings and loyal companions.

And of course, Laini Taylor’s writing is as beautiful as always, bringing her worlds and characters to life. In this area she has not let me down yet. Even though I didn’t like this book as much as the first, there’s still plenty here to gush about, as you can see. Very much looking forward to the third book to see how the war culminates as well as to discover the fates of Akiva and Karou.

3.5 of 5 stars

Book Review: The God Tattoo by Tom Lloyd

Genre: Fantasy, Short Stories
Series: An anthology of Twilight Reign
Publisher: Pyr
Date of Publication: November 5, 2013
Author Information: Website | Twitter
 
Mogsy’s Rating: 4 of 5 stars – “A fantastic collection of dark and magical tales showing the epic scope of the world from Twilight Reign; a good choice for lovers of short stories
I’m not generally in the habit of reading short story collections, though it wouldn’t be accurate to say I’m not a fan of them either. It’s just that given a choice between an anthology or a full-length novel, I would most likely end up picking the latter because they tend to better satisfy my appetite for more in-depth character development and world-building. Not that I don’t think a short story is incapable of achieving this at all, but it does take a talented author to make me connect to their characters and world the same way in so few pages. After reading The God Tattoo though, I’m happy to report that Tom Lloyd is one of them.
Of course, this collection of “untold tales from the Twilight Reign” also has the added benefit of taking place in a fantasy universe already established in a series of five books. According to the introduction, reading the main Twilight Reign series is not a prerequisite before tackling The God Tattoo, which is good because I’m a newcomer to this world myself. I have to say not being familiar with any of the locations or characters (apparently, not many of the major ones appear here anyway) did not hinder my enjoyment one bit; if anything I’m even more impressed with the sheer scope and epic quality of the world of Twilight Reign
As the author himself has written, his series was never intended to be about one person or even a group of people; the history and population of an entire land are affected by the events, and the eleven stories presented here give a pretty good idea of what that means. There’s a nice variety, from tales of mystery like A Beast in Velvet and The Marshall’s Reflection, to some that are disturbingly magical, carrying a hint of that dark fairy tale flavor (examples like The God Tattoo, A Man Collecting Spirits, and Afraid of the Dark come immediately to mind).
This collection does a good job of fleshing out the world, showing how the people are an inextricable part of its history. The way some of these stories are connected merely serves to emphasize this point, featuring characters that shape events outside their own story and vice versa. As such, this anthology seems to flow better than most. Seen in context together, all eleven tales paint a very intriguing picture of Twilight Reign, with what I felt was a strong touch of horror to give the series that haunted, shadowy feel. It definitely sets the kind of tone I like to look for in my dark and epic fantasy.
Bottom line, I think this would be a great choice for avid readers of short stories and anthologies. That doesn’t describe me at all, but even so, I found myself enjoying this book a lot. Though Tom Lloyd did say that this collection is not required reading for fans of the Twilight Reign novels, I can’t think of any reason why any fan wouldn’t want to pick this one up as well; if you’re familiar with the world already, the stories here will probably resonate more. And if you’re a new reader of his work, The God Tattoo might be inspiration to add The Stormcaller to your reading list. I personally added it because I got a taste of the series and Tom Lloyd’s writing from these short stories, found that I liked what I saw, and now I’m interested in the full-length novels.
4 of 5 stars

A review copy of this book was provided to me by the publisher in exchange for an honest review.  

Panels: Saga vol.2

Alana and Marko’s Secret Book Club.

Graphic Novel Review: Batman: Hush/Heart of Hush

Batman: Hush by Jeph Loeb and Jim Lee

Batman: Heart of Hush by Paul Dini and Derek Fridolfs

Wendy’s Rating: 3 of 5 stars

These books are squeaking through a three star review almost entirely because they indulge my OTP of Batman and Catwoman, but only because I have let my imagination take that relationship where my imagination needs to take that relationship. Otherwise, I was very disappointed with that and with the story in general.

Hush introduces a new villain for Batman; someone who knows him extremely well and is able to manipulate his enemies into attacking him where it hurts most. The villain parade seems to be a thing for Jeph Loeb, culminating in a brand new villain that Batman must defeat. Hush is so clumsily and obviously shoehorned into Batman’s life that the outcome became quite obvious early on in Hush. Heart of Hush tries to give the character more depth and reason for his obsessive hatred for Batman as he goes after Batman’s “heart” : Catwoman, but ultimately fails because of the amount of exposition involved.

Like I said, I am a big fan of Catwoman and Batman’s romance, but the introduction of their relationship felt too much like an immature fanservice plot device, shoehorned in just like Hush and Bruce’s new bestfriend, Tommy Elliot.

I admit that I have not read much in the Bat-universe beyond the major story lines like this, so I don’t know how much has been established between the two characters prior to Jeph and Jim shoving them together, but I think they did a poor job of making their relationship clear within the context of Hush alone. For comparison, the nature of the new52 Batman/Catwoman relationship is evident from the start – and no, it’s not that they are merely ****buddies. Perhaps the key factor in the latter is that Catwoman actually gets to have a personality, whereas in Hush, she’s a plot device in a catsuit.

Both Hush stories also did a lot more show than tell, which is pretty disappointing in a comic. And what they showed was so fractured and filled with gratuitous splash pages that it all grew very tedious. I realized that my love affair with Jim Lee was long over. His art has not changed or matured over the years and his characters continue to look the same. Derek Fridolfs’ art was new to me, and I enjoyed it, but I would have preferred if Dustin Nguyen got to do more than just the covers of Heart of Hush.


Book Review: Lost Covenant by Ari Marmell

Lost Covenant by Ari Marmell 

Genre: Young Adult Fantasy

Series: Book 3 of Widdershins Adventures 

Publisher: Pyr

Date of Publication: December 3, 2013

Author Information: Website | Twitter

Mogsy’s Rating: 4 of 5 stars – “A perfect balance of light and dark, Widdershins’ newest adventure takes us to new places and provides a turning point for one of my favorite heroines in YA fiction”

I gotta hand it to Ari Marmell. His Widdershins Adventures books have this way of repeatedly stabbing me in the heart, but all I can say to that is “Please, may I have some more?” Lost Covenant became one of my most anticipated new releases this season, after the events at the end of False Covenant took my emotions on a roller coaster ride and left me wondering in awe about what our protagonist will do next.

It’s clear, though, that Widdershins has made good on her plans to leave Davillon, to the sorrow of all her friends at home. Burdened with grief and guilt, she and her own personal god Olgun have a few things to figure out, seeking a solace that only time and distance can provide. However, while sojourning in Lourveaux, Widdershins inadvertently stumbles upon a plot against the last surviving branch of House Delacroix. Remembering Alexandre Delacroix, the nobleman who took her in and changed her life, Widdershins is determined to help save these distant relatives of the man who was like a father to her.
Widdershins and Olgun discover more about themselves in this book, which marks a turning point for the character and her pocket deity. There is no doubt she is a flawed and damaged protagonist who has chosen to run away from her problems, but that doesn’t change the fact she is a fighter — and a smart, able and competent one at that. Her background and personality is what makes her unique, and she’s probably one of my favorite heroines in young adult fiction right now. 
As usual, this latest installment of the series is a perfect mix of light and dark, balancing out the touching humor with plenty of horrors as well. Widdershins’ internal conversations with Olgun, the god hitching a ride in her head, are as funny and outrageous as always, but this time many of their interactions are also tempered with a more somber mood as the partners-in-crime attempt to move beyond what happened in Davillon. In many ways, the personal turmoil within Widdershins is just as compelling as the main conflict in the plot, which is saying something because the ending to this book is INSANE. The suspense I felt as the characters fought to survive a hostage situation was only intensified by the difficult choices Widdershins had to make.
This book also served as a nice excursion away from Davillon, introducing some new players including fresh foes for Widdershins to fight. In terms of allies, Cyrille Delacroix was a great new addition, and he and our main protagonist made a great team. Still, this also meant I missed a lot of the characters I’d grown to know and love over the course of the series (with the bulk of my pining reserved for Renard Lambert, admittedly) which was my only dismay. We did, however, get a few glimpses through several interlude chapters that all is not well at home, with an enemy targeting those close to Widdershins.
Once again, I now find myself yearning for the next book (like I said, more more MORE please)! Lost Covenant was a satisfying and entertaining adventure, but I’ll be glad to be returning to Davillon as well. Very much looking forward to Widdershins’ homecoming — and the world of pain she’ll be bringing to the enemy threatening her friends.

 4 of 5 stars

A review copy of this book was provided to me by the publisher in exchange for an honest review.

Waiting on Wednesday 12/04/13

“Waiting On Wednesday” is a weekly meme hosted by Breaking the Spine that lets us feature upcoming releases that we can’t wait to get our hands on!

Mogsy’s Pick
Dreams of Gods and Monsters by Laini Taylor: April 8, 2014 (Little, Brown & Company)
I devoured the first two books of the Daughter of Smoke and Bone series in November, so now naturally I am itching to get my hands on book three!

“By way of a staggering deception, Karou has taken control of the chimaera rebellion and is intent on steering its course away from dead-end vengeance. The future rests on her, if there can even be a future for the chimaera in war-ravaged Eretz.

Common enemy, common cause.

When Jael’s brutal seraph army trespasses into the human world, the unthinkable becomes essential, and Karou and Akiva must ally their enemy armies against the threat. It is a twisted version of their long-ago dream, and they begin to hope that it might forge a way forward for their people.

And, perhaps, for themselves. Toward a new way of living, and maybe even love.

But there are bigger threats than Jael in the offing. A vicious queen is hunting Akiva, and, in the skies of Eretz … something is happening. Massive stains are spreading like bruises from horizon to horizon; the great winged stormhunters are gathering as if summoned, ceaselessly circling, and a deep sense of wrong pervades the world.

What power can bruise the sky?

From the streets of Rome to the caves of the Kirin and beyond, humans, chimaera and seraphim will fight, strive, love, and die in an epic theater that transcends good and evil, right and wrong, friend and enemy.

At the very barriers of space and time, what do gods and monsters dream of? And does anything else matter?”

Book Review: The Language of Dying by Sarah Pinborough

The Language of Dying by Sarah Pinborough

Genre: (Fantasy)
Publisher: Jo Fletcher Books
Publication Date: December 5, 2013
Author’s Info: sarahpinborough.com

Wendy’s Rating – 4 of 5 stars:  With thanks to Jo Fletcher Books for the opportunity to read this beautiful, beautiful book in exchange for an honest review.

From the moment this book arrived in my mailbox, I knew I was in for something very special.

There is a tiny thread that binds this book to the fantasy genre, but otherwise, it is firmly ground in the harrowing reality of death, the pain of love and loss, and the struggles of family. It is told in the first person by the middle daughter of a man dying of cancer – and it is told directly to you, the reader, as she speaks to her father. Recollections of events in the past are told in the same present tense as current events, leaving raw, open wounds as her train of thought flows through these traumatic experiences.

This is not a long book, yet it took me a very long time to read it because it is not an easy book. Anyone who has watched a loved one wither away to disease will break to this book, if they are able to read it at all. Anyone who has not had such an experience will come to understand. But death is not just about dying, it is an opportunity to deal with the living and the lived, which Pinborough carefully unpacks through the narrator and her interactions with siblings. But ultimately, in the language of dying there are no happy endings.

Book Review: Something More Than Night by Ian Tregillis

Genre: Fantasy, Mystery
Series: Stand Alone
Publisher: Tor
Date of Publication: December 3, 2013
Author Information: Website | Twitter
Mogsy’s Rating: 4.5 of 5 stars – “Mind-bendingly original and inventive ideas in this book’s story and world; Tregillis’ writing leaves me in awe, especially the crime noir fiction-inspired voice of the narrator”
Ian Tregillis has impressed me in the past with his books in the Milkweed Triptych, which was why I got excited when I discovered that he was working on a new novel about angels. And not just about any angels; Something More Than Night is a hard-boiled noir detective story with the following tagline: “a Dashiell Hammett and Raymond Chandler-inspired murder mystery set in Thomas Aquinas’s vision of Heaven” and features fallen angels, metaphysics, and a bizarre future. If that description didn’t pique your interest or at least make you do a double-take, seriously, check your pulse!
The story opens with a murder. The Archangel Gabriel is dead, his celestial remains falling to earth in a glorious light show in the starry sky, turning to snow as they drift into the mortal realm of the oblivious humans. No one notices the Seraphim’s passing but Bayliss, a fallen angel who has made Earth his home for the last few hundred years. His mission to find a mortal to take Gabriel’s place is botched, however, when he accidentally knocks a hapless young woman under a street tram, causing her death and subsequent ascension to the ranks of the angelic Choir.
Now not only does poor Molly need to come to terms with being dead, she also has to learn all that it means to be an angel – not to mention figure out why her predecessor was killed. But Gabriel’s death turns out to be no ordinary murder. Molly’s investigations with Bayliss lead her to uncover a huge secret that the Archangel had been keeping before he died, involving Jericho’s Trumpet and an eons-old conspiracy that can alter the fate of the cosmos.
I’ve only read the first two books in the Milkweed Triptych (with the third book on my list of must-buys, I assure you) but already Tregillis has cemented himself in my mind as a talented teller of stories and builder of worlds. I have found that his work is hard to pin down in terms of categorizing them; there really is no easy way to describe the unique way he mixes elements of speculative fiction with other genres. I am pleased to find is the same way with Something More Than Night, with its complex and often mind-bending plot and setting.
When it comes to the world he has created in this book, I can only boggle in amazement. There is the earthly one, which gradually makes itself apparent to the reader that we are in a different time, a future in which the earth has clearly seen better days. But then there is also the “heavenly” world called the Pleroma, which is not all clouds and Pearly Gates, but instead something that is both more mundane and extraordinary at the same time. Tregillis has managed to completely floor me with his descriptions of Magisteria (what his angels call home) made of memories and jumbled senses, transforming the abstract into words and physics that I think may take a bit of patience to wrap your head around, but it’s worth it in the end. I am still just so in awe.
I also adore Ian Tregillis’ writing style, which I’ve always figured was well suited for darker, more evocative stories, and as such I thought it was perfect for a book like this. Plus, I was just wowed by Bayliss’ voice and mannerisms, which are straight out of a crime noir novel of the 30s or 40s. I think that was the most impressive of all, and it’s obvious that great lengths were taken to make his character sound true to that particular era and genre. Admittedly, this makes Bayliss hard to understand at times, but I didn’t mind slowing down to savor each and every one of his affectations or lines of dialogue.
Really, the only thing I felt was a bit off was the “twist”. I like it when unexpected things happen in a book, but it’s an entirely different matter when everything I thought I knew or was led to believe gets turned around on its head, and that took a little something away from me. Still, it’s such a minor complaint seeing as how it was part and parcel of the story, and ultimately everything in the book came together so well. When it comes down to it, I’m pretty confident Something More Than Night will be unlike any book you’ve ever read. As always, Ian Tregillis blows me away with his talent and inventive ideas. For something totally original and different, check out this book and author.
 4.5 of 5 stars
A review copy of this book was provided to me by the publisher in exchange for an honest review.