Book Review: The Only Child by Andrew Pyper
Posted on June 23, 2017 17 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Only Child by Andrew Pyper
Mogsy’s Rating: 3.5 of 5 stars
Genre: Horror, Thriller
Series: Stand Alone
Publisher: Simon & Schuster (May 23, 2017)
Length: 304 pages
Author Information: Website | Twitter
Last year I had the distinct pleasure of reading The Damned, a chilling psychological horror that immediately landed Andrew Pyper on my must-read authors list. It was thus with great excitement that I approached his newest novel The Only Child, which sounded like it would be a very different experience—which just made me even more curious.
When the story opens, we get to meet protagonist Dr. Lily Dominick, a doctor at the Kirby Forensic Psychiatric Center whose job involves working with some of the country’s most dangerous and disturbed criminals. Lily, however, is battling a darkness of her own. Growing up, she has always been aloof, keeping others at a distance so that few people know about the traumatic experiences in her childhood and the details surrounding her mother’s violent death. But the past has come back to haunt her now, in the form of a new client at the clinic—a man whose only identity is a patient intake number and a police report detailing his horrific crimes. In spite of herself, Lily is drawn to the stranger, even before he tells her that they have actually met before, a long time ago before she was old enough to remember. He also claims he knew her mother…and the truth behind how she died.
At first, Lily is dismissive of the client’s statements. After all, he did not look old enough for any of his wild claims to be true. But then Michael, the name the man has chosen to call himself, has an explanation for this too, declaring that he is more than two hundred years old and was in fact the inspiration for many of the monsters in classic literature. At this point, Lily is almost sure the clinic’s newest patient is just another deranged psychopath suffering from delusions of grandeur, only there are few things about her he couldn’t have known—unless he is telling the truth, of course, which should be an impossibility. Unfortunately for Lily though, she doesn’t realize Michael is the real deal until it is too late. To free herself from this real-life monster, she will need to embark on a dangerous journey over oceans and across continents to unlock the secrets of her past.
Lately, I have been reading a lot of books that make references to or are inspired by the classics. I have to say, little did I expect to find this as well in The Only Child though. In a way, it was a pleasant surprise, as who doesn’t love a little Frankenstein’s monster, Dracula, Dr. Jekyll and Mr. Hyde? Pyper managed to incorporate three of the greatest gothic horror novels of the 1800s into this strange tale, and he did it in an interesting and clever way.
On the flip side of this, however, there are the lengthy sections in the middle of the book detailing how Michael inspired these classic works, told mainly via flashback chapters in the form of letters to Lily. While the ideas were generally good, I was not as pleased with their execution. At best, they were a distraction from the main mystery plot, and at worst, it sometimes felt like I was reading an entirely different book. Rather than blending seamlessly with the rest of the story, the “classic monsters” angle felt like it was tacked on like an afterthought—almost gimmicky, in a way. That said, I enjoyed the added literary atmosphere immensely, which elevated this novel beyond your usual suspense-thriller. Other than that, though? The references to Shelley, Stoker, Stevenson and their works admittedly made very little impact on the story, which was kind of a shame.
Still, I don’t want to give anyone the impression that I didn’t enjoy this book, because I did. While it was not quite as mind-blowing as The Damned, the plot was addictive all the same, and I blew through the entire novel in about two sittings, a reliable sign that this was a enthralling read. At times the story seems confused as to what it wants to be (a portentously gloomy horror? Or a modern supernatural thriller?) but to its credit at no time does the pacing let up. The clues and developments come at you fast, punctuated by brief glimpses into Michael’s riveting history. While some of the plot points feel patently over the top, the possibility has crossed my mind that this is merely another one of Pyper’s nod to the classics, which would be a very clever touch if that’s the case. The characters were also genuinely compelling, if somewhat flawed, especially Michael whose presence is at once eerie and fascinating.
Overall, I thought The Only Child was a good read, if a little overambitious, resulting in a story that is not as focused as I would have liked. Still, for fans of the gothic horror tradition, it may be well worth it to take a look. I also felt this novel was an interesting direction for Pyper, one that I felt was bold and different, making me excited to read more of his future work.
![]()
![]()
Book Review: A Gathering of Ravens by Scott Oden
Posted on June 22, 2017 29 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
A Gathering of Ravens by Scott Oden
Mogsy’s Rating: 4 of 5 stars
Genre: Fantasy
Series: Stand Alone
Publisher: Thomas Dunne Books (June 20, 2017)
Length: 320 pages
Author Information: Website | Twitter
Ambitious in scope and audacious in its execution, A Gathering of Ravens spectacularly weaves together the threads of history and mythological tradition, spiriting readers away on a journey through legend and time. A master storyteller, author Scott Oden has combined elements from Norse and Celtic lore with the richness of the early medieval landscape to create a novel that is epic in every sense; we have bloodshed and triumph, love and loss, tragedy and hope…and yes, we also have an Orc.
Grimnir is the last of his kind. The Anglo-Saxons call him orcnéas, while the Danes name him skrælingr, but most would agree that he is a monster, an evil creature birthed from the earth’s dark depths. But in truth, he is a lot more than that, as the plot expands to reveal his quest for vengeance against Bjarki Half-Dane, the oathbreaker who killed his brother. When two weary followers of Christ unknowingly take shelter in his cave one stormy night, Grimnir kidnaps the younger of them as his hostage, forcing her to be his guide to the land across the sea. Frightened and grieving for her friend now lost to her, Étaín has no choice but to do what her beastly captor says, accompanying him through the Danish wilderness to the Ash Road, a secret passageway which would lead them to England.
However, their journey does not go exactly as planned. Grimnir and Étaín arrive at their destination to find that changes have swept across the country, and the two of them are now outsiders in every possible way. Yet Grimnir remains undeterred in his desire for revenge, and in spite of herself, Étaín also begins to see more than the monster in the Orc. The two of them are now each other’s only ally, with faith and honor ultimately leading them to a shared purpose.
The strength of this book lies in the author’s skill in evoking the spirit and atmosphere of a time gone by. He perfectly captures the life and culture of the people in this era. Throughout the early sections of A Gathering of Ravens, I could practically feel the bitter chill of the Danish hinterlands, sense its sharpness deep within my bones. As the story unfolds, we also got to see the cruelty and injustices of war, the power struggles that result between different groups when their religious beliefs collide. Scott Oden’s forte is clearly his interest and enthusiasm for history; that much can be gleaned from every page of this meticulously crafted novel. However, I also simply adore the fantasy he has injected into the mix, incorporating mythological elements and ancient folklore like the Celtic fairies and even a few allusions to the legend of Beowulf. It is precisely because of this melding of magical factors that makes historical fantasy one of my favorite subgenres.
And of course, there are the Orcs. In his afterword, Oden describes his impetus behind the story’s premise, offering some excellent insight into his process of creating Grimnir. To tell the truth, it gave me an even greater appreciation for this book, knowing how the concept behind this fascinating character was conceived and executed. One thing you can be sure of is that Grimnir is most definitely not your traditional kind of hero. From the start, he was an enigma, brutal yet complex. I loathed his treatment of Étaín at first, and saw him as a villain, but gradually as their journey went on, I began to sympathize with his bloodthirsty quest. Their relationship—especially their transition to becoming eventual allies—was written very well and handled realistically. Along with Étaín, my eyes became open to the Orc’s deeper sense of honor and duty. It may not be as we understand it, but it does go a long way in making Grimnir seem more heroic and worthy of the reader’s support. Non-human protagonists are often tricky to pull off, but the author has shown that they can indeed work, somehow also making it look easy at the same time. While Oden may have set out to redeem the Orc, whether or not he achieved that is going to be up to the individual reader, though personally speaking I can honestly say that by the end of the book I was solidly won over by Grimnir and was rooting for him all the way.
So, should you read A Gathering of Ravens? Well, if you enjoy historical fantasy novels of vast and epic proportions, then yes, yes you absolutely should. Scott Oden’s delectable prose and attention to detail brought this story to life before my eyes, immersing me in a riveting world steeped in history and myth. I was also amazed at how easy it was to instantly engage with the plot and feel invested in the characters. Clearly there’s a whole lot here to fall in love with, and I would not hesitate to recommend this novel to all fans of dark historical or mythical fantasy. I can’t wait to read more by the author.
![]()
![]()
Waiting on Wednesday 06/21/17
Posted on June 21, 2017 17 Comments
“Waiting On Wednesday” is a weekly meme hosted by Breaking the Spine that lets us feature upcoming releases that we can’t wait to get our hands on!
Mogsy’s Pick
Lake Silence by Anne Bishop (March 6, 2018 by Ace Books)
The story of Meg Corbyn and Simon Wolfgard in Lakeside Courtyard may have come to an end, but The Others series will live on next spring, following new characters set in the same world, in a place called Lake Silence.
“In this thrilling and suspenseful fantasy, set in the world of the New York Times bestselling Others series, Vicki DeVine and her lodger, the shapeshifter Aggie Crowe, stumble onto a dead body . . . and find themselves enmeshed in danger and dark secrets.
Human laws do not apply in the territory controlled by the Others—vampires, shapeshifters, and paranormal beings even more deadly. And this is a fact that humans should never, ever forget . . .
After her divorce, Vicki DeVine took over a rustic resort near Lake Silence, in a human town that is not human controlled. Towns like Vicki’s have no distance from the Others, the dominant predators that rule most of the land and all of the water throughout the world. And when a place has no boundaries, you never really know what’s out there watching you.
Vicki was hoping to find a new career and a new life. But when her lodger, Aggie Crowe—one of the shapeshifting Others—discovers a dead body, Vicki finds trouble instead. The detectives want to pin the man’s death on her, despite the evidence that nothing human could have killed the victim. As Vicki and her friends search for answers, things get dangerous—and it’ll take everything they have to stay alive.”
Book Review: The Strange Case of the Alchemist’s Daughter by Theodora Goss
Posted on June 20, 2017 24 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Strange Case of the Alchemist’s Daughter by Theodora Goss
Mogsy’s Rating: 4 of 5 stars
Genre: Fantasy
Series: Book 1
Publisher: Saga Press (June 20, 2017)
Length: 416 pages
Author Information: Website | Twitter
“That was the first meeting of the Athena Club. … Readers who remember their classical mythology will immediately realize its significance: Athena, born from the head of her father, Zeus. We do not claim the wisdom of Athena, but we identify with her dubious parentage.”
The Strange Case of the Alchemist’s Daughter may be the latest in a long line of mashups based off of some of literature’s most famous horror and sci-fi classics, but it possesses a charm you don’t find in a lot of retellings today. The awesome quote above is one of my favorites from the book—which I just had to use to begin my review, because it manages to capture the essence of this book so perfectly, as well as the strength and spirit of the women in it.
As the story begins, we are introduced to Mary Jekyll who is in mourning for her mother, dead after years of suffering from a debilitating madness. Left with nothing to her name, Mary has no choice but to sort through some of her family’s old accounts, only to find that for years her mother had been sending money to a halfway house for “fallen women”. Following this trail, our protagonist is led to Diana Hyde, daughter of Edward Hyde, the man Mary only knows as her father’s former employee—and murderer. Mr. Hyde has been wanted for his crimes for years, and with this new development, Mary has hopes that helping the authorities capture him would mean the end of her financial troubles once she collects the reward.
It is while following up on the case that Mary ends up meeting with the famous detective Sherlock Holmes and his assistant Dr. Watson. As it so happens, the two men are also currently helping Scotland Yard investigate a string of gruesome murders in Whitechapel. Some of the victims, all street women, were brutally dismembered and one even had her brain removed. Could these murders be related to the Edward Hyde? Further digging leads Mary and Diana to find and befriend more women, all of whom have been created through experimentation by a shadowy group known as the Société des Alchimistes: Beatrice Rappaccini, raised by her father to tend to a garden of poisonous plants until she herself became poisonous to others; Catherine Moreau, a beast woman brought to life by her creator’s human-animal hybridization experiments; and last but not least, Justine Frankenstein, reanimated from the corpse of a dead girl by Dr. Frankenstein to be a female companion to his monster.
One part creative re-imagining and one part loving homage, my favorite aspect of this book is most definitely its premise, or the idea of getting the “daughters” of some of gothic literature’s most famous characters together to solve a mystery. Goss gives all the women personalities that let them stand out as unique individuals, like sensible Mary Jekyll who is the de facto leader of the group, Justine whose great physical strength and stature belies her gentle soul, or Catherine whose irreverence and independence reflects the fact she used to be a puma. My absolute favorite, however, was probably Diana—the lovable hellion who just does and says whatever she pleases, much to the chagrin of Mrs. Poole the housekeeper. Then there are of course the nods to Sir Arthur Conan Doyle’s Sherlock Holmes and even some to Dracula by Bram Stoker. Indeed, if you are a fan of any of the referenced classics, you should have a lot of fun with this novel. It was also very clever how the story even incorporated Jack the Ripper; even though it was done in a very oblique and subtle way, the location and details behind the murders are clearly meant to make you think in that direction.
The structure and format of this tale is also interesting. The book, as we find out early on, is an account of events as told by Catherine Moreau, who among other things is an aspiring writer. For better or worse, she has also allowed her companions to chime in in reaction to everything going on in her manuscript, meaning we frequently get interruptions in the narrative ranging from humorous remarks made by the characters objecting to the way they are being portrayed, to snarky comments about the quality of Catherine’s writing. While this is all done in good fun, I admit that sometimes these asides can get a little excessive and distracting, and it took me a while to get used to them. Granted though, I can still say these are vastly preferable to pesky footnotes.
In terms of pacing, my only complaint was the drawn out conclusion. Goss had it so that each of the women were able to tell their individual stories, and for the most part, these were spread out nicely throughout the book and came in at appropriate times. The only exception was Justine. Her backstory was left until the end after the plot’s climax, piggybacked onto the denouement which I thought was a little awkward. The wrap-up section explaining the formation of the Athena Club could have been shortened too, along with the setup for their next adventure—but I’m not going to grumble too hard on this point. After all, it is foreshadowing that bodes well for the possibility of a sequel, and it’s safe to say I wouldn’t mind seeing more from this world and its characters.
A delightfully vibrant fusion of mystery and adventure, The Strange Case of the Alchemist’s Daughter will make you think about your favorite literary classics in a whole new light. I thoroughly enjoyed this novel and will be looking forward to more by Theodora Goss.
![]()
![]()
Book Review: The Ship by Antonia Honeywell
Posted on June 19, 2017 23 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating: 3 of 5 stars
Genre: Dystopian, Young Adult
Series: Stand Alone/Book 1
Publisher: Orbit (April 25, 2017)
Length: 336 pages
Author Information: Website
Just when I thought I’d seen it all in post-apocalyptic YA dystopian fiction, along comes The Ship to offer up a little something different. In the near future, Earth has run out of resources, the environment is on the edge of ecological collapse, and civilization itself is in shambles. A man with a vision decides to do something about it, searching high and low for five hundred of Britain’s best and brightest, gathering them all together with the necessary provisions to embark on a long voyage. Nothing too new here, or so I thought. After all, this is pretty much the beginning to every single generation ship story.
Ah, but here’s the rub—there is actually no escape from the mess the world has become. Extreme measures have been taken by the government to ensure the survival of the human race, even if it means disavowing much of its own population. People are made to carry an official ID card on their person at all times. More than just proof of citizenship, these cards are also their lifeline, guaranteeing access to food and shelter. Get on the wrong side of the law, and your card and rights can be summarily stripped from you, leaving you to fend for yourself along with all the other disenfranchised. Most of the time, this is an immediate death sentence, as those who cannot produce their ID card to authorities are often shot on sight. Those who escape notice don’t fare much better either, forced to live in makeshift camps set up in public places like parks and museums, but even that is no longer an option once the government decides their meager existence is a burden to their resources. Thousands die as camps across the country are gassed and razed.
For sixteen-year-old Lalla Paul and her parents, this was the very last straw. Lalla’s father Michael Paul is a former bureaucrat who had used his wealth and influence to purchase a large yacht, outfitting it to carry a few hundred on a sea voyage of indeterminable length. For months, he has been secretly interviewing potential passengers, recruiting those he believes would be an asset for the utopian society he has in mind. Now the ship is ready to sail—and not a moment too soon, with the government cracking down on all kinds of regulations. However, Lalla’s mother is not so ready. A staunch humanitarian, Anna Paul has been taking her daughter almost daily to the British Museum camp to help those who live there, and she is reluctant to go when there is so much more work to be done, not to mention so many they would be leaving behind without hope or salvation.
This was a rather unusual novel, with a fascinating premise. Obviously, time eventually runs out for our characters, and their ship ends up sailing along with its own little utopia on board. Still, things don’t exactly go as planned, and even with everything they could ever want, life aboard the ship is nothing like what you would imagine. Reading about these people who are suddenly cut off from the rest of the world is a bit like stepping into a bubble frozen in time. As one day blends into the next, reality itself begins to lose all meaning for Lalla, and one can’t help but wonder if her father’s dream of a safe future will ever come to pass, or if there is something more sinister afoot.
While the story’s end-of-the-world scenario may be somewhat standard, it does contain a few unique elements to help it stand out. Not surprisingly, it is once we get on the ship that things start to get really interesting. Despite his claims that everything he has ever done is for Lalla, Michael becomes an absent father once they set sail, even as the other passengers start worshipping him with something close to cult-like obsession. Also troubling to Lalla is how everyone around her seems to be perfectly content living in this strange limbo, with no final destination in mind. The result is this palpable, oppressive atmosphere that shrouds the entire novel in a surreal and haunted aura, and if this was what the author had intended, then she most definitely succeeded.
However, The Ship was not without its flaws, and a big one is the protagonist. Privileged but sheltered, Lalla has no inkling of how anything works in the real world and is largely unable to sympathize with the other passengers who have gone through much more persecution and pain. Unfortunately, while on some level I understood this to be an intrinsic part of Lalla’s identity, it didn’t make her naiveté any less maddening. Her failure to mature mentally over the course of the novel was a problem for me, not to mention her complete inability to empathize with others. Even when driven by good intentions, she winds up doing some downright stupid things, which made her character difficult to embrace. Considering how this entire novel is told through her perspective, you can see why I might have struggled with certain parts of the story.
At the end of the day, I found The Ship to be an interesting read, with moments of clever creativity amidst the usual dystopian and post-apocalyptic fiction tropes. The story was also well-written and conceptually rich, which makes me all the more regretful that I was unable to fully sympathize with or relate to the main protagonist. My issues with her character aside though, I thought this was a good read overall, with potential appeal to YA speculative fiction readers.
![]()
![]()
Audiobook Review: Blood Oath by Melissa Lenhardt
Posted on June 18, 2017 8 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Blood Oath by Melissa Lenhardt
Mogsy’s Rating (Overall): 4 of 5 stars
Genre: Historical Fiction
Series: Book 2 of Sawbones/The Laura Elliston Trilogy
Publisher: Hachette Audio (May 23, 2017)
Length: 10 hrs and 26 mins
Author Information: Website | Twitter
Narrator: Suehyla El-Attar
Last year I fell head over heels in love with Melissa Lenhardt’s Sawbones, a post-Civil War western filled with equal parts gritty adventure and passionate romance. Needless to say, I was barely able to contain my excitement when I found out there would be not one but two follow-ups to the novel, rounding out a trilogy chronicling the extraordinary journey of a woman doctor on the run from the law.
While Blood Oath picks up not long after Sawbones, it is also a new beginning of a sort for our protagonist. The woman from New York known as Dr. Catherine Bennett is dead. Now she is Laura Elliston, a fugitive wanted for a crime she did not commit. Still, despite a new name and a new life on the frontier, she could not escape her past. And following the brutal events of the previous book, Laura now finds herself with even more personal demons to confront.
Fortunately, this time she has the help and companionship of her lover William Kindle, a former captain of the US Army. Traveling in disguise, the two of them persist in trying to find safe refuge, dodging every soldier, vigilante and two-bit bandit eager to collect the bounty on their heads. Already on edge from the dangers and stresses of the journey, the couple’s relationship is further strained from the uncertainties left after Laura’s horrific kidnapping and their showdown with Kindle’s vicious brother, Cotter Black. As a doctor, Laura understands better than most how even the worst physical pain can eventually fade and be forgotten over time, but when it comes to the emotional scars, she is not so sure, fearing that the damage on both their spirits may have broken them in ways they can never be healed.
Poor Laura and Kindle. The two of them can never catch a break, even after being put through the wringer in Sawbones. I wish I could tell you everything comes together for them, but apparently, they still have a little longer to wait for their happily-ever-after. Following her characters’ nightmare ordeal with Cotter Black, Melissa Lenhardt isn’t about to let up on her protagonists, throwing them into new situations full of hardships and horrors. Blood Oath might just be slightly less intense than its predecessor, but rest assured it still has its fair share of harsh injustices and gut-churning violence. Dark as it is though, this series reminds me of why I love Westerns, perfectly capturing a sense of danger and the atmosphere of constant threat in an untamed country. This tone of raw candidness keeps me coming back, not to mention the author’s storytelling skills and no-holds-barred style.
And yet, despite the brutal realities of the era, we also have the passion as a counterpoint. Laura and Kindle had excellent chemistry in Sawbones, and it pained me to read about what happened to them at the end of that book and to see the emotional aftermath of those events here. Neither of them are the same people anymore, which made me sad—but I’m also encouraged by their efforts to talk it out and make things work. First, the story had to address Laura’s trauma from her experiences in the first book, and the effects on her relationship with Kindle have not been easy, as one would expect. Second, misunderstandings and secrets are also awakened as the two learn more about each other and their pasts. Reading about Laura and Kindle’s struggles broke my heart, but at the same time, I had been prepared for a lot of these obstacles in a second novel. Historical romances are often fraught with drama and uncertainties, and this is especially true when you’re dealing with post-war turmoil and the ruthless conditions of the Wild West. Luckily though, there are moments of hope and lightness as Laura is determined to never abandon her humanity, and she will also never stop fighting for her and Kindle’s future.
Bottom line, I love a good Western. Sawbones was amazing and its sequel Blood Oath was no slouch either, so I would highly recommend picking up this series if you are a fan of historical fiction or historical romance with a bit of grit. Like I wrote in my review for the first book, it was this juxtaposition of loveliness and gruesomeness that made the story so compelling, and considering how shockingly things ended in this one, it’s looking like the trend will be continuing into book three, Badlands. I just can’t wait.
Audiobook Comments: I might have read the first book in print, but as soon as I found out this series was getting audiobooks, I just knew I had to give them a try. Having heard narrator Suehyla El-Attar perform on other books before, the moment I saw her name attached to this project, I had a good feeling she would make a perfect Laura Elliston and indeed I was not disappointed. Her accents, tones and inflections are all spot on, and she managed to bring both Laura and Kindle to life in a way I never imagined in this absolutely brilliant and immersive experience.
![]()
![]()
More on The BiblioSanctum:
Review of Sawbones (Book 1)
Excerpt and Giveaway: Wilders by Brenda Cooper
Posted on June 16, 2017 2 Comments
***The giveaway is now over, thanks to everyone who entered!***
As you know I am a big fan of Brenda Cooper, and today I’m excited to share with you all a special excerpt and giveaway for her new book that I’m really looking forward to reading. Out now from Pyr Books, Wilders is the first of a new sci-fi coming-of-age series set in a future where earth has been devastated by environmental degradation. We hope you’ll enjoy the following teaser featuring the prologue and first chapter, and don’t forget to enter our giveaway if you’re in the US and Canada for a chance to win a copy of your own!
![]()
Coryn Williams has grown up in the megacity of Seacouver, where her every need is provided for—except satisfaction with her life. After her parents’ suicides, her sister Lou fled the city to work on a rewilding crew, restoring lands once driven to the brink of ecological disaster by humans to a more natural state. Finally of age, Coryn leaves the city with her companion robot to look for her sister.
But the outside world is not what she expects—it is rougher and more dangerous, and while some people help her, some resent the city and some covet her most precious resource: her companion robot. As Coryn struggles toward her sister, she uncovers a group of people with a sinister agenda that may endanger Seacouver.
When Coryn does find her sister, Lou has secrets she won’t share. Can Coryn and Lou learn to trust each other in order to discover the truth hidden behind the surface and to save both Seacouver and the rewilded lands?
Excerpted from Wilders by Brenda Cooper (Pyr, 2017). Reprinted with permission from the publisher.
Prologue
The city sang a song of humanity. People and their companions sat in rounded robotic cars and talked together as they sped through the city on smart streets. Others rode a nearly infinite variety of wheeled devices on paths that ran by or between roads and through parks. These they variously
pedaled and pushed or simply stood or sat upon. Singles and families alike walked through greenbelts stained orange and red with fall. Many delighted at the controlled chill that pinked their cheeks and the chance to show off their fall wardrobes. Most chose golds and greens and scintillating browns, but others fought the fall with pastel pinks and snowy whites. Some people chatted with other people, while others talked with their companion robots, with their dogs, or with their virtual coaches.
Many people moved less. They dove deep into the wells of themselves, painting and writing and searching for the next great idea, for the key to happiness, for the perfect body, the perfect fashion. Still others traversed the city’s data and pulled out threads of information, suggesting ways to make it even better.
Some walked alone and unhappy. These were left to their own devices as long as they followed the city’s simple rules and did not steal choices from anyone else.
Under the melody of humanity, the heartbeat systems of the city pumped water and waste, created oxygen, and ate extra carbon. The bones and structure started miles away, reporting and then damping extreme weather, controlling wind and rain and gloomy clouds from the snow-streaked
Cascade Mountains to the wild Puget Sound. Automated decision makers in the city filled the air, danced between sensors, and raced through a tangled mesh of fiber optics that infused every street and building.
News packed the city, a glorious cacophony of conversation and facts. The people who owned property or businesses voted on ideas in their neighborhoods, and made change upon change, sometimes to fix problems and sometimes just for fun. This same social experiment filtered through everyone for votes on city leaders and laws.
Greens and blues imbued the city with a natural brightness. Grass lawns covered roofs, some bounded by community orchards of miniature trees no more than five feet tall and festooned with ripening yellow lemons, red apples, and sun-colored apprines. Veins of blue water crisscrossed the city almost like the roads.
A seldom-visible dome of managed air met the ground all around the city; Outside stayed Outside.
People could leave. They could take high-speed sleek hyperloops between cities, which meant never really leaving the protected Inside at all. They could kayak away, walk away, drive away, and even fly away. Even though they could do so, very few people did.
Most who did so never returned.
The very old remembered the times when the barriers between Inside and Outside were naturally permeable, when humans maneuvered cars by themselves, when the great preserves were ripped into being by force as nations everywhere started the great rewilding. But to everyone else, those times were no more than stories, tales of another year, easily dismissed and forgotten.
Those not born to the city had to prove their worth to get in. The tests had become quite difficult to pass as the world inside the cities became more interconnected and quick, more dependent on skills that could only be learned by living them.
Cities held most of the world’s population. Human computing systems, blood and gut bacteria, vitamins and medicines, workouts, and infinite streams of data and entertainment flowed through the city like the milk of a mother’s teat. Objects customized themselves to meet every whim and need of the city’s many inhabitants.
Outside, the great wilding continued like a wrecking ball, encountering resistance from those who had been displaced, stalling in the still-wild weather, or failing, as human and machine alike struggled to comprehend the complexities of biological design and redesign. A dance of chaos and success, of tears and death and rebirth, orchestrated by a combination of NGOs, law enforcement,
scientists, and human workers. Assistance came from robots designed to enforce the rules of wild places, to do the heavy work, the destroying work, and the building work. All of these together culled invasive species and managed native ones, counted bears and cougars and bobcats and coyotes. The loosely federated North American cities funded this effort, in hopes of long-term survival.
As fall prepared to give way to winter, the city appeared to be infinitely stable.
Chapter One
On the last morning of the easy part of her childhood, fifteen-year old Coryn Williams stood on the top of the Bridge of Stars and watched Puget Sound shiver with winter. From the fenced observation deck, the seawall below looked thin and foreshortened. Whitecaps punctuated the waves, whipped up by a wind Coryn couldn’t detect. She knew what a breeze felt like, but not what wind that could whip creamed froth out of water might feel like. She imagined that it would pull at her skin and blow
her hair around her face and try to force her to move with it.
Paula stood beside her, taller by far, dressed formally in a black uniform with white piping and her sea-blue scarf. She squinted as she took in the view, her smile slight but genuine. Her unblemished skin and perfect features could belong to a model, but instead they showed that she was Coryn’s companion. In spite of her nature, she seemed be genuinely interested in the horizon, the white ferries that plied the choppy water, and the pleasure of standing on top of the highest spot in Seacouver.
Coryn had finished her last assignment of the year this morning and sent it off to be graded. It was good, and better yet it was done. She had written about the great restoration with the help of her older sister, Lou, who had her own rather strong ideas. Coryn had compromised with her on the paper, accepting that the rewilding wasn’t even halfway done but not that progress had stopped and perhaps even fallen backward. Standing here on this bridge, with the vast sound to look out over and, beyond all that water, the white-capped mountains of the peninsula, she was even more sure she had been right: the city would be okay.
The bridge under them had stood since before she was born, the tallest bridge in Seacouver, starting just north of historic Pike Place, curving up and over the city in graceful loops, and landing in West Seattle. Three midspan spiral ramps joined the bridge deck to significant old-Seattle neighborhoods, like ribbons falling onto the city. An artist had designed the Bridge of Stars, a scenic skyway designed for walkers and cyclists and runners.
Lou couldn’t be right. Surely Seacouver would continue forever, or at least for years and years into the future, more years than Coryn would ever see.
Up here, she felt like she could touch the roof of the world. She’d earned this perch; only the fit could get here on their own. Coryn’s thighs still trembled a little from the long climb up on bicycles.
Paula, as always, seemed to understand her unspoken feelings. “You are conflicted. Does it feel good to be finished?”
“Oh, yes!” It did feel good. The paper had been a fight—they’d moved in the middle of it, and all the packing and unpacking, while familiar, took time. Her mother begged her father to move them regularly, as if the next house would be just right.
Coryn had stayed up every night for the last two weeks to finish on time. “I thought it would feel entirely different to be in high school.”
Paula raised an only slightly too-perfect dark eyebrow. “Does it feel different at all?”
“Not really. Now I have two weeks off, and that feels good, but every other year I’ve had two weeks off after finishing up. Maybe they should give us a longer break. After all, high school’s a big deal.”
“Don’t get too full of yourself,” Paula replied. She leaned over the bridge as if contemplating the idea of freedom from gravity. The wind plucked stray strands of dark hair and blew them around while Paula tried in vain to tuck them back into her bun. “Did you know that you always come to
where you can see out of the city when a big thing happens in your life?”
“Do I?”
“You went to the edge of the seawall when you passed elementary school, you rode your bike all the way to the edge and back when Lou went to summer camp in Tacoma, and now you’re way up here, where you can see over and past the entire downtown. Where are you going to go when you finish high school? Space?”
“Silly robot. That would take years of school.” And money they didn’t have. She squinted, wondering if a largish black thing she saw might be a boat. “I’d like to see a whale.”
“They would appear very small from way up here.”
“There was a baby orca born last week. A girl, no less.” Coryn had printed a picture and pasted it on her bathroom wall beside a pic of wild horses running free in eastern Washington, and another one of a twentyfoot-long great white shark off of Guadalupe Island in Baja, California.
“You’re going to be late for your own graduation party.
Coryn didn’t respond. It would drive Paula slightly nuts—it always annoyed her when Coryn refused to do what was expected. But this was her day, not Lou’s. Besides, she wanted to burn the horizon into her memory.
Her mother hated the city, and so Coryn did most of her exploring with Paula. This particular bridge cost credits to access and she couldn’t just come up here any day she wanted. Her mom had given her the money for the trip, bending over her with a sweet smile. “Your first junior-high graduation present,” she’d called it. She had smelled of soap and medicine and unhappiness. But then, Mom always seemed to be unhappy these days. Dad, too. Coryn often felt like she lived in a different world than the one her parents inhabited. What was there to be afraid of, after all? The city
was full of fascinating things, and if she got bored of real life, there were a million virtual worlds. More.
She didn’t really want to go home, not even for a special graduation dinner. Her parents would find some way to ruin the evening.
While Coryn counted ten long, slow breaths, she stared at the joining of sea and sky, at the wind-torn waves, at the far land where Hurricane Ridge had been slammed by its first snowstorm a few days ago. Bits of white still sparkled in the sun, matching the whitecaps, and a pale sky hung
over the entire scene. “I want to watch this forever.”
“We have to go,” Paula insisted. “Your mother will be upset with you.”
Coryn turned to her, a slight spark of anger infusing her voice. “That’s not my fault.”
“Which has nothing to do with anything.”
Coryn stared out over the water, determined to remember the sharp ridges of the Olympic Mountains, the rippling white-caps, and the fascinating, unexpected gardens and pools on top of the biggest buildings. “I can’t wait until I’m eighteen and you can’t tell me what to do any more.”
Paula eyed her with the infinite patience of a companion robot. “Lou will be worried.”
Yes. And Lou would make her party fun. Even though she couldn’t depend on her parents to be in a good mood, she could depend on Lou.
She reluctantly turned away and pulled her AR glasses on. They were required for transportation, even biking. The city saw more clearly through her glasses than she did, always ready to keep her safe. Lines of travel and traffic began to paint themselves in a light wash over the real world, showing the foot and bike traffic on the bridge and, far below, the heavier city traffic. Green for cars, blue for bikes, yellow for peds, red for trains and other mass-transit. She swung her leg over her bike, settled her hands on the grips, and blinked twice to tell the city she was ready to go.
Maybe Lou would be home by now.
She pushed off into an opening in the bike traffic to glide down the long, gentle slope toward the South Seattle streets. The overlays on her vision sparked and changed as she moved, traffic control directing the complex dance of transportation. A blue light blinked to show her Paula had started down as well.
Wheels thrummed and wind pulled her hair back and whipped it against her cheeks. As she neared the bottom, the ramp plunged into the city, housing and stores rising around her as she powered down through skyscrapers.
At the bottom of the bridge she slowed precipitously, barely managing to stay on her bike, cutting it close enough for traffic control to scream in her ear. She frowned, slid right, and almost fell, then headed home at a more dignified pace. Down here in the crowds, the city would notice and record safety risks, and she hated drawing attention.
Fifteen minutes later, she turned onto her family’s current street, Paula right behind her.
Blue and red circles of light stunned her eyes, the primary-school colors of ambulances and police cars. Warnings flashed in her peripheral vision. She squinted and rode forward. The city allowed her through while it detoured others right and left.
As she drew closer to home, a deep dread made her want to stop. She didn’t, but her thighs felt as if she wore stones on her feet instead of neon yellow sports shoes with purple laces.
Cars had chosen to park at odd angles, blocking the street. Men and women and robots in uniforms padded in and out of her house.
Maybe it was just an AR hack.
She ripped the glasses off her face.
Blue and red light washed across her face, forcing her to squint.
Someone spotted her. Lou.
She stood on the sidewalk, shaking, fists balled at her side, her hair wilder than usual, some of it falling over her thin face. Her blue eyes looked bright and wide. Red handprints smeared her shirt.
Coryn’s bike clattered on the street as she raced into her sister’s arms. Lou smelled of blood and fear. She felt like metal in Coryn’s arms, like the unyielding bridge, even though tears ran down her face and fell onto Coryn’s cheeks. Coryn’s breath came fast and she shivered, rooted on the
street, nothing existing in that moment except her sister.
Paula grabbed both of their shoulders and hissed, “Stay here.” She marched straight into the house.
“What happened?” Coryn whispered.
“They . . . they died. Someone killed them, I think. I don’t know. I couldn’t stay. I came into the house and there was blood everywhere and blood on Mom’s face.” Her words stopped as she heaved for breath and clutched Coryn even closer. “Blood on her shirt and everywhere, everywhere,
oh Coryn, it was everywhere. I’ve got it on me.” She pushed Coryn a little away and looked down. “And now you’ve got it on you, on your shirt; we’re stained with it.”
Lou was still seventeen. In a few months she would be an adult. Lou’s head rested on top of Coryn’s and Coryn’s arms circled her lower waist, her fingers running along Lou’s backbone.
Coryn watched the crowd seethe with uniforms and onlookers. When Paula finally came back outside, she wore one of her strict robotic expressions. It was the same one she used when she was furious with Coryn or Lou. “You can’t go in. I’ll take you up on the roof, and we’ll get some food, and we’ll wait together. The police will come find us as soon as they can.”
Coryn didn’t want to see whatever Lou had seen. Lou never came undone like this, never lost it, never cried. As frightened as she was about her parents, seeing Lou cracked into pieces was . . . impossible.
Lou always led. Always. Except now Lou trudged behind Paula with her head down, shoulders drooping, one hand holding Coryn’s loosely.
Paula drove them slowly and inexorably through the gathering crowd and away from the sirens. She took them into the apartment building next door to theirs and up the elevators to the roof. She had them move like they had when the girls were little, all in a line: Lou in front, then Coryn, then Paula watching over them both.
Lou sobbed and sobbed, blowing her nose. Still, she led them carefully through the patio tables. Coryn tripped on a table-leg and Paula caught her halfway down, a graceful arm appearing for Coryn to grasp onto before she landed in a flowerbed. A short bridge joined two rooftops. As they crossed it, Coryn looked down to where the revolving colored lights illuminated the gathering crowds and saw her bicycle on the ground, unlocked and orphaned. She had a sudden urge to turn around and put it away.
A few of their neighbors had come up onto the roof as well, people Coryn recognized but didn’t know well. One couple got up as if planning to speak to them, but Paula blocked them, murmuring soothing words.
The robot directed the girls to a table in the middle of the roof and they sat silently.
A faraway look came over Paula, her eyes fastening on the horizon, or maybe on the thin ribbon of bridge far above them. Coryn knew the look; Paula was getting a lot of information and processing it. She’d notice if her charges left, or any kind of danger approached, but she probably wouldn’t demand anything from Coryn and Lou for a few minutes.
Lou looked even more lost in thought than the robot. A cat worked its way over to the girls, rubbing up against them both and head-butting Lou until Lou dropped her death-grip on Paula’s hand and touched the cat’s cheek. The cat stayed near them for a long time, circling and then stopping for pets and then circling them again. Its wide, golden eyes matched the brown and gold stripes on its tail and forelegs and contrasted with the brown fur that felt like silk under Coryn’s fingers.
“Be careful,” Paula admonished them. “That’s got to be someone’s pet gene mod.”
“Why?” Lou asked.
“It’s too perfect,” Paula said.
“Like you?” Coryn shot back, immediately regretting it.
“Of course.”
She didn’t call for an apology the way she usually did, but Coryn gave her one anyway. “I’m sorry, silly robot.” She had to work hard to get the word through her thick throat.
Paula smiled in approval and watched the girls entertain themselves with the cat until it appeared to get bored and walked off.
Even though she hadn’t known the cat, she felt bereft as it walked away and left them alone. They were lost. Alone. Everything had just changed.
Eventually, two policewomen made their way carefully through the crowded rooftop, one for each girl. The youngest one knelt by Coryn, a beautiful woman with the dark eyes and the old-amber complexion of an East Indian. “Hello,” she said in a honey-soft voice, a sad voice, “I’m Mara.” She knelt down so her eyes were even with Coryn’s. “You know that something happened to your parents?”
“They’re dead,” Coryn saw no reason to pretend she didn’t know. She’d known since she saw the blood on Lou’s shirt.
The policewoman’s eyes softened, and she bent her head and made notes on her slate.
“Why did they die?” Coryn asked.
“Do you mean how?” Mara asked.
She already knew that. Lou had told her they were killed. But they were just normal people, and that shouldn’t have happened. “No. I want to know why.”
Mara shook her lovely head; her thick, dark hair swished back and forth across her navy-blue uniform. She took Coryn’s hands in hers. Her long nails were painted a bright pink, and the little finger and the thumb on her right hand had started chipping.
Everything Coryn could see looked like that, colorful and crisp. The street lights shone unusually bright, with pale haloes around them. The cat stood on the edge of the roof, flicking its long tail back and forth. The beer in a nearby glass glowed yellow-orange.
Her parents were dead.
Mara reached for her, but Coryn turned away. Paula stood right behind her, opening her arms. Coryn leapt up into them. She gave the robot her weight as if she were still a small child, clutching Paula as if her life depended on it. She buried her head in the robot’s soft shoulder and
squeezed her eyes shut.
If only they were back on top of the bridge, with the wind blowing beyond them and the possibility of a whale.
![]()
Wilders Giveaway
And now time for the giveaway! With thanks to the publisher, the BiblioSanctum has one print copy of Wilders up for grabs. The giveaway is open to residents of the US and Canada. To enter, all you have to do is send an email to bibliosanctum@gmail.com with your Name and valid Mailing Address using the subject line “WILDERS” by 11:59pm Eastern time on Friday, June 23, 2017.
Only one entry per household, please. The winner will be randomly selected when the giveaway ends and then be notified by email. All information will only be used for the purposes of contacting the winner and sending them their prize. Once the giveaway ends all entry emails will be deleted.
So what are you waiting for? Enter to win! Good luck!
Friday Face-Off: Guitar
Posted on June 16, 2017 21 Comments
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“You couldn’t not like someone who liked the guitar”
~ a cover featuring a GUITAR
Mogsy’s Pick:
The Lost Boys Symphony by Mark Andrew Ferguson
This week we’re going to keep things simple again with a head-to-head between only two covers. The Lost Boys Symphony may be a time travel story, but it’s also unlike any I have ever read. The story focuses on the lives of three friends: Henry, Gabe, and Val. Henry and Gabe have known each other since they were children. In high school they meet Val, and Henry starts dating her. The three of them have been inseparable ever since.
Partway through college, however, Val suddenly decides to break up with Henry and transfers to another school. Understandably heartbroken, Henry decides to immerse himself in his other passion, which is music. But then he gets sick. Very sick. And his illness is manifesting in very strange ways, making him hear things and see things that he knows should be impossible. Searching for answers, Henry follows Val to New York City, and ends up blacking out while walking across the George Washington Bridge. When he wakes up, he finds himself in a room with two strangers—but in truth, they aren’t strangers at all. They are his future selves, Henry at 41 and 80, and they have kidnapped the 19-year-old him in order to send him an important message…
Now let’s check out these two covers:
2015 Hardcover by Little, Brown and Company (left) vs. 2016 Paperback by Back Bay Books (right)
Winner:
I’m not in love with either cover, to be honest. But the more I studied the hardback edition the more I started to appreciate it for its symbolism, the way the design incorporates the image of the guitar (representing Henry’s background in music) as the George Washington Bridge, which has huge significance in the story. It’s plain, but it’s clever. So it wins!
What do you think? Which one is your favorite?
Book Review: Dragon Teeth by Michael Crichton
Posted on June 15, 2017 29 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Dragon Teeth by Michael Crichton
Mogsy’s Rating: 3.5 of 5 stars
Genre: Historical Fiction
Series: Stand Alone
Publisher: Harper (May 23, 2017)
Length: 320 pages
Author Information: Website
I’m a huge Michael Crichton fan, but admittedly I went into Dragon Teeth with reservations. After all, posthumously published works tend to make me a little wary, and the last two novels published after Crichton’s death have not exactly disabused me of this bias, reinforcing my belief that most “found manuscripts” are doomed to disappoint. So you can imagine my surprise when I finished this book and found that I really enjoyed it. Granted, I love paleontology and I love Westerns, but unlike Pirate Latitudes or Micro (completed by Richard Preston), both of which I felt were unpolished and sloppy in their execution, Dragon Teeth actually felt solidly put together and complete.
It all began with a not-so-friendly wager. The year is 1876 and William Johnson, a Yale student and the son of a wealthy shipping magnate is goaded into traveling west by a rival student, who bet a thousand dollars that privileged and sheltered William would not have what it takes to visit America’s wild and lawless frontier. Fueled by his pride, our protagonist impulsively signs on with a bone-finding expedition to the western territories, claiming himself to be a professional photographer, not realizing just how far in over his head he’s gotten himself. For you see, the expedition is led by renowned paleontologist Othniel Charles Marsh, who is embroiled in a bitter rivalry of his own. Notoriously difficult to work with, Marsh is unscrupulous and paranoid, convinced that his arch nemesis, the equally distinguished paleontologist Edwin Drinker Cope is always on his trail, ready to swoop in and steal his research.
Unfortunately, that paranoia ultimately leads Marsh to abandon William in Wyoming, believing him to be one of Cope’s spies. In an ironic twist of fate, however, Cope himself finds our poor, confused protagonist and extends an invitation to join his own expedition, to which William has no choice but to accept. To his pleasant surprise, he winds up finding Edwin Drinker Cope to be a rather pleasant fellow, with a fearsome temper to be sure, but still nothing like the monster Marsh made him out to be. Their expedition might also be smaller and less organized, but on the whole William is much happier since he switched sides, his enthusiasm for the work increasing the more he learns. Then one day, their team stumbles upon a huge find. But in the paleontology field, the discovery of a lifetime often goes hand in hand with plenty of dangers. From the moment William decided he was going to go west, he had known he would be facing all kinds of challenges, but little did he expect just how far he would go for a pile of dusty old bones.
Unlike Crichton’s other novels about dinosaurs, Dragon Teeth is pure historical fiction, its premise based on a frenzied period of fossil research and discovery in the late 1800s known as “The Bone Wars” or the “Great Dinosaur Rush”. It’s a fascinating topic, and I was impressed to see how deftly all the seemingly mundane details were woven into such a tight, thrilling and intense page-turner. That said, this is also a story that just begs to be told. In a time when explorers, settlers, and gold seekers were heading their way west in the hopes of striking it rich, paleontologists were instead scrambling all over the rich bone beds of the western territories, searching for fossils. Both Othniel Charles Marsh and Edward Drinker Cope were real, and so was their feud where they infamously sought to destroy each other’s’ careers and reputations, often resorting to underhanded tactics like theft, slander and outright sabotage. While William Johnson himself may be a fictional protagonist, through his bamboozled and mystified eyes, readers are given front row seats to witness the full extent of their roaring rivalry.
In the end though, the plot of Dragon Teeth comes down to a journey of personal growth. William is a stuck-up entitled jackass when we first meet him, used to power and money getting him whatever he wants. But the West changes him, stripping away his privilege and hardening his spirit. Far from home where no one knows or cares who he is, William quickly learns to pull his own weight and ultimately finds that there is more to life than empty materialism and shallow pleasures. Reading about his fraught adventures is just as enjoyable as reading about the history of the time and place, especially in the novel’s second half which sees the story evolving into something straight out of a Spaghetti Western. After a run in with a notorious outlaw, William even winds up allying with none other than Wyatt Earp.
Still, I must warn that while Dragon Teeth feels very much like a complete, articulate novel, the level of detail is nowhere near that of some of Crichton’s best works. In some ways the book reads like a highly polished draft with the finished framework in place, simply waiting for the author to put more meat on its bones but of course he never got the chance. Despite characters and descriptions being a bit sparse though, the story itself does not suffer much, nor is the overall novel less readable because of it. In fact, it’s possible some readers might even prefer this straightforward and pragmatic approach and appreciate the novel’s swift, no-nonsense pacing.
In sum, Dragon Teeth was a lot better than I thought it would be, and unlike Pirate Latitudes or Micro, I would actually recommend it. That being said, you still shouldn’t go into this expecting an epic adventure with the level of research and detail on par with the author’s more famous novels that he wrote in life, but as far as posthumously released publications go, this one was pretty damn decent.
![]()
![]()































