Book Review: The Lost Prince by Edward Lazellari
Posted on January 31, 2019 18 Comments
I received a review copy from the author. This does not affect the contents of my review and all opinions are my own.
The Lost Prince by Edward Lazellari
Mogsy’s Rating: 3.5 of 5 stars
Genre: Fantasy
Series: Book 2 of Guardians of Aandor
Publisher: Tor (April 2, 2013)
Length: 352 pages
Author Information: Website | Twitter
Back when I reviewed the first Guardians of Aandor novel, I recall that one of my biggest concerns with the story was that the eclectic mashup of high fantasy and contemporary urban elements would play havoc with reader expectations. However, with this sequel, the series may have finally found its feet, thanks to clever storytelling by author Edward Lazellari.
The Lost Prince picks up immediately after the events of Awakenings. Thirteen years ago, a group of unrelated individuals found themselves waking up with no memory of who they were or where they came from, but in the time since, they have each made a new life for themselves. Granted, some of them were more successful at it than others. A few of them got married and started families. A couple of them even became leaders in their respective communities, or found fame and fortune. And somewhere, a thirteen-year-old boy is on the run, unaware of his connection to all these individuals and to the fact that their lost memories have everything to do with him.
But now the dam has broken. Everywhere, our characters are remembering the past and their true purpose: to find and return a lost prince to the alternate dimension they all came from, a feudal medieval realm called Aandor. Thirteen years ago, they were transported to our world in order to escape invading forces from the rival kingdom of Farrenheil, but due to a botched magical spell by the group’s wizard, they all ended up with amnesia. The prince, an infant at the time, was lost in the confusion and was thus raised by a foster family with no knowledge of his real identity or the fact he is the heir to an entire kingdom. Now the boy has grown into a young teen named Daniel, running from the law after killing his abusive stepdad in self-defense. But unbeknownst to him, the police are the least of his worries, for enemies from Farrenheil have recently broken through to this world and will stop at nothing to see the prince dead.
Thankfully though, Daniel’s guardians are also on the move. New York City cop Cal MacDonnell was a Knight Captain in his life before, sworn to protect the prince. Together with his wife Cat and wizards Seth Raincrest and Lelani the centaur, they’re following a trail of clues trying to find Daniel first. Around the country, Cal’s allies are also being gathered by his second-in-command Malcolm, a dwarven metalsmith who has considerable pull in this world as CEO of a major defense company. Among the awakened guardians are some of the new key characters like Allyn, a cleric from Aandor who has found a similar calling in this new life as a reverend; Tim, a bard who has also put his past skills to good use by becoming a famous rock musician; and Balzac, a court jester who has come to pursue a less ostentatious career in this world as a college professor. And so, with the party assembled, they all must come up with a plan to rescue Daniel and complete their mission.
As you can probably tell from the story’s description, this sequel greatly expands the world of the series, adding more characters, more background lore, and even more incredible new developments in this already complex plot. This book hits the ground running, now that the board has been set and all the pieces are in place. With all the confusion of the previous foundation-establishing novel behind us now, there is a strong sense that we are ready to roll, and the atmosphere of urgency and desperation in the first few chapters seem to back this up. And indeed, having all these characters running around doing their own thing means that we get to cover a lot of ground in this book, zipping from one place to the next before events culminate in New York City for the final showdown. As a result, scene transitions and perspective switches were frequent and plentiful, especially since the author also gave the villains of this story a larger focus in this sequel.
The main issue I found with this framework is the same one I commonly have with stories that are told through multiple POVs—that is, inevitably I found some characters more likeable and interesting to follow than others. Surprisingly, Cal, Cat, and Daniel were not among my favorites this time around, given how I’ve spent the most time with them so far, but I just found them very judgey and annoying in this sequel, from Cal’s mean-spirited treatment of Seth (even if the wizard did kind of deserve it) to Cat and Daniel’s snide uppity comments towards non-city folk. Instead, the chapters from supporting characters like Lelani continued to dominate my enjoyment, and I also loved Malcolm and Allyn. It seemed to me that the “new Aandorians” stole the show in this second round, perhaps overshadowing more prominent POVs like Cal, Seth, and Daniel with the novelty of their personalities and backgrounds. As such, the overall reading experience probably did not go as smoothly for me as it could have.
I also occasionally felt jarred by the writing, which felt awkward and strained in some sections. The term “more showing, less telling” came to mind often when it came to a few of the characters’ motivations, especially the main baddie Dorn, whose villainy was described to such a degree that it felt almost over-the-top and cartoonish. There were also a couple instances where the descriptions of graphic violence and sexual content became unexpectedly detailed, and while I took no issue with the content itself, I felt that the writing in these sections didn’t quite mesh with the rest of the book in terms of tone and style. There seemed to be more info-dumping this time too, though I wonder if that might be the result of having so many more characters in this book and the need to cover all their backstories briskly and efficiently.
In any case, I did have a good time with this sequel, and I continue to be impressed by the mix of epic and urban fantasy ideas found here. To keep things running smoothly, Lazellari has adopted a lot of simple and familiar genre tropes, relying on readers’ familiarity with them to generate interest. His true triumph and this series’ crowning achievement, however, is the blending of all these different and contrasting elements to create a cohesive, imaginative and engaging premise. I couldn’t help but be drawn into this saga, especially with all the human drama. Will the triangle of Cat, Cal, and his relationship with his betrothed Chryslantha somehow sort itself out? Will Daniel fulfill his destiny and be a worthy prince? Will we ever get to see Aandor? All these questions and more need answering, and I look forward to finding out how everything will play out in the last book of the trilogy.
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More on The BiblioSanctum:
Review of Awakenings (Book 1)
Waiting on Wednesday 01/30/19
Posted on January 30, 2019 12 Comments
Waiting On Wednesday” is a weekly meme that first originated at Breaking the Spine but has since linked up with “Can’t Wait Wednesday” at Wishful Endings now that the original creator is unable to host it anymore. Either way, this fun feature is a chance to showcase the upcoming releases that we can’t wait to get our hands on!
Mogsy’s Pick
Unraveling by Karen Lord (June 4, 2019 by DAW)
I’ve been waiting years for Karen Lord to write another novel, after reading The Galaxy Game and wanting to check out more of her work. So I was thrilled when I found out she will have a new book coming out this summer, a fantasy mystery involving solving puzzles and a Trickster. I also love this cover.
“In this standalone fantasy novel by an award-winning author, the dark truth behind a string of unusual murders leads to an otherworldly exploration of spirits, myth, and memory, steeped in Caribbean storytelling.
Dr. Miranda Ecouvo, forensic therapist of the City, just helped put a serial killer behind bars. But she soon discovers that her investigation into seven unusual murders is not yet complete. A near-death experience throws her out of time and into a realm of labyrinths and spirits. There, she encounters brothers Chance and the Trickster, who have an otherworldly interest in the seemingly mundane crimes from her files.
It appears the true mastermind behind the murders is still on the loose, chasing a myth to achieve immortality. Together, Miranda, Chance, and the Trickster must travel through conjured mazes, following threads of memory to locate the shadowy killer. As they journey deeper, they discover even more questions that will take pain and patience to answer. What is the price of power? Where is the path to redemption? And how can they stop the man–or monster–who would kill the innocent to live forever?”
Book Review: The Wolf in the Whale by Jordanna Max Brodsky
Posted on January 29, 2019 40 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Wolf in the Whale by Jordanna Max Brodsky
Mogsy’s Rating: 5 of 5 stars
Genre: Fantasy, Historical Fiction
Series: Stand Alone
Publisher: Redhook (January 29, 2019)
Length: 544 pages
Author Information: Website | Twitter
I expected to enjoy The Wolf and the Whale, but what I was not prepared for was how completely it swept me off my feet. In this stunning masterpiece, Jordanna Max Brodsky weaves a cinematic tale of adventure and survival, blending history, mythology and timeless romance. All of this is set to the epic backdrop of the Arctic wilderness at a time of great change towards the end of the first millennium.
Our story follows Omat, a young Inuit girl born into her tribe during a time of tragedy. But in death, her father gave his daughter his strong hunter’s soul, and the spirits sent the Wolf to watch over the child so that she would survive. Omat’s grandfather, a wise shaman, recognized the gift in her and believed that she was meant to follow in his footsteps, so he raises her as a boy to hunt and protect her people, while also teaching her the ways to commune with the spirits.
However, as Omat grew, some in her group began to question her role, concerned that the spirits are angered by the taboo of a woman hunting. Their people are starving, and with no new children being born, they are slowly dying out. So, when their group happened to come across another Inuit band on the ice one day, Omat and her grandfather thought for certain that their prayers have been answered.
Sadly, they could not have been more wrong. As Omat finds her entire sense of identity unraveling, her life is also now in danger because of the newcomers. But an even greater threat looms on the horizon, in the form of a group of Norse explorers bringing only violence and death. As the gods and spirits of multiple pantheons look on, Omat must find common ground with an unlikely ally and embark on a perilous journey together that will determine the fate of both their peoples.
The Wolf in the Whale is a coming-of-age story unlike any other. It is also about a meeting of two cultures. Told in gorgeously lush prose, this tale unfolds over a number of years, though most of it follows Omat’s life through her young adulthood. Painstakingly researched, as evidenced by the author’s extensive notes on the historical period, the setting was brought to life with incredible attention to detail. Like her first trilogy, Olympus Bound, Brodsky’s new novel perfectly balances myth and reality in an exquisite cocktail of facts and fantastical elements, creating a world infused with magic and folklore. Here you can read about the Norse gods, as well as Inuit traditions of animism and shamanism.
There is also much I would like to say about Omat. This is the story of her struggle to overcome many hardships, some horrific, but she manages to emerge a stronger and more determined person each time. Though her lessons in loss have been huge, they have also shaped her in ways that were fascinating to watch. Readers get to witness her transformation from an overconfident and short-sighted youth to a more levelheaded adult who has come to realize that no fate is set in stone—and one should never take anything, or anyone, for granted.
Omat’s journey was also an exploration into gender roles that I found unexpectedly well-balanced and insightful. Our protagonist begins this tale as a proud, almost arrogant shaman-in-training who revels in her special place in the group, disdaining women’s work and the female body because she believes them to be weak. Raised as a boy in a girl’s body, all Omat wanted was to become a man—until the spirits turned on her and took away her magic, leaving her untethered and her future in doubt. Over the course of this novel, Omat gradually reconciles herself to her new path, learning to appreciate the strength and skills of a woman, ultimately embracing both the masculine and the feminine, because as in all things, life requires balance.
Speaking of which, one of the most significant events in this book is Omat’s meeting with Brandr, a Viking warrior with whom she develops a complex relationship that teaches her more about that balance, as well as how to trust and love. I’m a sucker for stories about disparate strangers from worlds apart who come together and form a deep bond, so it was no wonder that I found myself completely enthralled by these two. Plus, what a delightfully interesting little family they made along with Omat’s three companion wolves; I simply could not get enough of their interactions together.
In short, I think I have my first real contender for my list of best books of 2019. No surprise that it came from the imaginative mind of Jordanna Max Brodsky, who has impressed me before with her stunning prose and expert storytelling. With the courageous Omat at the story’s heart and a beautifully rendered world filled with magic, myth and history, The Wolf in the Whale is a novel that will enchant and captivate fantasy and historical fiction fans alike.
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YA Weekend Audio: The Gilded Wolves by Roshani Chokshi
Posted on January 27, 2019 21 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
The Gilded Wolves by Roshani Chokshi
Mogsy’s Rating (Overall): 3 of 5 stars
Genre: Fantasy, Young Adult
Series: Book 1 of The Gilded Wolves
Publisher: Macmillan Audio (January 15, 2019)
Length:11 hrs and 55 mins
Author Information: Website | Twitter
I loved Roshani Chokshi’s The Star-Touched Queen and A Crown of Wishes, so I dove into The Gilded Wolves with all the excitement you can imagine. However, for some reason I did not feel for this novel the same way I did towards her mythological-inspired duology. While it was not a bad read overall and I still enjoyed this book to an extent, I think my disappointment is the result of having higher expectations and the fact this story felt very derivative and not as well put together as the previous books I’ve read by the author.
To begin, this is a historical fantasy set in an alternate version of Paris, France in 1889. It is also a heist story. And like all heist stories, you must have a ringleader to gather the group and execute an elaborate plan to steal an extremely valuable, all-important McGuffin. In this case, the role is filled by Séverin Montagnet-Alarie, a prominent city hotelier who is also an avid treasure hunter on the side. Robbed of his true inheritance as a child, Séverin finds it impossible to turn away an opportunity to gain it all back when a powerful secret society known as the Order of Babel seeks him out to find a magical ancient artifact called the Eye of Horus.
But first, he’ll need a crew. Enter Laila, a charming Indian dancer with a magical ability to read objects. She also loves to bake and plays the part of den mother the group. Then there’s Zofia, a young Jewish Polish girl on the autism spectrum who has magical powers of the mind. She is also a mathematician extraordinaire and the brains of the operation. Next is Enrique, a bookish Spanish-Filipino whose expertise in history gives the crew the edge they need. And Tristan is the little brother of Séverin’s heart if not of his blood, a cheerful boy who loves all things to do with plants and animals (he also dotes on his pet tarantula Goliath, much to the consternation of the group). And finally, there’s Hypnos, the queer biracial heir of a French aristocratic house who is also the outsider/liaison between Séverin and the Order of Babel. The two of them have a history, which results in some interesting dynamics as this adventurous little caper plays out.
In the end though, I think my dissatisfaction with The Gilded Wolves stems from its mediocrity. I mean, I didn’t think it was terrible, but then it wasn’t great either. All the components were there and by and large well-written and decent enough, yet none quite crossed the threshold into spectacular or even noteworthy territory. First, the story: I’m afraid a lot of the criticisms likening this book to a watered-down Six of Crows may have some merit. The similarities were hard to ignore once the notion had wormed itself into my mind, which wouldn’t really have been an issue (after all, most heist stories re-use and recycle a lot of the same ideas to some extent) except for the fact I thought Leigh Bardugo did everything much better. Chokshi also wasn’t able to keep up the interest or momentum quite as well, and as a result, pacing in the beginning and middle suffered.
Then there were the characters, whom I desperately wanted to like, but instead they felt like a parade of diversity labels but not much in the way of substance, which was a shame. Their individual quirks (like Laila’s baking, Tristan’s obsession with his pet tarantula, Zofia’s social naivete, etc.) felt forced or like they were included for the sake of humor, coming across to me as flimsy attempts to make them a bit more likeable and genuine. I also didn’t feel many of the relationships between the members of the crew developed all that organically, leading to some awkward juvenile dialogue. The exceptions to this were Séverin and Hypnos, whose linked backstories made them my two favorite characters, as well as Séverin and Tristan (again, because they have a shared history together), though the exceptionally well-developed nature of their brotherly bond made certain consequences of the ending predictable. Overall, I think Chokshi might still be working out the challenges of writing an ensemble cast, which includes balancing the attention given to each character.
And finally, with regards to the setting, I probably wouldn’t have been able to peg this as 1889 Paris if the narrative hadn’t explicitly provided the dates and names of places and landmarks. The world-building in this book was definitely weaker compared to the author’s The Star-Touched Queen duology, perhaps because she was writing about a milieu she wasn’t as familiar with. Historical settings can be tricky to pull off, because capturing the authentic feel of a place is much more than simply regurgitating details from the historical record, and while the descriptions of the environment were done well, I missed not having a strong sense of place or the lush atmosphere I know the author is capable of.
All in all, I can’t say The Gilded Wolves really lived up to the hype for me, but it’s probably because I was expecting a lot more, being a huge fan of Roshani Chokshi’s other books. Still, I have no doubt this novel will find tons of love among YA fantasy readers, and it could be worth checking out if you enjoy historical fantasies and heist stories.
Audiobook Comments: I’m really glad I opted to review the audiobook version of The Gilded Wolves, because I think the format might have helped me through some of the slower parts in the beginning and middle of the book (but even then I had to play back a few times due to a couple false starts). I also liked that there were two narrators, though one or two more voices to reflect the large cast wouldn’t have hurt either. Laurie Catherine Winkel and P.J. Ochlan delivered good performances, but occasionally both would go a little overboard with their accents, becoming difficult to understand. Overall, a decent listen.
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Audiobook Review: The Au Pair by Emma Rous
Posted on January 26, 2019 22 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
Mogsy’s Rating (Overall): 3.5 of 5 stars
Genre: Mystery, Suspense
Series: Stand Alone
Publisher: Penguin Audio (January 8, 2019)
Length: 11 hrs and 31 mins
Author Information: Website | Twitter
Narrators: Elizabeth Sastre, Nicola Barber
The Au Pair is the kind of book that will make you clutch your head afterward and think, what the hell did I just read? It’s confusing, it’s excessive, and it’s crazy, but to its credit, it’s also entirely well pleased and unashamed of its implausible, absurd premise. Are you okay with that? Because if you are, then this just might be the wildest, most entertaining family suspense drama you’ll read all year.
The story alternates between two viewpoints. The first is Seraphine Mayes, whose father was recently killed in a tragic accident. While sorting out through his belongings at their childhood home of Summerbourne in a quaint little village on the Norfolk coast, our protagonist and her brothers come across an old photograph that raises a lot of questions. For one thing, in the picture is their mother, Ruth, smiling and holding a newborn baby with her husband Dominic and oldest son Edwin, just moments after the family welcomed Seraphine and her twin Danny into the world. It is a happy scene, but the siblings know that within hours after this photo was taken, Ruth would be dead, having hurled herself off the cliffs in an apparent suicide. But if this picture was in fact captured that day, then why was there only one baby? Where was the other twin? Was it Seraphine or Danny that their mother was holding in her arms? And why did this beaming woman, looking so happy with her family, kill herself so soon afterwards?
Concerned that these questions would raise doubts about her parentage and jeopardize her chances of inheriting Summberbourne (Is she even Dominic and Ruth Mayes’ daughter? Is that why she’s always felt like she was on the outside, and why people are always saying she looks nothing like Edwin and Danny?), Seraphine begins a fervent investigation into the secrets of the family’s past. Her older brother, who was only a toddler at the time of their mother’s death, doesn’t remember much, but believes that the photo must have been taken by his au pair who worked at Summerbourne at the time. We get to learn more about this young woman, whose name was Laura, from her POV chapters flashing back to the past. Hired by the Mayeses to take care of Edwin, she was only with the family for a brief time, disappearing from their lives immediately after Ruth’s suicide. Convinced that Laura would know more about the mysterious circumstances surrounding her and her Danny’s birth as well as their mother’s death, Seraphine is determined to track down the former au pair despite pushback from her grandmother, who believes nothing good can come from dredging up the past.
Things begin like your typical mystery, presenting the details surrounding a puzzling situation, as well as all the characters involved and their relationships to each other (and it’s important to pay attention here, because all these connections are going to come back into play in a big way). The dual timelines, following Seraphine in the present and Laura in the past, are instrumental in providing the full picture, and though this slows down the pacing some, overall Emma Rous manages to keep the atmosphere of tension and suspense at a high level. One immediately gets the sense that Summerbourne is not as idyllic as it appears to be, the setting’s tranquil vibes and picturesque location belying the dark secrets hidden within. In the village, locals whisper of changeling legends and rumors about the Mayes’ curse. From Laura’s point-of-view, we also learn that despite outward appearances to the contrary, Dominic and Ruth had a troubled marriage. Discovering all this in the present, Seraphine becomes more and more obsessed with finding the truth.
However, things kind of take a nosedive in the second half of the novel, as the pieces of the puzzle start coming together. Depending on the type of reader you are, you might in fact take great pleasure in these sections (after all, if you’re a daredevil in a stunt plane, nosedives can indeed be exciting). At this point, the plot flies off the rails, becoming this ridiculously convoluted and tangled mess of family relationships while giving light to several implausible revelations that don’t really make sense, but you sort of have to go along with it anyway in order to find out the ending. To a certain extent, a plot twist only works if the reader has a fair chance to work it out, i.e. the author isn’t just pulling one out of her butt at the most crucial moment, but some of that was what I felt was happening here and it all just became a little too much to take.
Still, whatever else can be said about The Au Pair, it was certainly entertaining, and I can honestly say I did not see that ending coming. Despite my skepticism over everything playing out the way they did, I had a good time overall, and would recommend this book if you don’t mind suspending your disbelief for some overdone twists.
Audiobook Comments: The Au Pair audiobook features two narrators, Elizabeth Sastre and Nicola Barber, because the book features two points-of-view, Seraphine and Laura. I thought the voices of the two women should have been more distinctive, given the huge differences our characters’ personalities. However, other than that I had no complaints. The narrators’ performances were wonderful, and this was overall a good listen.
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Friday Face-Off: Priest
Posted on January 25, 2019 21 Comments
Welcome to The Friday Face-Off, a weekly meme created by Books by Proxy! Each Friday, we will pit cover against cover while also taking the opportunity to showcase gorgeous artwork and feature some of our favorite book covers. If you want to join the fun, simply choose a book each Friday that fits that week’s predetermined theme, post and compare two or more different covers available for that book, then name your favorite. A list of future weeks’ themes are available at Lynn’s Book Blog.
This week’s theme is:
“Be kind whenever possible. It is always possible.”
~ a cover featuring a MONK/PRIEST/PERSON OF THE CLOTH
Mogsy’s Pick:
Dark Debts by Karen Hall
This week, I had a book in mind right away, as Dark Debts was a horror-thriller novel I read only a few short years ago, and the story along with its main character who is a Jesuit priest has stayed with me ever since. What’s also interesting about this novel is that its 2016 re-release was not simply a new edition of the 20-year-old cult classic, but actually a completely reworked version featuring extensive changes including a different ending. The reason, the author explained, had a lot to do with how much she has changed as a person in the last two decades, as well as gaining more knowledge and understanding into her own Catholic faith.
The novel itself is a Gothic horror involving demonic possession, exorcism, and a heavy dose of mystery. The story begins with protagonist Father Michael Kinney testifying as a witness to a horrific crime involving a teenage boy and his two parents, appearing in court against the wishes of the church. In response, Father Michael’s superiors transfer him to rural Georgia immediately after the trial, forcing him to leave his old parish in Manhattan. Believing his exile to be a result of church politics, Father Michael is stricken when he discovers the truth about the dark, terrible secrets in his family’s past and that his transfer might in fact be no accident at all.
If you enjoy experiencing the disturbing feelings of unease or creeping dread brought on by the atmosphere of old-school horror movies, then Dark Debts is for you. However, I am not sure any of its covers really convey those subtle horror elements:
From left to right, top to bottom:
Random House (1996) – Simon & Schuster (2016)
Ivy Books (1997) – Pan Books (1998)
Winner:
I’ll be honest, they’re all terrible this week. Sure, a couple are worse than others (to be fair, something tells me the Pan edition is meant to be foil, because they liked doing that stuff in the 90s), but they’re all pretty bad. For me, it was a toss-up between the “stone statue” or the “priest” cover, though ultimately I went with the Simon & Schuster, and mostly because this is also the edition I own (the 20th anniversary hardcover with blood-red sprayed edges).
But what do you think? Which one is your favorite?
Book Review: A Big Ship at the Edge of the Universe by Alex White
Posted on January 24, 2019 33 Comments
I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.
A Big Ship at the Edge of the Universe by Alex White
Mogsy’s Rating: 3 of 5 stars
Genre: Science Fiction
Series: Book 1 of The Salvagers
Publisher: Orbit (June 26, 2018)
Length: 480 pages
Author Information: Website | Twitter
A Big Ship at the Edge of the Universe showed so much potential from its premise. You have an egotistical speed racer who loses her fame, fortune and friends after she is framed for a murder she did not commit. You have an ex-military pilot turned celebrity treasure hunter, except her biggest score didn’t pan out the way she’d hoped. All of this is set to the backdrop of space with a magical twist, because in this world, sorcery is as much a part of daily life as technology.
Which means, if you’re one of the few extremely rare people born without magic, things can really suck. Lizzie “Boots” Elsworth has long accepted that as her lot in life. She’s a veteran of a war that saw her home world destroyed, and now she makes her living selling fake treasure maps to gullible or desperate adventurers hoping to strike it rich with one lucky salvage. It’s mostly harmless, though Boots did make the mistake of selling one of her counterfeit maps to her former captain from the military, and now he and his crew are coming after her for some payback. While attempting to evade them, Boots runs into Nilah, a young woman who is in a terrible bind of her own. A pro racecar driver, she has just fled from the biggest event of the racing world after it was interrupted by the use of illegal magic. One of her rivals was murdered during the course of the spell, and the perpetrators have pinned his death on Nilah, forcing her to go on the run.
Both Boots and Nilah’s escapes are cut short, however, when Cordell, Boots’ old captain, intercepts the two women and holds them captive aboard his ship. And now, whoever is after Nilah is after him and his crew too. Realizing he’s been caught up in a greater conspiracy, Cordell has no choice but to keep running with his new prisoners in tow, learning more about their mysterious pursuers from Nilah and Boots’ accounts. Turns out, there actually might be real treasure out there, and somehow, it’s all connected to the maelstrom of chaos happening all around them.
Sometimes, no matter how much you want to like a book, you just can’t justify giving it more than an average rating. Still, average meant it was okay—it wasn’t great, but it wasn’t bad—and that’s pretty much how I felt about everything in this one, from its story to the characters and even the somewhat different-from-the-norm world-building. The reality is, there have been a number of these ensemble-crew-adventure-space-opera-type novels released in recent years, most of them attempting to capture the action and atmosphere of popular sci-fi franchises like Firefly or Star Wars. And quite honestly? I’ll keep reading them as long as they keep coming. I do love this genre, though admittedly, things can start to blur together the more of it I read, and at some point, my tastes must have become more demanding.
So technically, there really isn’t anything wrong with this novel. Still, while the people, places, and plot were all pleasant and entertaining enough to read about, they never truly cross the threshold into becoming interesting or memorable either. The characters have great backstories, but their personalities are archetypal, and they think and act in very predictable ways. Story-wise, we had our high points, though the plot on the whole is still your typical generic space adventure fare. The world-building, which should have been the novel’s crowning glory, also fell short, and I think it failed to shine for several reasons. First, any time you have both magic and technology in a sci-fi setting, things can get messy. To the author’s credit, he did manage to keep this mashup somewhat clean and easy to understand, though in doing so, I think he also played things a little too safe. We have some cool ideas here, like auto-racing with magic, but we only ever get to catch a brief glimpse or scratch at the surface. There’s a vibe of “just go with it” to many of the concepts, and most of the systems here, both magical and technological, are only lightly touched upon. The wider implications of a society having both at its disposal are also not considered or explored in depth.
In any case, A Big Ship at the Edge of the Universe wasn’t a standout for me, though granted, I can be quite picky when it comes to this genre. Still, if you enjoy fun sci-fi adventure stories about treasure hunters and heists in space and are looking for a light fluffy read won’t require too much time or deep thought, this one might just do the trick.
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Waiting on Wednesday 01/23/19
Posted on January 23, 2019 15 Comments
Waiting On Wednesday” is a weekly meme that first originated at Breaking the Spine but has since linked up with “Can’t Wait Wednesday” at Wishful Endings now that the original creator is unable to host it anymore. Either way, this fun feature is a chance to showcase the upcoming releases that we can’t wait to get our hands on!
Mogsy’s Pick
Pariah by W. Michael Gear (May 14, 2019 by DAW)
Oh joy is me, the third and final book of a fantastic sci-fi trilogy I discovered last year finally has a cover to go along with its intriguing blurb. And the best news? Less than four months before it releases! Countdown starting now.
“Corporate assassin Tamarland Benteen’s last hope is the survey ship Vixen. With a load of scientists aboard under the supervision of Dr. Dortmund Weisbacher, Vixen is tasked with the first comprehensive survey of the newly discovered planet called Donovan. Given that back in Solar System, Boardmember Radcek would have Benteen’s brain dissected, he’s particularly motivated to make his escape.
The transition that should have taken Vixen years is instantaneous. Worse, a space ship is already orbiting Donovan, and, impossibly, human settlements have been established on the planet. For Dortmund Weisbacher, this is a violation of the most basic conservation tenets. Donovan is an ecological disaster.
Down on Donovan, Talina Perez takes refuge in the ruins of Mundo Base with the wild child, Kylee Simonov. But the quetzals are playing their own deadly game: one that forces Talina and Kylee to flee farther into the wilderness. Too bad they’re stuck with Dortmund Weisbacher in the process.
Back in Port Authority, Dan Wirth discovers that he’s not the meanest or deadliest man on the planet. Tamarland Benteen is making his play for control of PA. And in the final struggle, if Benteen can’t have it, he’ll destroy it all.”






























