Audiobook Review: The Haunting of Room 904 by Erika T. Wurth

I received a review copy from the publisher. This does not affect the contents of my review and all opinions are my own.

The Haunting of Room 904 by Erika T. Wurth

Mogsy’s Rating (Overall): 1.5 of 5 stars

Genre: Horror, Mystery

Series: Stand Alone

Publisher: Macmillan Audio (March 18, 2025)

Length: 9 hrs and 48 mins

Author Information: Website

At first, I was very excited to pick up The Haunting of Room 904. I mean, come on! Even the title sounded awesome. What could possibly go wrong with the promise of a haunted hotel story? Well, apparently, quite a whole lot. And when I looked up the author’s information, I was actually surprised to find out that this was not Erika T. Wurth’s first novel, because both the writing and plotting felt amateurish in a disjointed, sloppy way, which unfortunately kept the novel from ever fully realizing its ambitious premise.

The story follows Olivia Becente, a struggling academic who has turned to capitalizing on her clairvoyant gifts to make ends meet. Now a paranormal investigator, she works with clients who hire her to commune with the dead and occasionally takes on cases that involve neutralizing the dangerous effects of haunted or possessed items. But the truth is, Olivia has a pretty haunted history herself. Ever since the unexpected suicide of her sister Naiche, Olivia can’t stop thinking about her or any of unexplainable circumstances around how she died.

This is why, years later, when she is contacted by the Brown Palace hotel about a new case, Olivia immediately agrees to investigate. Not only is it one of the most recognizable landmarks in Denver, but the hotel is also the one in which Naiche killed herself in Room 904. It comes to light that every five years, a woman mysteriously dies in that room, no matter what the hotel does to prevent it from happening, even sealing it off altogether. As Olivia and her friends try to make sense of these connections, she receives a disturbing call from her mother, sounding distressed and confused, revealing that she has somehow checked into Room 904—despite having no recollection of how she got there. Now racing against the clock, Olivia’s investigation brings her to confront everything from a secret cult to the mysteries of an ancient power.

It honestly annoys me whenever a book with an amazing premise manages to completely unravel under the weight of its own ambition. It’s a shame because The Haunting of Room 904 could have been great, but what we get instead is an overstuffed narrative with simply too much happening at once. Rather than having things unfold naturally, the novel stumbles from one subplot to another like an easily distracted toddler. Things start off smoothly with Olivia’s investigation into a haunting but they quickly devolve from there, shifting suddenly to her family problems, then to her dealing with a stalker ex, and out of the blue a romantic development gets thrown in as well. There’s enough silly drama here to fill ten books, but instead everything is crammed together in a way that leaves everything feeling half-baked.

On top of that, the protagonist Olivia is the worst kind of idiot, someone who is constantly positioning herself as the smartest person in the room, yet her decisions contradict that perception at every turn. In one egregious example, she moralizes about guns only to justify getting a concealed carry permit because she believes her situation is unique, yet fails to arm herself when it critically mattered, resulting in the gun being turned on her by the very person she wanted to protect herself from—all because she set a glaringly obvious passcode on her safe. She’s also unbearably judgmental of others yet blind to her own flaws, making her difficult to root for. Partly, I think this in part is due to the book seeming more concerned with checking identity boxes and inserting social commentary than telling a compelling story. For example, every character’s race, gender, background, disability, etc. is noted, even when it’s completely irrelevant to the plot. The dialogue suffers greatly because of this too, because no one really talks the way these characters do. In some of their interactions, rather than an organic conversation, they come across more like stilted, overly self-aware message pushing instead.

Then there’s the matter of character development—or lack thereof. Olivia’s friends are little more than stock archetypes, defined by their identity labels above and further slotted into cookie cutter type caricatures: Genius Loudmouth Friend A, Sensitive Supportive Friend B, etc. And obviously, we mustn’t forget the dastardly ex-boyfriend who is cartoonishly villainous. But of course, Olivia being Olivia, she immediately gets the googly eyes for the next man who gives her attention, never mind that he’s a suspiciously charismatic leader of a fucking cult! Remember though, Olivia isn’t too bright, and the fact the guy is hot and fits the dark, broody goth aesthetic means that he gets a pass.

As if the disjointed plot and shallow characters weren’t bad enough, the writing itself is a hot mess. Transitions between events are choppy, making it a pain to follow the story. The pacing is also all over the place. The horror elements, which should have been at the forefront, feel tacked on and underdeveloped. What could have been an intense, mysterious, and atmospheric ghost story instead reads like a bland, dime-store thriller with some paranormal elements hastily sprinkled in. Any sense of suspense or dread is completely lost.

Ultimately, The Haunting of Room 904 is a book that had all the ingredients (one might even argue too many ingredients) for a creepy and engaging horror novel with some thriller elements mixed in. However, the failure to pull all these pieces together in a cohesive and coherent manner resulted in a disappointing read where the core mystery lacked direction and focus in its execution. Sadly, the book started out strong, but by the end, it simply fell apart under the weight of all its missteps.