Mogsy’s Rating: 4 of 5 stars – “And original, unique and wildly imaginative Young Adult novel that made me see things in a whole different light”

The novel follows Beth Bradley, a young graffiti artist seeking escape after being sold out by her best friend in an incident that suspends her from school. Her father hasn’t been the same ever since Beth’s mother died, and hardly even notices what goes on in her life anymore. But just when you think this will be yet another story about an angsty teenager running away from her troubles, this book turns everything on its head.

The fun begins when Beth meets up with the mysterious “Urchin”, the cocky pavement-slate-skinned boy who introduces himself as Filius Viae, prince of London’s streets and the city’s son — for he claims that the goddess of the city is his mother. What follows next is pure wildness as a whole new world is opened to Beth, one filled with living statues, voice-stealing spiders that crawl along telephone wires, runaway railwraith trains, and beings that live inside streetlamps. As rumors surrounding the goddess’ impending return continue to mount, Beth helps Filius rally the troops against Reach, the urban god of decay who is preparing his own return to the city in order to see her new friend dead.

The result of this is a novel that’s gritty yet sometimes beautiful, with ideas in here ranging from pure whimsical to just downright terrifying. It’s also, to put it mildly, all very strange. At the end of the book, Tom Pollock acknowledges authors like Neil Gaiman and China Mieville as influences, and I can absolutely see that here. Consider Gutterglass, Filius’ caretaker who has raised him in his goddess mother’s absensce, who sometimes manifests as a pile of city garbage, with egg shells for eyes or discarded pens for fingers, all held together by dirt, bugs and worms. Like I said, whimsical and terrifying.

In the past year, I’ve read several books that feature the setting so strongly that they may as well have been love letters to their respective cities. But still, there’s bringing your city to life and then there’s bringing your city to life. Sometimes the world-building is done so well and described so richly that the setting ends up becoming like a character in and of itself, but this book takes personification of urban features to a whole new level. Tom Pollock presents London in a way that will completely blow your mind. I read things in this book I never would have imagined in my wildest dreams. Just the sheer amount of creativity at work here is astounding; I have never read a book like The City’s Son.

If anything, the world was so fantastically well done that it ended up taking center stage in my mind, making the characters pale in comparison. Don’t get me wrong, both Beth and Fil were great, but they almost felt like the supporting cast in light of my love for this incredible re-imagined version of London. I enjoyed the characters immensely but still didn’t feel much for their relationship whenever they were together despite their witty dialogue and banter, because ultimately it was the city along with its many strange denizens that made this book so great in my eyes.  

The City’s Son was exactly the kind of book I was looking for — a unique and unconventional YA novel that made me see things in a whole different light. Interestingly, this was also my first experience with a Young Adult title from Jo Fletcher books, and based on their penchant for publishing novels with innovative and just plain cool ideas, I’m honestly not surprised that I enjoyed this as much as I did.